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IMDbPro

WALL·E

  • 2008
  • AA
  • 1h 38min
CALIFICACIÓN DE IMDb
8.4/10
1.3 M
TU CALIFICACIÓN
POPULARIDAD
775
31
WALL·E (2008)
Wall E - Trailer #3
Reproducir trailer2:32
17 videos
99+ fotos
AnimaciónAnimación por computadoraAventuraAventura épicaCiencia FicciónCiencia ficción distópicaCiencia ficción espacialDrama psicológicoFamiliaInteligencia Artificial

En un futuro lejano, un pequeño robot limpiador se embarca en una odisea espacial que decidirá el futuro de la humanidadEn un futuro lejano, un pequeño robot limpiador se embarca en una odisea espacial que decidirá el futuro de la humanidadEn un futuro lejano, un pequeño robot limpiador se embarca en una odisea espacial que decidirá el futuro de la humanidad

  • Dirección
    • Andrew Stanton
  • Guionistas
    • Andrew Stanton
    • Pete Docter
    • Jim Reardon
  • Elenco
    • Ben Burtt
    • Elissa Knight
    • Jeff Garlin
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    8.4/10
    1.3 M
    TU CALIFICACIÓN
    POPULARIDAD
    775
    31
    • Dirección
      • Andrew Stanton
    • Guionistas
      • Andrew Stanton
      • Pete Docter
      • Jim Reardon
    • Elenco
      • Ben Burtt
      • Elissa Knight
      • Jeff Garlin
    • 1.5KOpiniones de los usuarios
    • 245Opiniones de los críticos
    • 95Metascore
  • Ver la información de producción en IMDbPro
  • Película con mejor calificación n.º 56
    • Ganó 1 premio Óscar
      • 96 premios ganados y 95 nominaciones en total

    Videos17

    Wall E
    Trailer 2:32
    Wall E
    WALL·E
    Trailer 2:29
    WALL·E
    WALL·E
    Trailer 2:29
    WALL·E
    Wall-E
    Trailer 1:43
    Wall-E
    5 Top-Rated Pixar Movies to Watch
    Clip 1:01
    5 Top-Rated Pixar Movies to Watch
    Wall-E: Day At Work
    Clip 0:47
    Wall-E: Day At Work
    Wall-E: Meets Magnet Vignette
    Clip 0:23
    Wall-E: Meets Magnet Vignette

    Fotos545

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    Elenco principal16

    Editar
    Ben Burtt
    Ben Burtt
    • WALL·E
    • (voz)
    • …
    Elissa Knight
    Elissa Knight
    • EVE
    • (voz)
    Jeff Garlin
    Jeff Garlin
    • Captain
    • (voz)
    Fred Willard
    Fred Willard
    • Shelby Forthright - BNL CEO
    MacInTalk
    • AUTO
    • (voz)
    John Ratzenberger
    John Ratzenberger
    • John
    • (voz)
    Kathy Najimy
    Kathy Najimy
    • Mary
    • (voz)
    Sigourney Weaver
    Sigourney Weaver
    • Ship's Computer
    • (voz)
    Karleen Griffin
    Karleen Griffin
    • Mom
    • (sin créditos)
    • …
    Kim Kopf
    Kim Kopf
    • Hoverchair Mother
    • (sin créditos)
    Niki McElroy
    • Pool Mother
    • (sin créditos)
    Garrett Palmer
    Garrett Palmer
    • Blond Boy in Commercial
    • (sin créditos)
    Lori Richardson
    Lori Richardson
    • PR-T
    • (sin créditos)
    • …
    Jessica Skelton
    • Young Girlfriend
    • (sin créditos)
    Kai Steel Smith
    • Brunette Boy in Commercial
    • (sin créditos)
    Michael Toy
    • Commercial Human
    • (sin créditos)
    • Dirección
      • Andrew Stanton
    • Guionistas
      • Andrew Stanton
      • Pete Docter
      • Jim Reardon
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios1.5K

    8.41273.4K
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    Resumen

    Reviewers say 'WALL-E' is acclaimed for its innovative animation, compelling robot love story, and strong environmental message. The film delves into consumerism, environmentalism, and technology's impact on humanity. Critics praise its emotional depth, visual brilliance, and thought-provoking narrative. Some note minor issues with pacing and thematic execution, yet 'WALL-E' is celebrated as a landmark in animation and a timeless cinematic experience.
    Generado por AI a partir del texto de las opiniones de los usuarios

    Opiniones destacadas

    10Sethtro

    A timeless masterpiece

    Personal Rating: 10/10 (Outstanding)

    I still remember just how impactful this movie was on me when I saw it as a child. The visuals, storytelling, how it made you think. And 12 years later it still stands as one of the best movies Pixar has ever made, and truly a hallmark of animated films.

    The start of this movie. I could watch on an indefinite loop. The emotions you feel, the bond that grows between you and a robot in the introductory minutes, is storytelling at it's finest. No words have to be spoken and yet this movie world builds better than most 2-hour-long fantasy movies where the characters don't shut up.

    The visuals. The visuals in this movie are stunning, the way they direct the eye, immerse you in the world, make you laugh and make you cry, a huge credit to the artists who worked on this film. And also interestingly enough, to Roger Deakins, who contributed to the first 20 minutes of the film and to the animating team, as he consulted on how to light scenes, he's quoted saying "the natural world that we live in just isn't as well-lit as your typical animated world." So by darkening scenes, adding shadow and cutting the number of lights used, they added a huge layer of realism to WALL-E.

    The story, how you learn and feel about the characters (who the majority of are robots), the music, it's all superbly done. I can't think of anything I would change. But all this alone isn't what earns it the 10/10 rating, it's the themes, the tones, the way this "for children" movie makes you think, that earns my full respect.

    For the most part, humans choose what's convenient, sacrificing privacy, health, well being, relationships and the like for that. WALL-E showed that exact point like never before. It takes effort to overcome the norm, to work towards a goal, even when it's not rainbows and peaches when one is determined they can do amazing things. Which is why the ending of this movie isn't bleak, it's inspiring. (spoilers) Humans come back to earth because of one lonesome plant. But it's enough to give them hope, and determination, to work on transforming the planet. And that was just one of the themes explored beautifully. I already know I'll be watching this movie again, and again.

    Thanks for reading my review.

    "I didn't know we had a pool!"
    ametaphysicalshark

    Who says popular films can't be art? "WALL·E" is magical

    Who says popular films are not and cannot be art? If anything is proof that popular films can be of a stunningly high quality, the beauty of the animation, writing, music, and sound design in "WALL·E" is it. "WALL·E" eclipses even Andrew Stanton's "Toy Story" and "Toy Story 2" in the Pixar pantheon, is perhaps Pixar's best film to date and, call me crazy as I've just seen it, a contender for the title of best animated film, period.

    "WALL·E" is everything we've come to expect from Pixar and more- colorful, vibrant, imaginative, exciting, involving, beautiful, and most importantly a film with interesting, involving characters. Sure, WALL·E is adorable, and as much credit as the animators get for that, this film would be nothing without Stanton's screenplay, which features very little dialogue but is still notably intelligent and surprisingly subtle, making a refreshing change from the 'go green' campaigns we're all so used to. Does "WALL·E" have a message? Sure, but it's an important message and it is delivered subtly and beautifully.

    "WALL·E" operates on two levels (and works spectacularly well on both). It is a majestic science fiction epic like we haven't seen in a couple of decades and it is a genuinely touching and never cheap romance. "WALL·E" will never get points for originality but it doesn't exactly need them because the homages to great films and figures of the past- Chaplin, Keaton, Tati, the Marx Brothers, "2001: A Space Odyssey" (this one is particularly spectacular), "Close Encounters of the Third Kind" are actually homages and not ripoffs. "WALL·E" is a wonderful tribute to a bygone cinematic tradition (well, two or three of them actually).

    The social commentary in "WALL·E" is sobering because it's never overbearing and most importantly because we see the world through machines, machines who feel more about Earth and life than the humans do. The depiction of humans on the ship could have been incredibly offensive, cheap, and tasteless in concept but the execution here is absolutely perfect.

    What is most surprising about "WALL·E" is how sad it is. Not even in the 'how will they get out of this, oh I feel so sorry for them' way "Finding Nemo", a previous Stanton effort, is, but in a truly melancholy sense. The early portion of the film maintains all the playfulness of a Jacques Tati film but also evokes a striking and powerful feeling of loneliness. It's a brilliant introduction to WALL·E, given that the rest of the film is too wacky to bother with long scenes focused entirely on character, and works beautifully with the ugly yet beautifully-rendered future Earth, a barren wasteland filled with nothing but garbage, a seriously resilient cockroach being WALL·E's only companion before EVE shows up, but I won't go into the story- it's best you see it unfold for yourself.

    From the entertaining shorts shown before the film to the memorable characters, locations, and animation we have come to expect, Pixar films are now event cinema, and they have outdone themselves with "WALL·E". This film is spectacular, majestic, touching, involving, and achingly beautiful. Most importantly, however, it is perfect entertainment. I may be saying this too soon, but I don't think I have ever seen an animated film that has satisfied me more than "WALL·E", and 2008 is going to have to work hard to keep this from being the top film of the year, which it most certainly is at the moment.

    9.5/10
    Chrysanthepop

    A Most Endearing Love Story In Space...And Back

    Over the years I've become quite a sucker for Pixar movies and just love each and every one of them. While there are the states of the art animation and sound effects, the stories have heart. The characters are adorable yet real. It reminds one of those charming movies Disney used to make but Pixar films are very much a unique cinematic experience.

    'WALL-E' is quite unusual compared to the previous Pixar movies. There's hardly any dialogue between the two protagonists other than saying each other's name. In fact, barely a word is spoken in the entire first half hour but WALL-E and Eve's silent and playful love story is such a joy to watch. Even though of few words, both characters have strong personalities and the character development is wonderfully done.

    The animation is colourful and vivid. Sound effect is amazing. The robot characters are cute and charming. The score deserve special mention as it's mesmerizing and beautiful. Andrew Stanton has done a terrific job as director and co-writer. The portrayal of WALL-E's loneliness and need for love is very well done and then the change that is brought within after the entrance of Eve and his eventual determination to rescue her is effectively shown. There are many genuinely funny and creative moments and it manages to stay away from being 'just plain silly'. The story is rich with humour, action, drama and adventure.

    Ben Burtt and Elissa Knight do a fabulous job with the voice acting for WALL-E and Eve. John Ratzenberger, Kathy Najimy and Sigourney Weaver lend great support. While 'WALL-E' tells a magnificent love story it reminds us that Earth is our home and nothing can replace it. It's a joyous magical experience and another sure winner from Pixar.
    10DrWetter

    Pixar does it again!

    I just returned from an advanced benefit screening of WALL*E, and I want to be careful not to spill too much regarding the movie. I had the added privilege of watching the film at Pixar, which in and of itself, was amazing.

    This picture is not a cartoon; it is a film. In fact, it even has the LOOK of film. One of my complaints of more recent 3-D/CG animated films (not from Pixar) is that they all seem to look the same... clean lines, crisp colors, and very "virtual", for lack of a better term. WALL*E transcends the typical look of CG animation, and has a true to life "grit." The creators at Pixar are true artists, and are indeed masters of their craft. Not only are they masters of the technology, they are masters of telling a story. WALL*E is no exception.

    The best way to describe the film is as a science fiction, comedy, dramatic love story. WALL*E, as a character, has dimension, personality, and heart... pretty impressive given that he is essentially a trash compactor. It is true that there is little dialogue in this feature, but I personally did not feel it detracted from the story at all.

    WALL*E is very much a different Pixar film from it's previous features. I will be curious to see how it is received by others, but in my opinion, I think Pixar has stayed true to itself, demonstrating a commitment to telling great stories and pushing the edge of technology to leave your jaw dropping! My most sincere compliments to Andrew Stanton, Jim Morris, John Lasseter, Ben Burtt, and all the creative forces at Pixar. Can't wait to see what the future brings...
    100U

    Best movie of the century

    To this day, this is still my favorite pixar film. The animation is stellar, its heartwarming, funny and proves that pixar movies are always bound to be great (except for cars 2 but thats a different story). This has a shot at the title "best movie of the century"

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      The first Pixar film to be nominated for 6 Academy Awards. This ties it with the only other animated film to garner this many nominations: La bella y la bestia (1991).
    • Errores
      (at around 1h 19 mins) When the Axiom goes into a roll, the passengers and a considerable amount of heavy equipment are thrown off balance, rolling and piling up against one side of the common area. This should not happen as the gravity originates within the ship, not from an exterior source "beneath" it. Its artificial gravity should hold everyone and everything right side up no matter what position it assumes. It is possible that AUTO intentionally or inadvertently shifted the angle of the artificial gravity during the "roll" maneuver, but it was still presented as being directly caused by the roll, and there is no reason for such an effect to have been designed into the ship originally.
    • Citas

      EVE: Name?

      WALL.E: WALL-E.

      EVE: WALL-E?

      [giggles]

      EVE: EVE.

      WALL.E: [attempting to pronounce it] Eeee...

      EVE: EVE.

      WALL.E: Eeeee... aah.

      EVE: "EVE"! "EVE"!

      WALL.E: Eeeee... va?

      [EVE giggles]

    • Créditos curiosos
      The Pixar logo at the end has the lamp Luxo Jr's light bulb burn out, so WALL-E enters and replaces the light bulb. But as he leaves he accidentally knocks down the "R" in the logo, and he tries to cover it up by posing like an "R".
    • Versiones alternativas
      End credits for international versions feature additional dubbing credits footage. It contains animation of WALL·E in the same 8-bit video game graphics style as the original end credits compacting two vertical rows of different objects into cubes of garbage only to have two WALL·A robots collide in the front of the screen, closing the credits.
    • Conexiones
      Edited into Burn·E (2008)
    • Bandas sonoras
      Put On Your Sunday Clothes
      Written by Jerry Herman

      Courtesy of Twentieth Century Fox Film Corporation

      Performed by Michael Crawford and Danny Lockin

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    Preguntas Frecuentes

    • How long is WALL·E?Con tecnología de Alexa
    • What is 'WALL·E' about?
    • Is 'WALL-E' based on a book?
    • In what year does the movie take place?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 4 de julio de 2008 (México)
    • Países de origen
      • Estados Unidos
      • Japón
    • Sitios oficiales
      • Disney (United States)
      • Official Facebook
    • Idioma
      • Inglés
    • También se conoce como
      • Wall-E
    • Locaciones de filmación
      • Walt Disney Animation Studios - 2100 Riverside Drive, Burbank, California, Estados Unidos
    • Productoras
      • Walt Disney Pictures
      • Pixar Animation Studios
      • FortyFour Studios
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 180,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 223,808,164
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 63,087,526
      • 29 jun 2008
    • Total a nivel mundial
      • USD 527,403,656
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 38 minutos
    • Color
      • Color
    • Mezcla de sonido
      • DTS
      • SDDS
      • Dolby Digital
      • Dolby Atmos
    • Relación de aspecto
      • 2.39 : 1

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