Musta jää

Musta Jää is a dark and cold love triangle and at times quite humorous one. It makes you laugh the first moment and the second it gives you the chills. Director Petri Kotwica clearly had no rush making this, because it seem so well finished, with not much faults. The only thing that I think didn't work all the time was the score. It is a score by a talented cello player from Apocalyptica, but it was playing maybe a bit too much during the movie. It's a minor minus, but not a big one.

All the actors are just fantastic, and the characters are very interesting. Outi Mäenpää is one of the best finnish actresses and she plays Saara, who finds out her husband is cheating on her. It happens the day she turns 40. Husband Leo is played by Martti Suosalo, a very fine actor too. Leo is having an affair with his student, 29 year old Tuuli (Ria Kataja). Saara starts planning a revenge, that is megalomanic and wonderful to watch, she even creates herself a new identity for it. The plot twists are not stunning but very entertaining and well made.

Movie is good looking too, visually. I think it's not a bit lower than the European medium of cinema. In my opinion it is by far the best finnish movie made in last few years, with Kaurismäki's Laitakaupungin Valot of course. This makes Petri Kotwica one of the most interesting new finnish directors. And this proves he's a great writer too. Movie has a lot of small little things - of acting, characters, cinematography, dialog - that are just genius, not really that much seen in finnish cinema. Much of it happens in Saara's mind. Not that much that you could analyze it like Ingmar Bergman's Persona (which has some fine similarities), but still some. The whole masquerade sequence is one of the things i like a lot too.

I recommend Musta Jää to people who like a well written, well acted and well directed little dark but cleverly humorous European, almost an art film-like cinema. Not for ones who dislike semi-low tempo, and too intelligent structure.

Black ice is a strong film, with excellent characterisation, plot development, and filming; in fact it won seven Finnish Jussi (film industry) awards in 2008 including Best Film, Best Director, Best Script, Best Editing, Best Music, and Best Actress. The wife who is misled by her husband decides to play a complex game, but as the plot unfolds she develops dual feelings of both friendship and revenge towards her husband's mistress. Our feelings towards the mistress are bounced around too because she is quite happy to be a participant in the plot of deception she and the husband are engaged in, but then we find she herself becomes an unknowing target in the wife's plan of deception. The wife seems to have a fondness for knives (kitchen, gym props, and scalpels) and this gives the film a further degree of bite. Which of the 'friend or foe' feelings held by the wife will be triumphant by the end of this very fine film?

"Black Ice" is a movie that deserves the name. A complex and multi-layered drama that investigates modern society and human relations in this society. Choosing a suitable metaphorical title and creating a good atmosphere of the movie is one of the key features of the movie. The weakness of the film, which reduces the impact and visual value of the film, is the inappropriate role of the soundtrack. The music of the film is added in most of the sequences and plays the role of negative filler. The characters are well-characterized and have a suitable job for the drama situation. I loved the movie and the only regret I have is the soundtrack.

One of the better commercial Finnish films of the last decade, "Musta jää" is a tight love triangle with unexpectable plot line. At many times (and quite surprisingly) it is almost hitchcockian in atmosphere, as you always know a little bit more than any of the characters - and in the end, the whole plot seems to be about masquerade à la "North by Northwest" or "Vertigo", with one of the main characters slowly turning into the character he/she performs.

Although the film suffers from few unnecessary sex scenes (not counting the over-the-top lesbian scene!) and quite unimpressive soundtrack, the film as a whole stands out as a remarkable effort. Kotwika has the patience to tell his story mainly through his fine actors and actresses, not through the images - the patience lacking from most modern film directors. He also explains the motives of his characters through their actions and expressions, not through their words. Kotwika seems to have some virtues of an old-time filmmaker, who still believes in his audiences intelligence. In that sense, his film hasn't appear a minute too soon on our Finnish screens.

I don't know and I kinda guess the characters don't know either. It's more like not willing to lose something, than to actually love it/him/her. You could also say, Love is in the air ... but somehow no one can touch it.

While it has it's comedic moments too, it's more a (black) drama. At first you might guess where this is going, it seems to go the usual path that any movie with a plot like this goes (look for the plot summary, if you will, I won't spoil anything), but it does turn out to change it's path. Sometime the changes are very ridiculous, so you might have to stay with it. If you click out at some of the outrageous plot changes, you won't like the movie. The end is complete out-there (i.e. crazy), but the movie builds up to that point, so it's not a complete surprise. Still some might be shocked/appalled by it ...