Already Dead

The family man Thomas Archer (Ron Eldard) is successful at work and happily married with his beloved wife Sarah Archer (Marisa Coughlan) and they have an adorable boy. When a burglar kills his son and the babysitter and beats Sarah, Thomas fights the killer and glances at a tattoo on his wrist; however the killer escapes and the lives of Thomas and Sarah are destroyed. Neither Sarah nor Thomas recover from their loss and when the detective (Patrick Kilpatrick) informs that the case will be closed due to lack of clues, budget and manpower to proceed, Thomas is forced to go on therapy with the psychiatrist Dr. Heller (Christopher Plummer). Three months later, Thomas has no psychological improvement and Dr. Heller offers an expensive alternative method to resolve his trauma: Thomas should pay US$ 500,000.00 to a secret group of vigilantes that would deliver the criminal to him and he could revenge upon the man that ruined his family. Thomas accepts the deal and is summoned to an abandoned facility monitored by cameras where he meets a gagged man (Til Schweiger) tied up to a chair in a room with instruments of torture. Thomas tortures the man that should be the wanted killer but out of the blue, he finds that the man does not have the tattoo on the wrist. He calls Dr. Heller to explain the mistake but the doctor tells that the only way to leave the room is killing the man that is a scum. But Thomas does not accept the offer and teams up with the man. Will they succeed to flee from the place?

"Already Dead" is a suspenseful low-budget thriller with an engaging story and great performances. The plot about revenge builds up tension and the twists are predictable except the last one in the very last minute. But the film is very enjoyable. My vote is seven.

Title (Brazil): Not Available.

I have to be in the mood for thrillers as I often find them a little predictable. Not so with 'Already Dead'. (Btw, the title seems to be a very poor choice, coming from a glib one-liner in the movie and has no relevance to the plot whatsoever nor even to what you might think the plot might be.)

When Archer's happy, affluent life as a ordinary man is destroyed in a moment of life's cruelty as a result of the murder of his young son, he and his wife are devastated by the tragedy. It is tearing him up inside and destroying his marriage. When without really thinking about the implications, he is given or led into a clandestine opportunity to get his own back, without recrimination upon himself, against the man who destroyed his life he embarks upon a course of actions that leads where he would never have expected. There are some surprises in store.

In the hands of a different Director, this movie could have been so much better IMO, but for all its many Directorial faults, the acting skills of the people playing the main characters and a plausible storyline carry the film and make it eminently watchable, indeed, extremely suspenseful at times. Ron Eldard (Archer) and Til Schweiger (the 'man') are outstandingly good in their roles, although Plummer is just being a ham.

There are times where the pace slows a little and I felt a little bored whilst waiting for something to happen where a better Director would have used suspenseful music or switched scene or added dialogue, also occasionally better lighting would have not been a bad idea - watching a black screen whilst two men are fighting but you can't see them is a bit frustrating. Nevertheless I was intensely interested to see what happened so I stuck with the movie despite the less skillful Direction.

I am being rather generous with my rating at 8 stars, but the film deserves some merit for a very interesting storyline, convincingly portrayed by skillful actors despite only passably competent Direction.

Worth watching to the end despite a few lulls in pace. Overall a good film, with a few twists and several incredibly tense scenes that should stop you switching it off. For all its faults, I enjoyed it.

While the current trend in scary movies seems to be becoming the property of the Computer Generated Graphics industry, real terror comes from studying the possibilities of a human mind scarred by trauma. Such is the material that makes ALREADY DEAD a frightening film - a revenge story by Robert Lynn Archer transformed for the screen by Joe Chappelle and directed imaginatively by Joe Otting. If the theme of a citizen taking justice into his own hands is not new, it wears well enough when we consider the current state of criminal justice as portrayed in the media today.

Thomas Archer (Ron Eldard) is living a successful, happy life until a burglary associated with the death of the babysitter and his son and the beating of his wife disrupts everything. Thomas is informed that the police don't have the manpower to investigate the killings, a fact that further enrages Thomas who is unable to work or function in his grief state. He is referred to a therapist Dr. Heller (Christopher Plummer) who oddly counsels him that perhaps the only way Thomas can get on with his life is to do everything in his power to track the killer down on his own. 'Arrangements' are made with a group of men (mostly frustrated cops) who inform Thomas that for a large fee they will take him to the killer and he can act on his vengeance. Transported by cellphone instructions to a deserted warehouse, Thomas encounters a bound and gagged man (Til Schweiger) who he is told is the killer of his son. Thomas begins his torture of the man only to gradually discover that the man does not bear the arm tattoo Thomas had clearly seen on the perpetrator. Dr. Heller is called to the scene and encourages Thomas to kill the suspect, but Thomas has enough doubt that he frees the suspect and together they begin a terrifying journey out of the maze-like warehouse. The ending may not come as a complete surprise, but it is the telling of the story as basically a character study between the two men that makes the film powerful.

Both Ron Eldard and Til Schweiger are completely convincing in their not so disparate roles: they both have very strong screen presences and with minimal dialog manage to take us, the audience, along with this creepy 'game'. There is some violence to be sure, but the terror of the film emanates more from the interaction of Eldard and Schweiger, each showing the extremes the bruised psyche can display. Not a great film but a film far above the routine 'horror picture' category. Grady Harp

It seems strange to me that we live in an age where scripts for mediocre thrillers such as "Firewall" can draw a big name like Harrison Ford whilst this little gem goes seemingly unnoticed. However, don't let the absence of any A-list Hollywood names stop you from checking out "Already Dead" because Ron Eldard and Til Schweiger are perfectly cast here. Never heard of them? Don't worry - you'll probably recognise them when you see their faces and, if there really is a God, they'll both soon headline much bigger movies.

What's fantastic about "Already Dead" is that it doesn't waste time getting into the story. The movie begins with events set in motion. Our first scene introduces us to Thomas Archer, a man evidently in some degree of emotional turmoil, as he walks through a train station with a large bag. What's in the bag? As he makes his journey towards his destination the audience is given brief flashbacks which bring you up to speed on what has already happened. As the present events unfold, the flashbacks continue until they intersect at a specific point and Thomas Archer is posed with a terrible decision.

I won't mention any more of the storyline because, for me, one of the highlights was the way in which it progressed. Another review on IMDb mentioned the lack of surprises which makes me wonder if we saw the same movie. I was continually wondering about the motivations of certain characters (in particular, Schweiger's character who is simply known as 'The Man') and the ending I predicted never occurred (yet still fully satisfied me). I also have to take issue with another reviewer's comments that the movie was 'slow in the middle'. I didn't find that all.

Despite "Already Dead" being a very polished production, it is deliberately filmed in a very raw way which mainly uses hand-held cameras to make you feel as though you're there with Archer during the movie. Good performances from the two leads as well as the supporting actors (Patrick Kilpatrick and Christopher Plummer) ensure that you're gripped throughout. It also manages to not outstay its welcome; there certainly weren't any moments when I found myself looking at my watch.

If you like smart thrillers with lots of action, I'd definitely recommend checking out "Already Dead". I'd also recommend not reading about the plot beforehand. Watch it without any knowledge of what will be happening and you'll find yourself pleasantly surprised.

I enjoyed this film, for the most part. The acting was well done, lighting was good, and it had plenty of action to hold interest. One main point I liked, is that it will cause you to wonder if you might take the same risks and actions, as the father does, if you were in his shoes.

It seemed every scene was valuable to the story, and character background. But, I thought the sequencing of certain scenes caused me to momentarily lose my focus on what was happening.

I won't say what those are, or discuss any of what happens. I did wonder who plays the son. There was no mention of him in the credits, nor is that information on any movie review site that I've seen.