La cosa del otro mundo

Prequel, sequel or whatever they want to call it, the most positive comment I can give to "The Thing" is that it sparked my desire to re-watch John Carpenter's 1982 original and perhaps even the almighty 1951 pioneer classic "The Thing from another World", just so I can spot the little connections and audit if everything – in fact - interweaves nicely together. I've read quite a lot of harsh and severely impolite reviews on this film, but personally I must say I enjoyed it very much. Admittedly, however, I might be a bit prejudiced one two specific levels, namely a) I do not worship the Carpenter milestone like many fellow genre lovers do. It's a terrific and very influential classic, of course, but I don't consider it sacred and wouldn't rank it in my personal top 10 or so. And b) I'm a Belgian who spends a lot of time in The Netherlands. What does that have to do with anything, I hear you say? Well, not much indeed, except for the fact that "The Thing" was the directorial debut of Dutch filmmaker Matthijs Van Heijningen Jr., and if you'd know how many Belgian and/or Dutch directors aspire to build up careers in Hollywood, yet how very few of them ever even come close, this is praiseworthy to say the least. Van Heijningen literally came out of nowhere and all of a sudden now directs a relatively large-budgeted Sci-Fi horror flick with a massive reputation and a cast full of fairly famous faces. His father may have earned quite some money producing famous Dutch flicks, but this is nevertheless an impressive and respectable accomplishment.

"The Thing" 2011 is a fast-paced and visually astonishing, albeit unsurprising Sci-Fi/horror shocker. I state unsurprising because the film follows the exact same narrative structure and introduces very similar characters as in John Carpenter's original, which makes this nonetheless some kind of crossover between a prequel and a remake. Norwegian expedition members stumble upon a gigantic spacecraft underneath the thick ice of Antarctica and even discover a deep-frozen alien specimen within the same perimeter. Expedition leader Dr. Halvorson recruits American paleontologist Kate Lloyd to investigate the remains, but he clearly has a hidden agenda and wants to keep the discovery as confidential as possible for reasons of profitability. Whilst under observation, the alien naturally thaws and promptly goes on an unstoppable annihilation rampage thanks to his unique ability to duplicate the people it already killed. The one essential aspect this version lacks is undoubtedly the atmosphere of paranoia and hostility. Once the alien's hunting methods are known, there's general distrust and fear between the characters that isn't illustrated as tense as in Carpenter's film. There's a sequence in which Dr. Lloyd demands that everyone opens their mouth to check if they have teeth fillings, simply because the alien is unable to reproduce artificial body corrections. This particular sequence is a bit suspenseful, but simultaneously overlong and somewhat silly, because – like one of the group members righteously remarks – people suddenly can get banned from the circle "because they floss". On a more positive note "The Thing" definitely outshines the vast majority of other horror releases nowadays, thanks to the presence of authentic characters instead of irritating genre stereotypes... Of course, it would have been quite impossible to cast scantily clad babes and dim-witted jocks as arctic explorers... Also, the 1982 film may have benefited tremendously from Ennio Morricone's musical guidance, but Marco Beltrami provides a new score that is nearly as intense. But the biggest trump of "The Thing", and probably the main reason to grant it at least one viewing, is the gore. Even though all the special effects and make-up is computer engineered, Van Heijningen Jr. and his crew succeeded in making the special effects look as raw and disturbing as in the original. There are multiple gory highlights, for example the forming of the notorious two-headed creature, that will appeal to horror freaks of ALL generations; younger ones as well as skeptical John Carpenter groupies.

Initially I had thought this to be yet another of the countless Hollywood remakes, and I was thrilled to find out that it was not so. Being a prequel, this movie definitely had something to live up to, as Carpenter's original version is nothing short of a masterpiece.

This 2011 prequel actually did a good job, and I think it was a good addition to Carpenter's work.

What impressed me was the creature effects. The effects team really had managed to put together something unique here. And there was really a sense of something not-of-this-world about the grotesque shapes and abnormalities the creature assumed. And best of all was that the effects and make-up all looked so life-like and real.

The acting in the movie was good, and I think it was a really great touch that they had put together a mix of American, Danish and Norwegian actors/actresses. And the best part was that people actually did speak Danish and Norwegian, and not just English with a Scandinavian imitated accent, as you tend to see in American movies. So thumbs up on this detail.

As in the original Carpenter movie, they really had caught the feeling of isolation and paranoia in this 2011 movie as well. However, it was a shame that there really wasn't anything new or innovating to be told from the story here. It was a bit like they were just making soup off the broth Carpenter already used back in the day.

However, all in all, "The Thing" (2011) actually did entertain me thoroughly and I think it was a good enough prequel in its own way. Just don't expect something overly new here.

This is a prequel/sequel/reboot/rework to John Carpenter's 1982 classic horror The Thing. There is the big reveal twisting the story to loop it around. They could have played with this a lot more than what they actually did. It's convoluted but I'm willing to buy it. In fact, it added something interesting. Not the same for the FX.

The aliens are now almost all CG. That's a big problem since the original had some of the most iconic real FX. It's a spit in the face for fans to replace it with CGI and it doesn't look good anyways. Going inside the saucer is a big mistake. This stars Mary Elizabeth Winstead, Joel Edgerton, Eric Christian Olsen, but nobody really stands out. This is a good idea but executed without understanding the appeal of the original.

Different enough from the original that it feels pretty unique, and takes a bit of a different spin on a good story.

Glad they cast M E. W as the lead as she's just a great actress, and for me, this and Cloverfield Lane are some of her best performances in my opinion.

Graphics feel a little dated now, but there was only really one instance where it felt a little lower budget.

Only removing a few stars because I think there could have been a little more tension, and I wanted a more solid ending that what was offered.

A worthwhile watch which I wish kept me more on my toes, but delivered in great monster design and enough nods to the original without being a copy.

It's hard for anything to compare to John Carpenter's The Thing. It's one of the greatest horror films ever made, some would argue *the* best. Thankfully, they didn't go the remake route here and instead opted for a prequel that depicted the events that happened in the Norwegian camp prior to the '82 version. In that regard, this movie does an impressive job at tying some knots like showing how the two-faced thing came to be, as well as the origin of the dog from the start of Carpenter's Thing. Sadly, that's where most of the praise ends.

The Thing suffers from what plagues many horror movies these days - underwritten characters and overwhelming CGI. One of the scariest things of Carpenter's version is the practical effects of the "thing". They were horrifying. Here, all subtlety is thrown out the window in favor of huge CGI monsters. It's effectively used in a couple scenes, but the monsters lose their scariness after a while and it just becomes gratuitous. The characters themselves are paper thin. What helped make the '82 version so fantastic is that we got to know the characters, their quirks, their personalities, and we were able to empathize with their situations. In this movie, half of the characters are interchangeable. I didn't even know most of their names. And worse yet, I didn't care about any of them. There's one particular scene that calls back to Carpenter's infamous blood test scene where I realized that most of these people are really dumb and I don't care if any of them die. That's not good in a horror movie. By that point it was just a waiting game for them to get picked off one by one.

The lead performances are strong. For the material they were given, Mary Elizabeth Winstead and Joel Edgerton do a fine job. But that simply isn't enough to carry a movie like this. The Thing is supposed to be scary, and for the most part, it isn't. That's a failure by horror standards. There's some face-value entertainment to be had here, but if you're looking for a substantial prequel to Carpenter's masterpiece, you'll be sorely disappointed.