Wallander

I've seen both recent episodes on the BBC4 channel, and think the show is simply excellent. The gritty style of Kurt Wallander, played superbly by Krister Henriksson, along with some very skilled direction and scriptwriting, make this a gripping detective series. It's not for the faint-hearted either as some scenes are very graphic. The nasty stuff genuinely sends chills down your spine, something very difficult to achieve. While the general character of the Swedes is one of reserve and ice, the scenes of violence and gore differentiates this from the normal stereotype. The cinematography is excellent, and it is a show I would recommend to many Film Studies students.

The supporting cast is the one possible weakness in this show, and more could be done to bring them into it more. Otherwise a very good show. BBC have unearthed a winning detective series

The following refers to the 13 episodes of Season 2.

It sometimes seems as though the world is divided into two groups: those for whom subtitles pose no problem, and those for whom they do. If you fall in the former group, and you enjoy police-procedural dramas, then this series is for you. If you fall in the latter group, or if your comfort level plummets when you venture beyond BBC productions, then try the series with Kenneth Branagh and a supporting cast of English-speaking actors pretending to be Swedes - it's not as good, but it is in English.

I am a big fan of British police-procedural/detective series, and it was only because I was having trouble finding ones I had not seen that I turned to the Swedish-language "Wallander" series with Krister Henriksson in the lead role. I was impressed: it holds its own against the better British series.

Which actor you consider the definitive Kurt Wallander may depend on which version of the series you see first (assuming you see more than one). As much as I like Branagh and admire his work, he runs second to Henriksson in the Wallander Stakes. Indeed, the character of Wallander is not the same in the two series. The focus is much more on Wallander in the British series - a choice perhaps necessary to attract Branagh to the role - and he is portrayed as something of a loner, while in the Swedish version the members of Wallander's squad get significant screen time, and Wallander is portrayed more as an intelligent man with good instincts who is effective as a detective, a leader and a mentor. Branagh's Wallander is a man grappling with emotional issues, while Henriksson's comes across as reflective and world- weary but a man largely at peace with himself. I have not read the books on which the series is based, so I do not know which portrayal is truer to Mankell's character, but I do know I'd rather spend time with Henriksson's Wallander than with Branagh's.

The supporting cast is excellent, and, as indicated above, we are allowed to get to know their characters. The plots of the episodes held my attention, production values are high, and the locations and Swedish-speaking cast added to the verisimilitude. I especially liked how the relationship between Wallander and the prosecutor (an attractive divorcée who is also his neighbor) was handled. They are two adults of middle-age who develop feelings of mutual respect and affection (though they occasionally butt heads on the job), but their attraction is tempered by the baggage each carries from previous relationships. Their mating dance is cautious and restrained - very Scandinavian, one could say - and strikes just the right notes.

A beautiful small town full of psychopathic mass killers, brought to justice by a grumpy middle aged detective - no, it's not 'Inspector Morse', but 'Wallender', the British programme's Swedish equivalent. And whereas in every Morse story, the lead detective fell for a woman who turned out to be involved in the murders, here (on the evidence of the two stories recently shown on British television) every murder in some way involves Wallender's daughter. The plotting may be overblown, but the tone of these adaptations is procedural, and the characters generally show the famed Scandinavian sense of reserve; this makes Wallender appear less obviously interesting than Morse, but with skilled direction, the nasty stuff appears genuinely creepy. It's the chilling sense of atmosphere that makes the program a winner, in my book, rather than the stories; so it will be interesting to see how the recent BBC adaptation of the same novels compares.

I am a huge fan of detective shows, so I was interested in seeing Wallander. This series is absolutely superb, as much as I did like the English series, this series(in Swedish) is much better, it is better plotted and has a more consistent tone. Wallander is often described as the "Swedish Morse", seeing this it is not hard to see why.

The scenery is wonderful, and the cinematography is atmospheric and skillful. The music is clever and never feels intrusive or too-much. The writing is always top notch, always moving, intelligent or goosebump-inducing, while the story lines are beautifully constructed with situations that are realistic and plausible and there are plenty of chilling and nail-biting moments. The direction is excellent constantly, while the acting is absolutely fantastic. Krister Henrickssen IS Wallander in my opinion, there are so many words to describe how good his performance is here and I would probably be here all night listing them. Johanna Sallstrom was wonderful too as Linda, and I too was shocked at her death, she was to me a very good actress, and I loved how hers and Kurt's relationship was developed, while the villains are very intriguing and chilling.

Overall, a superb and I think superior series. 10/10 Bethany Cox

Being a fan of detective dramas and having watched the BBC's version of Wallander I was interested to see what the original was like when it aired on BBC4. Unfortunately I didn't catch all of the episodes but I enjoyed all of the ones I saw, in fact I preferred it to the British version.

Each episode follows a single case so it doesn't matter too much if you miss the occasional episode. Krister Henriksson is great as the eponymous Kurt Wallander, a police inspector in the Swedish city of Ystad. He isn't the only Wallander in the department, his daughter Linda is also on the force. She is played by the late Johanna Sällström who did a great job, it was rather sad watching it to know that this able actress is no longer alive.

The episodes I saw were all gripping, they also contained a bit more gore than one would expect in a British detective series set in attractive scenery, it isn't over the top though so shouldn't offend anybody unless they have a really weak stomach.

I'd certainly recommend this to all fans of detective fiction, it is a shame that it was aired on digital only BBC4 rather than getting a slot on BBC2 where it might get a larger audience; it seems they are afraid of showing anything subtitled on a major channel.