En Harlem, en la ciudad de Nueva York, alrededor de 1987, una adolescente con sobrepeso, maltratada y analfabeta que está embarazada de su segundo hijo, se inscribe en una escuela con la esp... Leer todoEn Harlem, en la ciudad de Nueva York, alrededor de 1987, una adolescente con sobrepeso, maltratada y analfabeta que está embarazada de su segundo hijo, se inscribe en una escuela con la esperanza de que su vida pueda cambiar.En Harlem, en la ciudad de Nueva York, alrededor de 1987, una adolescente con sobrepeso, maltratada y analfabeta que está embarazada de su segundo hijo, se inscribe en una escuela con la esperanza de que su vida pueda cambiar.
- Ganó 2 premios Óscar
- 114 premios ganados y 103 nominaciones en total
- Tom Cruise
- (as Barret Isaiah Mindell)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Clareece "Precious" Jones (Gabby Sidibe) is a fat 16-year-old illiterate black girl that lives in Harlem with her welfare-dependent, abusive mother (Mo'Nique). She has one autistic daughter (who lives with her grandmother) and is pregnant with another child, both from her mother's boyfriend, who is also Clareece's father. Her mother repeatedly tells her how stupid and worthless she is while other kids taunt her for her obesity. She has become hardened and heartless, lacking education and social skills. She spends her time cooking for her mother and fantasizing unrealistically about a glamorous life. She would be easy to dismiss. Based on a novel by Sapphire, this is some pretty bleak stuff.
But good things can happen in this world and Precious is blessed with an indomitable spirit that refuses to accept the negative reinforcement that bombards her. Through her efforts, and despite resistance from her mother, she finds an alternative school. It is staffed by Miss Rains, a caring teacher (Paula Patton) and classmates who, although anything but perfect, possess enough compassion to become supportive friends. It turn out that the world can be a pretty good place.
First-time actress Gabby Sidibe gives a powerful, emotive performance. Equally good is talented actresses Mo'Nique, who is almost frightening as Precious' mother, and Patton as the compassionate teacher. Lenny Kravitz and Mariah Carey also have minor roles, giving the film a little star power.
Daniels conveys a Harlem existence that is profane, hard-edged and brutal, but with rays of humanity and compassion that leave room for hope. It is at once both a message to the poor in spirit not to despair, and to the rest of us make the time and effort to reach out where we can. Push is an inspiring message that will fill you with optimism and joy.
Sundance Moment: When asked about her getting the role, Sidibe said that she had some acting experience--like a non-speaking role in a college production. Pretty funny! She said her friends encouraged her to audition because she "fit the profile." She also said she relied heavily on "Mr. Daniels" for direction. Daniels said there were parts of making the movie that were hard on him emotionally--like directing Precious to eat, or instructing her peers to bully her.
I will say this: Precious' mom isn't unique to Harlem or the black community. as someone with a significantly different background, I found myself nodding and shuddering at turns.
some will say that it is too much bad to happen to one person. but it's the vulnerable ones who are most open to this sort of abuse.
I read around the internet such opinions as, "the inner cities are beyond repair, there is no hope for them, for the people who live there". this is some sort of political statement I imagine. but I would assert Precious' experience is a quintessentially American one; the America I know, after all, the America of enormous racial and economic inequality. Hollywood doesn't like to focus on this aspect of our society considering it not very interesting or likely to induce guilt in the upper-middle class folk most likely to buy movie tickets. but watching precious helped me feel vindicated: "here, at last," I said to myself, "is someone telling my story".
what *is* inaccurate is the portrayal of social workers as generally helpful or even moderately well-meaning people. this is blatantly false. the role of the social worker is that of an auditor; my experience with them is that they have nothing but contempt for the people who they are hired to help.
of course precious was right in the end. what could the nice lady do for her? but at least her heart was in the right place.
the problem with America isn't the inner cities but an utter lack of love, compassion, understanding.
One aspect of the film that deserves all the praise in the world is its cast, specifically the performances of its lead actresses and the surprising and unexpected quality of these performances considering the particular thespians involved. First and foremost, we have the breakout role of Gabourey "Gabby" Sidibe, portraying the overweight, twice-pregnant and illiterate protagonist, Precious. The performance is a revelation both because of how convincingly Sidibe reacts to and interacts with her brutal day-to-day existence, but also because of how completely removed it is from the first-time actresses' actual life. It's always impressive to see a performer convincingly convey difficult and profound emotions that they probably would never feel themselves in their real lives, but for a first-time actress to convey these emotions is particularly incredible. Precious' life is populated by three prominent adult characters; two of which see past her daunting exterior and genuinely want to help her, and one who does the exact opposite. Mariah Carey plays a social worker who takes a personal interest in Precious' case and, in the film's most dramatically gut-wrenching scene, makes a genuine attempt to bridge the gap between the teenager and her monstrous mother. Carey has only ever acted in two or three other films, including the atrocious vanity project "Glitter", but in this role, she de-glams, puts on a convincing and raspy accent and actually manages to deliver a surprisingly well rounded and convincing performance. Paula Patton plays another alternate mother figure in Precious' life, her teacher at her alternate school who takes a particularly personal interest in Precious, to the point of letter her stay at her home when she has nowhere else to go. Unlike Mariah Carey, Patton never did anything to totally remove my confidence in her acting abilities, but then again, she's never actually given what can really be considered a "good" performance, which is what makes her tender and genuine turn in this film most impressive. But the scene-stealer is without a doubt Mo'Nique, probably one of my LEAST favorite "comedic" performers who totally redeems herself and manages to deliver a frighteningly convincing performance, incredibly transforming herself into Precious' villainous, sadistic and purely evil mother. It is an incredible and difficult and extremely brave performance, and is even more impressive considering that it's coming from the star of "Phat Girlz".
The performances are rich and incredible enough to hold up dramatic scenes, but not the narrative as a whole, which, as I mentioned before, suffers from a series of bad directorial choices made by director Lee Daniels. The film's biggest flow is emotional inconsistency: in an attempt to portray Precious' inner feelings, Daniels injects strangely conceived fantasy sequences at key dramatic moments in which Precious imagines herself as a glamorous and famous personality. While the intention of these sequences is clear, their abruptness just totally jolts the audience out of the emotional flow of the film, and they just seem out of place. For a similar reason, Daniels chooses to set grim and dramatic scenes to oddly inappropriate songs and musical cues, which once again just feel forced and out of place, and interrupt the emotional resonance of the scenes. Other than that, the film just seems poorly done at times, or simply unfinished: the cinematography is inconsistent and often features zooms and loss of focus that don't feel like stylistic choices but rather just like mistakes. In addition, the editing is quite disjointed at times, and many cuts interrupt musical cues in the middle or otherwise are just so sudden and jumbled that they completely ruin the dramatic flow. Finally, I just felt that while many separate scenes work wonderfully and are emotional and genuinely gut-wrenching, they are just too loosely connected for the film to actually carry a consistent dramatic arc throughout, as it jumps between Precious' brutal home life to her newfound support in her classroom to her day-to-day activities to her inner fantasies. For example, a major dramatic reveal near the end of the film end sup completely ignored and thus irrelevant to the dramatic arc. As I mentioned earlier, the performances are absolutely spectacular, but the inconsistencies in the film's tone and its jumbled and odd editing take away from what otherwise could have been a genuinely affective film.
After watching it, we have to think about these problems like home problem or individual problem, race, skin color, and so on. There are actually a lot of people like her in the world. They're supposed to suffer, but they also must know there are some people supporting them around them.
Not only them. Everyone in the world has to realize that we are living with each other's support. And a child can't choose his/her parents. I deeply think over that.
The movie starts with Claireece "Precious" Jones the lead character, in the school where she has been suspended as she is pregnant with her second child at the age of 16. Precious lives in a world of her own though she is living in a dreadful condition. She forgets her misery by disguising it with her dreams of having a charming boyfriend and living a celebrity life. The movie depicts her struggle to deliver the second child, the realization of the purpose of life and living it on her own terms.
The summary of the movie is "Life is what we define it to be and not what we are made to live".
¿Sabías que…?
- ErroresThe Reach One Teach One teacher's office displays a certificate with Bill Clinton's signature as President of the United States. He was inaugurated in January 1993, and the scene occurred in 1987.
- Citas
Clareece 'Precious' Jones: The other day, I cried. I felt stupid. But you know what? Fuck that day. That's why God, or whoever, makes new days.
- ConexionesFeatured in The Rotten Tomatoes Show: Couples Retreat/Bronson/An Education (2009)
- Bandas sonorasHumpin' Around
Written by L.A. Reid (as Antonio L.A. Reid), Daryl Simmons, Kenneth 'Babyface' Edmonds (as Kenneth M. Edmonds), Thomas Reyes, and Bobby Brown
Performed by Bobby Brown
Courtesy of Geffen Records under license from Universal Music Enterprises
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Precious: Preciosa
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 10,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 47,566,524
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,872,458
- 8 nov 2009
- Total a nivel mundial
- USD 63,649,529
- Tiempo de ejecución1 hora 50 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1