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IMDbPro

WALL·E

  • 2008
  • AA
  • 1h 38min
CALIFICACIÓN DE IMDb
8.4/10
1.3 M
TU CALIFICACIÓN
POPULARIDAD
696
114
WALL·E (2008)
Wall E - Trailer #3
Reproducir trailer2:32
17 videos
99+ fotos
Adventure EpicArtificial IntelligenceComputer AnimationDystopian Sci-FiPsychological DramaSpace Sci-FiAdventureAnimationFamilySci-Fi

En un futuro lejano, un pequeño robot limpiador se embarca en una odisea espacial que decidirá el futuro de la humanidadEn un futuro lejano, un pequeño robot limpiador se embarca en una odisea espacial que decidirá el futuro de la humanidadEn un futuro lejano, un pequeño robot limpiador se embarca en una odisea espacial que decidirá el futuro de la humanidad

  • Dirección
    • Andrew Stanton
  • Guionistas
    • Andrew Stanton
    • Pete Docter
    • Jim Reardon
  • Elenco
    • Ben Burtt
    • Elissa Knight
    • Jeff Garlin
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    8.4/10
    1.3 M
    TU CALIFICACIÓN
    POPULARIDAD
    696
    114
    • Dirección
      • Andrew Stanton
    • Guionistas
      • Andrew Stanton
      • Pete Docter
      • Jim Reardon
    • Elenco
      • Ben Burtt
      • Elissa Knight
      • Jeff Garlin
    • 1.5KOpiniones de los usuarios
    • 245Opiniones de los críticos
    • 95Metascore
  • Ver la información de producción en IMDbPro
  • Película con mejor calificación n.º 56
    • Ganó 1 premio Óscar
      • 96 premios ganados y 95 nominaciones en total

    Videos17

    Wall E
    Trailer 2:32
    Wall E
    WALL·E
    Trailer 2:29
    WALL·E
    WALL·E
    Trailer 2:29
    WALL·E
    Wall-E
    Trailer 1:43
    Wall-E
    5 Top-Rated Pixar Movies to Watch
    Clip 1:01
    5 Top-Rated Pixar Movies to Watch
    Wall-E: Day At Work
    Clip 0:47
    Wall-E: Day At Work
    Wall-E: Meets Magnet Vignette
    Clip 0:23
    Wall-E: Meets Magnet Vignette

    Fotos545

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    Elenco principal16

    Editar
    Ben Burtt
    Ben Burtt
    • WALL·E
    • (voz)
    • …
    Elissa Knight
    Elissa Knight
    • EVE
    • (voz)
    Jeff Garlin
    Jeff Garlin
    • Captain
    • (voz)
    Fred Willard
    Fred Willard
    • Shelby Forthright - BNL CEO
    MacInTalk
    • AUTO
    • (voz)
    John Ratzenberger
    John Ratzenberger
    • John
    • (voz)
    Kathy Najimy
    Kathy Najimy
    • Mary
    • (voz)
    Sigourney Weaver
    Sigourney Weaver
    • Ship's Computer
    • (voz)
    Karleen Griffin
    Karleen Griffin
    • Mom
    • (sin créditos)
    • …
    Kim Kopf
    Kim Kopf
    • Hoverchair Mother
    • (sin créditos)
    Niki McElroy
    • Pool Mother
    • (sin créditos)
    Garrett Palmer
    Garrett Palmer
    • Blond Boy in Commercial
    • (sin créditos)
    Lori Richardson
    Lori Richardson
    • PR-T
    • (sin créditos)
    • …
    Jessica Skelton
    • Young Girlfriend
    • (sin créditos)
    Kai Steel Smith
    • Brunette Boy in Commercial
    • (sin créditos)
    Michael Toy
    • Commercial Human
    • (sin créditos)
    • Dirección
      • Andrew Stanton
    • Guionistas
      • Andrew Stanton
      • Pete Docter
      • Jim Reardon
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios1.5K

    8.41268.2K
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    Resumen

    Reviewers say 'WALL-E' is acclaimed for its innovative animation, compelling robot love story, and strong environmental message. The film delves into consumerism, environmentalism, and technology's impact on humanity. Critics praise its emotional depth, visual brilliance, and thought-provoking narrative. Some note minor issues with pacing and thematic execution, yet 'WALL-E' is celebrated as a landmark in animation and a timeless cinematic experience.
    Generado por AI a partir del texto de las opiniones de los usuarios

    Opiniones destacadas

    9TheLittleSongbird

    Simply amazing!

    I heard mixed reviews on WALL-E, there were those who said it was magical, and those who said it was one of the most overrated movies ever. I will say I loved this movie, it is a truly beautiful movie. It could have done with being a tad longer perhaps, but essentially this is more than a movie with A List vocal talents, WALL-E has genuine heart and will definitely enchant children and any Pixar fan. All I will say is that I am sorry it took me such a long time to see it, I will admit I was differing whether I should see it or not. But I am glad I did. The animation is simply incredible, the whole film is wonderful to look at. The whole movie is done in a very sophisticated visual style, and the bright colours and sublime backgrounds were a delight to the eyes. The music is stunning, the orchestral themes are gorgeous but the song from Hello Dolly! was great and fitted in with the story well. Speaking of the story, it may seem thin to some, but it is a very simple heart warming one all the same with depth and poignancy. There are some very imaginative moments, such as the zero-gravity dance and the ride through space. The voice cast that includes Fred Willard, Sigourney Weaver and Pixar regular John Ratzenburger did an exceptional job, and all the characters were endearing. What made the movie was WALL-E himself, he has to be one of the most lovable and in-depth Pixar characters ever, and the writers create a very haunting atmosphere in the early scenes to match our little hero's isolation. All in all, brilliant, quite possibly one of the best films of 2008. 9.5/10 Bethany Cox
    10jedi-jones

    An A+ for Wall-E! One of the best movies this century!

    Wall-E is the movie experience I've been looking for. I haven't seen a new film this richly entertaining, thrilling, touching and satisfying since Spider-Man 2. It is truly the finest Pixar or animated CGI film to date. I can discuss it without spoilers easily because it's one of those films, like 2001: A Space Odyssey, that exists more as a pure experience of the heart and the senses than as a collection of events that we're supposed to keep track of intellectually. Wall-E rises above that kind of unnecessary complication into the same kind of space occupied by dreams and the imagination.

    This film is beautifully animated, of course, to that magical Pixar point where even piles of what should be disgusting trash somehow look breathtakingly gorgeous and even fairly realistic-looking roaches look cute. But much more importantly, the heart, the emotion in this movie is unlike anything I've experienced at the cinema since Forrest Gump. Certainly my tear ducts have not welled up while watching a movie this much since then. I fell in like with the character of Wall-E when I saw the trailer. Watching the movie, I fell in love with him within about 2 minutes. Shortly after that, I fell in love with the idea of Wall-E falling in love.

    My previous favorite movie romance is Superman and Lois Lane in the original Superman films. The love story, or the love experience of Wall-E and Eve is perhaps the first I've seen since then that operates at and succeeds on that same level. These couples create an uncomplicated, innocent, simple, yet deep and powerful bond. They capture the experience of love at first sight, writ large. They possess an instant chemistry that tells you they belong together from the first time they see one another and makes you root for their relationship throughout the film. Wall-E and Eve share moments together of real cinematic beauty, true hilarity, frightening sadness, frustrating difficulty and delightful satisfaction. It's a testament to the level of genius at which the Pixar storytellers are operating that we feel every beat of this relationship resonate every step of the way despite the fact that the characters are robots that are not modeled off of humans and speak no more than a handful of words throughout the movie (this animated movie is refreshingly free of obvious "guest star" voices or any over-the-top stand-up comedians trying to upstage the movie).

    Just like in the first Superman films, once you care about the characters as individuals and care about their relationship, it's almost impossible for the rest of the movie not to work. You're hooked at hello. Wall-E adds all the expected complications to keep the would-be lovers from getting together most of the time. There is a truly great "McGuffin" that keeps the heroes and villains busy for quite a while (the item in question is something outwardly simple that ends up holding the key to something more important than anything in the world). The pacing during most of these adventures is as breakneck as anything out of the Star Wars films and the action is always staged with crystal clarity. There are several scenes of peril for Wall-E that are reminiscent of that oddly powerful sequence in Short Circuit 2 when Johnny 5 is almost killed. The filmmakers pull absolutely no punches when it comes to running your heart through the ringer over characters you care about. It probably helps that you can do a lot more physical damage to a robot character than you can to a human character while keeping a G rating and still getting the audience dramatically worried about their survival.

    Even on top of the action, the emotion, the visuals and the humor, Wall-E goes the extra mile into thought-provoking thematic territory. The film never hits you over the head with anything preachy and doesn't really even outright tell you what its opinions on the subjects it raises are. It also doesn't explicitly lay out explanations for everything that exists in Wall-E's world (there are no "talking killer" scenes and very little verbal exposition). I think the bits of ambiguity work here because they add to the sense of mystery, helplessness and alienation that most of the characters in the movie feel to some degree.

    There are human characters in this movie too, quite a few. I think that's necessary because if humans aren't shown in a robot world, you have to wonder what purpose were the robots designed to serve? That was a curiosity of the earlier CGI movie, Robots. Most of the humans in Wall-E aren't as developed as the robots, but I think that's because they exist more to represent the whole of humanity rather than particular individuals. We're asked to ponder the consequences of the choices they make as though the whole society was moving in that direction, not just one person. Wall-E and Eve are the heart of this movie but the humans are used to add some intellectual gravity for the audience to chew on.

    Other choices made in the movie might also leave room for debate, such as the integration of some live-action footage into the film. But because the movie as a whole is so audaciously stimulating and brilliantly satisfying, it's a plus that they left us with a few unresolved or unusual things to think about and question after getting off of the great emotional and visual roller-coaster experience. Wall-E truly serves up everything that I think an audience could want in a movie experience. It will be very easy for me to watch this one over and over again. It is a modern-day classic that I believe should earn a place in cinema history as the "2001" of CGI animated films, both of them movies of indisputable brilliance, unyielding imagination and unending entertainment.

    Footnote: The pre-movie short is an awesome, violent Looney Tunes/Roger Rabbit-esquire toon. It wants only to entertain and does.
    ametaphysicalshark

    Who says popular films can't be art? "WALL·E" is magical

    Who says popular films are not and cannot be art? If anything is proof that popular films can be of a stunningly high quality, the beauty of the animation, writing, music, and sound design in "WALL·E" is it. "WALL·E" eclipses even Andrew Stanton's "Toy Story" and "Toy Story 2" in the Pixar pantheon, is perhaps Pixar's best film to date and, call me crazy as I've just seen it, a contender for the title of best animated film, period.

    "WALL·E" is everything we've come to expect from Pixar and more- colorful, vibrant, imaginative, exciting, involving, beautiful, and most importantly a film with interesting, involving characters. Sure, WALL·E is adorable, and as much credit as the animators get for that, this film would be nothing without Stanton's screenplay, which features very little dialogue but is still notably intelligent and surprisingly subtle, making a refreshing change from the 'go green' campaigns we're all so used to. Does "WALL·E" have a message? Sure, but it's an important message and it is delivered subtly and beautifully.

    "WALL·E" operates on two levels (and works spectacularly well on both). It is a majestic science fiction epic like we haven't seen in a couple of decades and it is a genuinely touching and never cheap romance. "WALL·E" will never get points for originality but it doesn't exactly need them because the homages to great films and figures of the past- Chaplin, Keaton, Tati, the Marx Brothers, "2001: A Space Odyssey" (this one is particularly spectacular), "Close Encounters of the Third Kind" are actually homages and not ripoffs. "WALL·E" is a wonderful tribute to a bygone cinematic tradition (well, two or three of them actually).

    The social commentary in "WALL·E" is sobering because it's never overbearing and most importantly because we see the world through machines, machines who feel more about Earth and life than the humans do. The depiction of humans on the ship could have been incredibly offensive, cheap, and tasteless in concept but the execution here is absolutely perfect.

    What is most surprising about "WALL·E" is how sad it is. Not even in the 'how will they get out of this, oh I feel so sorry for them' way "Finding Nemo", a previous Stanton effort, is, but in a truly melancholy sense. The early portion of the film maintains all the playfulness of a Jacques Tati film but also evokes a striking and powerful feeling of loneliness. It's a brilliant introduction to WALL·E, given that the rest of the film is too wacky to bother with long scenes focused entirely on character, and works beautifully with the ugly yet beautifully-rendered future Earth, a barren wasteland filled with nothing but garbage, a seriously resilient cockroach being WALL·E's only companion before EVE shows up, but I won't go into the story- it's best you see it unfold for yourself.

    From the entertaining shorts shown before the film to the memorable characters, locations, and animation we have come to expect, Pixar films are now event cinema, and they have outdone themselves with "WALL·E". This film is spectacular, majestic, touching, involving, and achingly beautiful. Most importantly, however, it is perfect entertainment. I may be saying this too soon, but I don't think I have ever seen an animated film that has satisfied me more than "WALL·E", and 2008 is going to have to work hard to keep this from being the top film of the year, which it most certainly is at the moment.

    9.5/10
    10Sethtro

    A timeless masterpiece

    Personal Rating: 10/10 (Outstanding)

    I still remember just how impactful this movie was on me when I saw it as a child. The visuals, storytelling, how it made you think. And 12 years later it still stands as one of the best movies Pixar has ever made, and truly a hallmark of animated films.

    The start of this movie. I could watch on an indefinite loop. The emotions you feel, the bond that grows between you and a robot in the introductory minutes, is storytelling at it's finest. No words have to be spoken and yet this movie world builds better than most 2-hour-long fantasy movies where the characters don't shut up.

    The visuals. The visuals in this movie are stunning, the way they direct the eye, immerse you in the world, make you laugh and make you cry, a huge credit to the artists who worked on this film. And also interestingly enough, to Roger Deakins, who contributed to the first 20 minutes of the film and to the animating team, as he consulted on how to light scenes, he's quoted saying "the natural world that we live in just isn't as well-lit as your typical animated world." So by darkening scenes, adding shadow and cutting the number of lights used, they added a huge layer of realism to WALL-E.

    The story, how you learn and feel about the characters (who the majority of are robots), the music, it's all superbly done. I can't think of anything I would change. But all this alone isn't what earns it the 10/10 rating, it's the themes, the tones, the way this "for children" movie makes you think, that earns my full respect.

    For the most part, humans choose what's convenient, sacrificing privacy, health, well being, relationships and the like for that. WALL-E showed that exact point like never before. It takes effort to overcome the norm, to work towards a goal, even when it's not rainbows and peaches when one is determined they can do amazing things. Which is why the ending of this movie isn't bleak, it's inspiring. (spoilers) Humans come back to earth because of one lonesome plant. But it's enough to give them hope, and determination, to work on transforming the planet. And that was just one of the themes explored beautifully. I already know I'll be watching this movie again, and again.

    Thanks for reading my review.

    "I didn't know we had a pool!"
    10DrWetter

    Pixar does it again!

    I just returned from an advanced benefit screening of WALL*E, and I want to be careful not to spill too much regarding the movie. I had the added privilege of watching the film at Pixar, which in and of itself, was amazing.

    This picture is not a cartoon; it is a film. In fact, it even has the LOOK of film. One of my complaints of more recent 3-D/CG animated films (not from Pixar) is that they all seem to look the same... clean lines, crisp colors, and very "virtual", for lack of a better term. WALL*E transcends the typical look of CG animation, and has a true to life "grit." The creators at Pixar are true artists, and are indeed masters of their craft. Not only are they masters of the technology, they are masters of telling a story. WALL*E is no exception.

    The best way to describe the film is as a science fiction, comedy, dramatic love story. WALL*E, as a character, has dimension, personality, and heart... pretty impressive given that he is essentially a trash compactor. It is true that there is little dialogue in this feature, but I personally did not feel it detracted from the story at all.

    WALL*E is very much a different Pixar film from it's previous features. I will be curious to see how it is received by others, but in my opinion, I think Pixar has stayed true to itself, demonstrating a commitment to telling great stories and pushing the edge of technology to leave your jaw dropping! My most sincere compliments to Andrew Stanton, Jim Morris, John Lasseter, Ben Burtt, and all the creative forces at Pixar. Can't wait to see what the future brings...

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      The first Pixar film to be nominated for 6 Academy Awards. This ties it with the only other animated film to garner this many nominations: La bella y la bestia (1991).
    • Errores
      (at around 8 mins) WALL·E's cockroach, Hal, sleeps in a "Kremie" (parody of the Hostess Twinkie). Twinkies grow stale and their cream filling evaporates after a few decades, yet Hal's interaction with it betrays it to be the same as a new Twinkie. This is most likely a joke implying that only cockroaches and Twinkies can survive the apocalypse.
    • Citas

      EVE: Name?

      WALL.E: WALL-E.

      EVE: WALL-E?

      [giggles]

      EVE: EVE.

      WALL.E: [attempting to pronounce it] Eeee...

      EVE: EVE.

      WALL.E: Eeeee... aah.

      EVE: "EVE"! "EVE"!

      WALL.E: Eeeee... va?

      [EVE giggles]

    • Créditos curiosos
      The Pixar logo at the end has the lamp Luxo Jr's light bulb burn out, so WALL-E enters and replaces the light bulb. But as he leaves he accidentally knocks down the "R" in the logo, and he tries to cover it up by posing like an "R".
    • Versiones alternativas
      End credits for international versions feature additional dubbing credits footage. It contains animation of WALL·E in the same 8-bit video game graphics style as the original end credits compacting two vertical rows of different objects into cubes of garbage only to have two WALL·A robots collide in the front of the screen, closing the credits.
    • Conexiones
      Edited into Burn·E (2008)
    • Bandas sonoras
      Put On Your Sunday Clothes
      Written by Jerry Herman

      Courtesy of Twentieth Century Fox Film Corporation

      Performed by Michael Crawford and Danny Lockin

    Selecciones populares

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    Preguntas Frecuentes45

    • How long is WALL·E?Con tecnología de Alexa
    • What is 'WALL·E' about?
    • Is 'WALL-E' based on a book?
    • In what year does the movie take place?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 4 de julio de 2008 (México)
    • Países de origen
      • Estados Unidos
      • Japón
    • Sitios oficiales
      • Disney (United States)
      • Official Facebook
    • Idioma
      • Inglés
    • También se conoce como
      • Wall-E
    • Locaciones de filmación
      • Walt Disney Animation Studios - 2100 Riverside Drive, Burbank, California, Estados Unidos
    • Productoras
      • Walt Disney Pictures
      • Pixar Animation Studios
      • FortyFour Studios
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 180,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 223,808,164
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 63,087,526
      • 29 jun 2008
    • Total a nivel mundial
      • USD 527,403,656
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 38 minutos
    • Color
      • Color
    • Mezcla de sonido
      • DTS
      • SDDS
      • Dolby Digital
      • Dolby Atmos
    • Relación de aspecto
      • 2.39 : 1

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