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IMDbPro

Joeun nom, napun nom, esanghan nom

  • 2008
  • R
  • 2h 19min
CALIFICACIÓN DE IMDb
7.2/10
39 k
TU CALIFICACIÓN
Jung Woo-sung, Lee Byung-hun, and Song Kang-ho in Joeun nom, napun nom, esanghan nom (2008)
The story of three Korean outlaws in 1940s Manchuria and their rivalry to possess a treasure map while being pursued by the Japanese army and Chinese bandits.
Reproducir trailer2:21
1 video
99+ fotos
AcciónAventuraComediaParodiaWestern

Dos bandidos, un cazarrecompensas y su rivalidad por poseer un mapa del tesoro mientras son perseguidos por el ejército japonés y los bandidos chinos.Dos bandidos, un cazarrecompensas y su rivalidad por poseer un mapa del tesoro mientras son perseguidos por el ejército japonés y los bandidos chinos.Dos bandidos, un cazarrecompensas y su rivalidad por poseer un mapa del tesoro mientras son perseguidos por el ejército japonés y los bandidos chinos.

  • Dirección
    • Kim Jee-woon
  • Guionistas
    • Kim Jee-woon
    • Min-suk Kim
  • Elenco
    • Song Kang-ho
    • Lee Byung-hun
    • Jung Woo-sung
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.2/10
    39 k
    TU CALIFICACIÓN
    • Dirección
      • Kim Jee-woon
    • Guionistas
      • Kim Jee-woon
      • Min-suk Kim
    • Elenco
      • Song Kang-ho
      • Lee Byung-hun
      • Jung Woo-sung
    • 114Opiniones de los usuarios
    • 140Opiniones de los críticos
    • 69Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 12 premios ganados y 27 nominaciones en total

    Videos1

    The Good, the Bad, the Weird
    Trailer 2:21
    The Good, the Bad, the Weird

    Fotos104

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    + 98
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    Elenco principal95

    Editar
    Song Kang-ho
    Song Kang-ho
    • Yoon Tae-goo…
    Lee Byung-hun
    Lee Byung-hun
    • Park Chang-yi…
    Jung Woo-sung
    Jung Woo-sung
    • Park Do-won…
    Yun Je-mun
    Yun Je-mun
    • Byung-choon
    Ryu Seung-su
    Ryu Seung-su
    • Man-gil
    Song Young-chang
    Song Young-chang
    • Kim Pan-joo
    Son Byung-ho
    Son Byung-ho
    • Seo Jae-sik
    Oh Dal-su
    Oh Dal-su
    • Messenger for Kim Pan-joo
    Lee Chung-Ah
    Lee Chung-Ah
    • Song-yi
    Kim Kwang-il
    • Two Blades
    Ma Dong-seok
    Ma Dong-seok
    • Bear
    Kyeong-hun Jo
    • Doo-chao
    Hang-soo Lee
    • Kanemaru
    Kang Hyun-joong
    • Ghost Market Gang Leader
    Lee Sung-min
    Lee Sung-min
    • Chef
    Chang-sook Ryu
    • Granny
    Young-mok Yun
    • Chang-yi's Gang
    Cheol-ho Yeom
    • Chang-yi's Gang
    • Dirección
      • Kim Jee-woon
    • Guionistas
      • Kim Jee-woon
      • Min-suk Kim
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios114

    7.239K
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    Opiniones destacadas

    6colinrgeorge

    "The Good, the Bad, the Weird"

    Off-kilter Korean neo-western "The Good, the Bad, the Weird," is a frenetic genre mash-up packed with visceral, loopy violence. That isn't a complement so much as it is a description.

    Suffice it to say, if you're into a modernist, freewheeling foreign take on Leone's "The Good, the Bad, and the Ugly," with cartoony characters and outrageous action, you're going to have a blast; if you're looking for a substantive or meditative reflection on the period or the original film, you're in the wrong line.

    Personally, I'm caught between the two perspectives. I appreciate the pure Peckinpah punch of the gunplay, but was in equal parts bored and bewildered by the overall film. Perhaps the principal flaw in writer/director Ji-woon Kim's script is that he indulges in too much of a good thing. His action sequences are a lot of fun, and the über-stylized retro/modern aesthetic delivers bizarre and inventive visuals like a gunslinger in a deep-sea diving helmet.

    But the deafening sound effects and quick cutting style wear thin if not appropriately paced, and "The Good, the Bad, the Weird," is almost relentless in its drag race to the final showdown. I'm loathe to draw a comparison to "Transformers" here, but Kim proves that even good action has a threshold, and there are times in his film where it's easy to let your eyes glaze over.

    In its more quiet moments, the story, a very loose retelling of "The Good, the Bad, and the Ugly" follows a band of misfit thieves who come into possession of a treasure map sought by both Chinese thugs and the Japanese military. What's maybe most interesting about the film is seeing the conventions, chronology, and geography of the western customized to fit eastern ideology, and China's Taklimakan desert stands in for Manchuria circa 1940.

    The tone is played as loose as the history, however, and Kim is never bogged down by self- seriousness or the oft-stringent requirements of a period piece. "The Good, the Bad, the Weird" is closer to a gleeful "Kill Bill" in tone than South Korea's own operatic, ultraviolent "Oldboy," and benefits from it. Kim easily leapfrogs from hard-hitting shoot-outs to charming comedy, a phenomenon that has everything to do with his incredible cast. Each of the title characters, Park Do-won (Good), Park Chang-yi (Bad), and Yoon Tae-goo (Weird), brings with him a distinct tonal octave that lends the film some much-needed variety. My lone gripe in this department is that it would have been nice to get to know them a little bit better. As it stands, their rifles seem to have far more to say.

    And for many, that won't be an issue. I've no question that there exists a very appreciative audience for this film—I'm just not it. Nevertheless, I'm only too happy to report that everything basically works. The cinematography is frequently gorgeous, the performances are stellar, and the action is kinetic—There's just too much of it. By the end of the two-hour engagement, what should be a satisfying, visceral finale comes off as extravagant hoopla.

    As viewers we shouldn't be conditioned to expect non-stop action, because once you pass the threshold, there's a diminishing return on adrenaline, impressive as any sequence that follows may be. "The Good, The Bad, The Weird" gets all its forward momentum right, but could benefit from applying the brakes more frequently.

    Then again, maybe that reckless pace is what made it such a fast, fun ride to begin with.
    Beginthebeguine

    Reworking of the Leone theme

    This is a stunning visual film to watch. The cinematography is exceptional through-out the movie. The framing, the lighting and the colors are outstanding. This alone makes the movie a joy for me to see.

    The problem with the film is that it lacks depth. The director uses archetypes from the Italian Westerns of the 1960s and 1970s. Some of the dialogue and action is lifted directly from Sergio Leone's "man without a name" opus. Most obviously The Good, The Bad and the Ugly; but also a heavy splattering of the others. The problem is not the reworking of Leone's work, but I do not think the director quite understands how to work subtext into his script. In fact, the director leaves far too much exposition to the end which makes the movie drag at the end of the epic battle scene (I thought this might be a cultural issue, but I do not know if it is).

    Another thing that bothers me (and here comes my western sensibilities), I know stunts.... and there were horses hurt during the filming of the battle scene. The reason I say this is that I could see trip wires. So for the photography I give this film 6 points out of 10. I also suggest that the director rent some of the Ford Westerns. As good as Leone was Ford was better.
    9ChungMo

    Good Lord, this is fun.

    The Manchurian desert in the 1930's has become the Asian cinematic version of the American West. A number of action films have been set here but this is the first to make an outright reference to a classic western that I've seen. While taking off from Leone's "The Good, The Bad and The Ugly" this film goes in it's own direction although the mix of horses, trains, motorcycles, Chinese and Western costumes and some very odd characters makes this film resemble the Mad Max films more than anything else. An extended chase scene towards the end really seems influenced by the George Miller films.

    Influences aside, the ingenuity in crafting the action scenes in this film makes it a joy to watch. Photography is great. The lead actors are good and the story while a little daft is easy to follow for the most part.The music is good but nowhere near the Leone films. The violence is typical for Korean action and might be a little hard to watch at times. Long but pure fun for the most part.

    This is probably the best action film I've seen in a while.
    7valleyjohn

    Korean Mad house

    Of the few Korean films i have seen , the best word to describe them all is eccentric and The Good The Bad & The Weird certainly lives up to that. This movie looks fantastic , almost epic like and you can see a lot of money was spent on the set . It really does have the feel of a western and the three main characters are all very interesting in their own right. The story is a simple one , three men ( and their cronies) are after a treasure map and they will do anything to get hold of it. The minus points of this film are that its half an hour too long and that at times it's to frenetic. Because of the constant action you get a little bombarded with it after a while. On the whole i enjoyed this film but im not too sure i would ever watch it again.
    7JoeytheBrit

    An Eastern Western

    There are few things more enjoyable than watching a film made by a filmmaker who clearly has a passion for his subject - especially when he seems to determined to pass that enthusiasm on to his audience as Ji-woon Kim does with The Good, The Bad, The Weird, a kind of cockeyed homage to Sergio Leone's The Good, The Bad and the Ugly.

    Ji-woon goes for all out action, forsaking any romantic involvement or depth of plot that might slow the full-on action that begins with a chaotic shootout on a steam train and culminates with a madcap, full-on chase through the desert involving the good guys, the bad guys and a few hundred red army soldiers in jeeps, motorbikes and on horseback. Ironically, because of this the film's main weakness is that we seem to be moving from one shootout to another with a few minutes of padding in between to allow the audience to catch it's breath. And while the action set-pieces really are breathtaking, it does feel as though something is missing at times.

    Nevertheless, the exuberance of Ji-woon's direction will sweep you up and keep you watching (and enjoying), and given that the final Mexican stand-off drags in comparison to the original on which it is based - and which lasts two or three times longer than Ji-woon's version - it's perhaps for the best that he didn't try to emulate Leone's genius for creating tension out of seemingly endless set pieces. Either way, this is a film you're not likely to forget in a hurry.

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    Argumento

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    • Trivia
      Director Kim Jee-woon says he'd like this to be called a "kimchee western", after the Korean food made with fermented cabbages. He says he thinks the plot and film are spicy and vibrant, like the Korean culture and people.
    • Errores
      When Park Chang-yi throws the knife and impales the centipede, he is wearing modern boxer brief underwear.
    • Citas

      Man-gil: The bounty on your head is 300 won.

      Yoon Tae-goo: What? I'm only worth a piano?

      Man-gil: A used one at that.

    • Créditos curiosos
      Be sure to watch the credits, as they show great movie stills as well as behind the scenes movie stills.
    • Versiones alternativas
      The UK release was cut, cuts were required to remove sight of real animal cruelty, in this instance three cruel horse falls, in line with the requirements of the Cinematograph Films (Animals) Act 1937, in order to obtain a 15 classification. An uncut classification was not available.
    • Conexiones
      Featured in Kain's Lists: Top 12 Favorite Westerns (2013)
    • Bandas sonoras
      Don't Let Me Be Misunderstood
      Composed by Bennie Benjamin, Gloria Caldwell and Sol Marcus (uncredited)

      Published by Warner/Chappell Music Inc.

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    Preguntas Frecuentes

    • How long is The Good, the Bad, the Weird?Con tecnología de Alexa
    • What are the differences between the International Version and the Korean Version?
    • What about the British Version? Does it contain the Uncensored International Version?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 17 de julio de 2008 (Corea del Sur)
    • País de origen
      • Corea del Sur
    • Idiomas
      • Coreano
      • Mandarín
      • Japonés
    • También se conoce como
      • El bueno, el malo y el raro
    • Locaciones de filmación
      • Corea del Sur
    • Productoras
      • Barunson E&A
      • CJ E&M Film Financing & Investment Entertainment & Comics
      • CJ Entertainment
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 10,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 128,486
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 4,775
      • 25 abr 2010
    • Total a nivel mundial
      • USD 44,261,209
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 19 minutos
    • Color
      • Color
      • Black and White
    • Mezcla de sonido
      • Dolby Digital EX
    • Relación de aspecto
      • 2.35 : 1

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