El último maestro del aire

After waiting extremely eagerly for this movie, I sat in the theater and was extremely eager for it to END. Ear-oh? Oong? Soak-ah?! Could they have butchered the names anymore than they did? Worse, the entire movie felt like a string of clips put together for an hour and a half and not like a movie at all. All the major parts of the Book of Water were skimmed over, while things like the freeing of the earth nation village (while important) were given screen time that could have been given to major events like the southern air temple.

The actors were dismal, with the exception of Dev Patel as Zuko and to a lesser extent Shaun Toub as Iroh, who wasn't an accurate portrayal of Iroh visually but at least captured the character's wisdom much better than many of the other actors on board for the movie. He however failed to provide many of the aspects of Iroh that made him endearing in the series.

I will give that the northern water kingdom was gorgeous, but that's about all I have to say kindly about this movie.

If you love Avatar: The Last Airbender as the series, I recommend giving this movie a miss. It's heartbreaking how they butchered something that had such fantastic and barely needing change source material.

No story, no history, absolutely dreadful script and acting that is frankly despicable. You can't write. You can't make up a world arbitrarily with no fleshing or effort. The Happening and Lady in the Water were terrible. This is much worse.

Shame on you you lazy lazy man. The talent is there. Your ego is simply unable to get past it. Go away and let someone hungry and brave who doesn't live in a fantasy world in their own nether-regions produce something.

You owe me my ticket and the complete waste of one and a half hours of my life. Tosser

The Last Airbender (2010)

1/2 (out of 4)

After being freed from an iceberg, Aang (Noah Ringer), a long lost Avatar who is the only one able to bend the four elements, finds himself doing battle against the Fire Nation who who attempting to take over all three Nations (Air, Water, Earth). M. Night Shyamalan's THE LAST AIRBENDER is based on the very popular television show, which is something I've never seen so I pretty much walked into this not knowing what to expect from the story. I'll admit by the ten-minute mark I was pretty much lost in regards to the story and each passing minute I found myself growing even more confused. I then had to do something I never do, which was stop the movie and call someone familiar with the TV series and this film to try and find out what the heck was supposed to be going on. I painfully sat through the rest of the movie and afterwards I started to read other reviews and I was happy to see that I wasn't the only one who couldn't make any sense out of this material. I will say that I think Shyamalan has gotten some pretty bad beatings over his recent films, which I think were unfair but there's no doubt that he deserves the majority of the blame here, although I think a very strong argument could be made that those who hired him should be on fans hit list more than Shyamalan. The biggest fault of his was the screenplay, which simply doesn't make any sense as the story is always jumping from one place to another and none it ever seems connected. From what I've gathered he was jumping around so many parts of the show that unless you're familiar with it you weren't going to know what's going on here. Even worse are the actors who are all extremely bad and come off even worse when they have to say the bad dialogue. I don't like to attack child actors so I won't mention any of them by name but what were the producers thinking when they agreed to cast them? Surely there were more talented people out in Hollywood. The special effects are all poor, the action badly directed and even worse is that there's simply nothing here to care about. Some nice cinematography is about the only thing going for this turkey, which is every bit the misfire its reputation would have you believe.

I remember watching this movie back when it first came out and I didn't think it was that bad. I just finished watching the cartoon series on Netflix and I figured I would re-watch this to wrap it all up. Now I wish I hadn't watched it. It's NOTHING like the show. I wonder if the people who worked on this movie even saw the show. Stay away from this movie. It's so bad that it actually hurts to watch it.

"The Last Airbender", directed by M. Night Shyamalan is tortuously lethargic, uninvited, abysmal, and uniformly atrocious (in every aspect). And that's me being nice! Based on Nickelodeon's beloved animated series (to which I am only vaguely familiar and thus can't compare) is set i a world in which the population is divided amid the four elements (Earth, Wind, Water and Fire) and some skilled practitioners whom can "bend" these elements to their will. Since the elements are naturally at odds with each other, an overall controller is needed to maintain order among the kingdom. This role is played by the Avatar, who can manipulate all the elements and thus can keep balance and peace amongst the tribes. Only problem is this Avatar has gone missing for 100 hundred years. "The Last Airbender" follows a brother and sister from the Water Tribe, Sokka (Jackson Rathbone) and Katara (Nicola Peltz), who discover a 12-year-old monk-child from the Air tribe frozen in a block of ice and his gigantic furry steed (that resembles the luck dragon in "The Never Ending Story").His name is Aang (Noah Ringer), and he, of course is the missing Avatar. Now freed, he finds his home air tribe are all dead and the rest of the world in turmoil. All at the hands of the tyranny of the dreaded Fire Nation. Aang, who never wanted to be the Avatar in the first place (thus why he ran away) must step up, lead a resistance and bring peace back to the Kingdom. However, he must first learn how to control the elements other than air (was imprisoned by an ice storm before he could train). The Fire nation led by Lord Ozai (Cliff Curtis) wants none of this of course and seeks to capture and subdue Aang (they would just kill him but he'd just get reincarnated). Rounding out the plot is Ozai's son, Prince Zuko (Dev Patel), living in exile with his uncle Iroh (Shaun Toub), who also wants to capture Aang and bring him back to his father to win his honor back. Sound like a lot? It is, but surprisingly not as convoluted as it sounds. The scope of the plot, which attempts at mysticism, politics, religion and a whole obvious Jesus angle isn't the problem. Its how the story is told that makes it unbearable. It throws a lot at you with no effect. It fails definition and lacks resonance. Everything is rushed. Characters and story elements are given no development. Take the Fire Nation for example. We are told they are scourge of the once unified kingdom but we arn't shown this. They travel the globe in their ominous, menacing, iron ships and have a mightier than though attitude but all in all nothing that establishes their evil-ness; albeit a later incident with a glowing pond guppy. Because of this we have nothing at stake, no reason to root for the good guys to triumph. Another example would be a big part of Aang's journey. Which involves him letting go of his anger towards the genocide of his people (a scene depicting said genocide would have helped sell the fire nation's douchey-ness) but we never see him get angry enough to make "letting go" have meaning. Void-ness of emotional moments are what really plague this film. I would blame this on the script but the performances are what make it not work. Every actor in this film (minus Shaun Toub) delivers dialogue as if they were reading it for the very first time. Not one thing anyone says carries any weight, none of it resonates emotionally. To say the actors suffer from wooden acting would be insult an to wood. It seem Shyamalan seemed much more interested in the visuals than the narrative (or the dialogue, which is shoddy at best). M. Night manages a few striking images, most of them involving otherworldly landscapes and ornate set design. There are strong special effects and action sequences which are fluid and vivid. Particularly with the fights involving element- manipulation. Winds gusts slamming people around like rag dolls, earth barricades, globs or walls of water and so on are eye popping. The effects are top notch. The hand-to-hand, Kung-Fu fight sequences are well choreographed as well, but a bit too extraneous. Should also mention that this movie is available in 3D and lets just say it's a wasted element (pun intended), an unnecessary afterthought. It wrecks whatever visual grace that might have been (and will give you a massive headache). Though, relatively successful in cinematic aspects Shyamalan, overall fails to capture the sense of adventure. There is a signs of a beautiful journey but it ultimately falls flat. Underwhelming and joyless Avatar: The Last Airbender is sure the be the final nail in the coffin of M. Night Shymalans stunted career. M. Night Shyamalan: Fool me once? Shame on you. Fool me four times? "The Sixth Sense" was clearly a fluke.