Missionary Man

The story here is actually a pretty good one, nothing new but still good.

The movie though has a couple of issues. The first being the fights, this is Dolph not De Niro, I'm primarily watching this for action. The choreography seemed to go out of the way to avoid displaying the fights?

Secondly, I'm not a cinematographer by any stretch, but the film seem to have been shot through a brown filter. So the colours were muted and the film looked dirty gritty and unclear, and not in a good way.

Otherwise its alright.

only the last scene has real action(except in content and required mood), but because all the other elements are in place you might not even notice. for the general viewer, this is an interesting flick about and with MODERN native Americans and their way of life on the last reservations.from the way they educate the children, to interesting cultural aspects; well documented i actually felt like i learned something beside watching a "classic" revenge movie. "old school" clichés that never get old if done properly.

it is a classic suspense build-up plot; nothing special but simply can not find anything wrong other then being slow at times. however the movie has a lot of shots and visuals that contain artistic images that will not let you loose interest. all actors are decent and in some scenes really good.the best component, i would argue, are the costumes, and to certain extent the well chosen environment; it goes very well with crating the mood required to sustain the simple but effective plot.the biker's gang in the last 30 minutes is well done very menacing and looks real.John Enos III as their leader performs excellently.the soundtrack is nothing spectacular but fits properly as mood definer.

now about Dolph Lundgren; if you have grown up on such flicks as "the red scorpion" you might enjoy this a lot providing you not expecting any sgi fights. he aged decent and his "cold" tone got better and feels more "real". as a director he seems very decent will be checking his future productions hopefully will not be disappointed.he is way better in substance then Stallone is in his "rambo 4"(pointless action). seems like this project is dear to him from the way he handles dialogs, subject matter and the body language on display.

overall i enjoyed it. however i do not agree at all with any "Missionary" men especially "born again" Christians. from a vintage point of view i liked it, but in reality this only creates just yet another type of extremists/extremism.i do not find "cool" preaching the bible to the native Americans ,that got almost exterminated in the past because the "white man's God". however there are some details, for example regarding the facts of how the catholic church and "education" tried to forbid them speaking their own language(s) so they "convert" properly...

This is Dolph in his best ever! For you that don't have seen a lot of Clint Eastwoods movies this is a (official or unofficial, don't know) remake of Pale Raider with a influence of High Plains Drifters. Take place in the modern world but with a western, outlaw feel to it.

A stranger drives in on his iron horse to the town in need of help.It's the classic avenger movie with all the ingredients that you would expect. You know what you gonna get and are NOT disappointed. Dolph really shows that he is qualified as a director. The angels are great,the photo of the film and the feeling, it all fits beautiful! I was really surprised at the quality of the picture and I can't wait to see if he can keep this up in the future!

I give it a 10/10 the best action movie I've seen in years!

A mysterious biker (Dolph Lundgren) arrives in a small town in an Indian reservation for the funeral of his friend J.J. and discovers through his family that he was murdered by the men of the powerful John Reno (Matthew Stephens Tompkins). The corrupt businessman plans to build a casino in association with criminals from the North in the town and J.J. opposed to his intentions offering a better option to the locals. The lone vigilante decides to stay in town with his bible and drinking straight tequila and like an avenging angel, bring justice to people.

While watching "Missionary Man", I have immediately associated the story as an adaptation of "Pale Rider" and the character of Dolph Lundgren to "The Preacher" and also to "Billy Jack", and I found that others IMDb users had had the same impression. Like in "Pale Rider", the mysterious stranger leaves many open questions that may give a mystical interpretation to his character. In the end, "Missionary Man" is modern adaptation and very decent remake of a classic. My vote is seven.

Title (Brazil): "O Missionário" ("The Missionary")

Dolph's latest film, and his third foray into directing, is once again one of his career best. Like The Mechanik, Dolph puts to bed some of the murkier days of his back catalogue, and proves, that the best man to help bring Dolph Lundgren back into the limelight, is Dolph Lundgren! Delving once more into a film with a theme of revenge, as in The Mechanik, there might have been a niggling worry, that re-treading that ground could breed familiarity. But what Dolph delivers is an action film in style, tone, and look, that is not only far removed from what he's previously done, but a film that just looks and feels fresh. There aren't many action films out there like Missionary Man, on a visual, tonal level.

In Missionary Man, Dolph stars as Ryder, a mysterious stranger who rides into town for a friends funeral. Pretty soon he's rubbing local oppressor John Reno up the wrong way. As the film progresses we start to see Ryder has other motives for being in town. It's a modern western and has some great western trademarks, including a fantastic climax. However though on paper the story has similar arcs as Dolph's previous directing effort, Missionary Man is such a contrast. It's a whole different style of flick, and with Dolph's increased level or creative control since his last directing gig, it's a more complete vision.

As director, Dolph really has a great visual eye here. What's great about the film, is that beyond the choice of super-16, it feels as if Dolph is in complete control. He's constrained by a tight budget certainly, but he spends it brilliantly, and really creates a great atmosphere. Dolph, his DP Bing Rao, and steadicam operator, George R Niedson combine to create a visual delight. There's some great shots in this film, and it has a feeling of being a graphic novel brought to life, particularly with some almost picturesque still shots. Dolph has gone all out here. At times it feels quite arty, and considering this is a DTV film, and a Dolph Lundgren film, that's quite something! The choice of super-16 is one that can be fraught with peril. There's a graininess to it, and the way it picks up light and colour can sometimes make a film look bad if not in the hands of a capable or inspired DP. Of course not only is the film well shot, but given it was shot on super- 16, there was the advantage of it being mastered directly onto HD. This also allowed for easier digital grading, as well as ensuring the film looked crisp. I mean this sucker has a great transfer. Dolph makes full use of the grading tool, and gives the film an almost monochrome look. The de-saturated picture adds to the foreboding atmosphere, and is also ably helped along by the low key and effective score by Elia Cmiral (Ronin, The Mechanik). Elsewhere Dolph knows action, having worked with the likes of John Woo, and he delivers here. There's short punctuations of violence throughout the film, before the inevitable, and just downright badass showdown. Dolph just goes Terminator on some biker dudes and it rocks the action Kasbah! As actor, Dolph does well here too. He's no Olivier, he knows it himself, but he plays to his strength, playing the Eastwood style man of few words, but immense badassedness (not a real word, but should be!). Parallels with Clint will be made of course, both being movie tough guys who made the jump from actor to writer and director. Dolph will not likely have the success of Clint, but he's the straight to video equivalent I guess, and there's no great shame in that anymore. Dolph's got that tough guy charisma. Nowadays what we lack in cinema is action stars, with the sheer hardness and tough as nails presence that Clint, Bronson, Arnie, Sly, and the likes of Seagal and Lundgren, used to deliver. We've not had any new action men come along who had the same presence, merely pretenders like Vin Diesel and The Rock. There's also been thesp's like Matt Damon, who while magnificent as Bourne isn't gonna settle down into the handing people their asses genre. You do have to, with the odd exception, have to look in the direct to video market for a good old school hardass action flick, and visit the old guard like Dolph and Jean Claude.

The remainder of the cast are mixed. Given the films budget, the support cast isn't great. The incidental characters, probably including locals given a place on screen, aren't great. Thankfully though the important roles are well filled. As Reno, Matthew Tompkins makes for a good bad guy. Also starring is August Schellenberg a very good actor who fans of Free Willy will likely remember, and he adds a bit of gravitas to proceedings. Young actress Chelsea Ricketts is superb, and surely has a bright future ahead of her (the kid who plays her older brother isn't great to be honest- but his role is insignificant). John Enos III stars as the lead biker and Ryder's main foe, and though he only comes in toward the end of the movie, he does a great job.

Overall, while the film won't win originality prizes, it feels fresh because of the style. It's just a good old fashioned R rated action film, proving big set pieces and oodles of CGI do not make a good action film (*cough* Transformers!! *cough*). Dolph is getting more assured behind the camera with every film, while also showing a versatility to switch style and tone. All three of his films have been markedly different, but Missionary Man stands out as something that is perhaps his most unique work. Action fans will not be disappointed. I'd love to see Dolph given a bit more money to play around with. ****