Secretos Peligrosos

what is it that makes us human? the thing that separates us from the animals? the whistleblower doesn't answer these questions. in fact it asks the question even more. this movie was hard to watch but also hard not to. Weisz is outstanding as the woman that exposes the men with control and power over their weaker fellow man...or woman in this case. you must watch this movie for the human story. expecting to be "entertained" by drama and the like should not be your goal here, the director has done an excellent job ensuring that. if you want to be entertained then watch transformers... if you're not afraid to be moved by the real events on which this story is based, then this movie is for you.

Greetings again from the darkness. Emotional exhaustion swept over me as this film came to an end. Based on the true experiences of Kathryn Bolkovac, we see what a true hero is. She absolutely refused to turn away from the despicable actions of her co-workers and government officials.

Rachel Weisz delivers what is far and away her best performance yet. She captures the emotional complexity and strength that Ms. Bolkovac displayed. Some have stated she was conflicted, but I never saw that. I saw the character of a woman who had a clear understanding of right and wrong ... and would settle for nothing less than "right".

Kathryn, a Nebraska cop, accepts a UN peacekeeping job in post-war Bosnia. Her spirit and strength is recognized, and rewarded with promotion, by Madeleine Rees (Vanessa Redgrave) who is director of the Human Rights Commission. It is in this job where she slowly uncovers the corruption and cover-up of sex trafficking of underage girls. Even more sickening is that this most profitable business is being run by the peacekeepers and law officers being paid to protect these citizens.

It turns out that though Ms. Bolkovac was fighting for these human rights of these girls, she was also working diligently to expose the corruption of the private contractors hired to supply personnel in all aspects of recovery in countries such as Bosnia. In her situation, the private contractor was DynCorp and she had no problem pulling back the curtain on the lack of training and control exhibited by this and other contractors.

Combine that with the frustrations in dealing with bureaucrats such as Monica Bellucci's character, it often feels as if Ms. Bolkovac is fighting a one woman crusade (with a little help from David Strathairn's character). When red tape (such as no passport for the abused girls) and diplomatic immunity become major players in fending off her efforts, we get the wonderful line "immunity not impunity". That explains a great deal.

The film is directed by first timer Larysa Kondracki. Setting and tone is well captured, but the editing of many scenes left me somewhat distracted, but not to the point of annoyance. There is so much tension and exposure to despicable actions in this film that I found it difficult to relax afterward. The strength and courage of this woman will restore your faith in humanity and remind us we should never turn away from doing the right thing.

The Whistleblower (2010) is a movie based on the sad but true story of human trafficking by the employees of a firm contracted by the UN to provide security in Bosnia after the Dayton peace accord that put an end to the bloody conflict in the Balkans. Rachel Weisz plays Kathryn Bolkovac, a cop from Nebraska, who arrives in Bosnia to work for this firm and is seconded to the gender-affairs department. Weisz sees the stint as a much needed change of scene leaving behind a broken marriage, plus as an opportunity to improve her financial position given the compensation that comes with such a hardship-posting.

The times are tough and the residues of communal hatred still linger - one situation shows the apathy of the local policemen towards a victim of domestic-abuse given that she is from the "other side". Weisz stumbles upon a racket of human trafficking that lures young girls into slavery who are abused by ruthless sadists -- all with the active connivance and involvement of some employees of the firm. Wiesz lone voice is silenced by the firm -- despite the support she receives from a plucky UN officer for gender-affairs, played by Vanessa Redgrave.

Eventually, Rachel takes the sordid story, of protectors who have turned predators, to the media in the UK, where the firm is registered.

Fighting workplace conspiracy that is fueled by apathy and greed can be lonesome and Wiesz portrayal of a gritty professional is engrossing. One is reminded of the roles of Julia Roberts in Erin Brokovich (2000) and Laura Dern in Damaged Care (TV 2002), standing up for what is right despite being stymied by the perpetrators whose acts have the undertones of gender-bias, and suffering the indignation while staying the course with deep conviction.

The movie is spartan in production-value, driving home the truth that a good script and great performances are more than enough to tell a story.

The story makes one wonder of the risks that arise out of the involvement of private enterprises in security and policing, notwithstanding the mandates under which they operate.

Im a fan of non fiction films so when I heard about this film starring the magnificent Rachel Weiss I was hooked.

As always Ms Weiss delivers a believable and approachable performance in this gritty and not for the faint hearted movie fan.

PLEASE STOP READING IF YOU DO NOT WANT TO KNOW THE END OF THE FILM

After reading the end snippets of information about Kathryn Bolkovac and human trafficking it seems that her efforts were in vain. The 'machine' has exiled her without employment to the Netherlands, the oppressors illustrated in the film were let off, and the company who seemed to be condoning this trafficking is alive and well and still making millions of dollars.

Another thing bothered me was the fact that this was grossly under marketed, an opening weekend on just 7 screens that amounted to a paltry 60K, and as of 23rd Oct 2011 a gross amount of just over $1 million is disgraceful. Why were other 'touchy' movies such as Syriana for example were marketed, opened on many more screens, made a lot of money and highlighted the message they were trying to get across were box office successes?

A film along the same genre as Syriana that is non fiction, and highlights the flaws in the 'Machine', The Whistleblower in my opinion I cant help but think was itself a victim of the Machine based on the above facts.

You have a great story, a great director, a fantastic cast, so why was it that The Whistleblower wasn't bigger? Perhaps the pea from the whistle had been misplaced???

Sure the production values could have been better, but I am sure this movie did not have the biggest budget either.

I thought Weisz, Redgrave and Strathairn gave good performances. But,most of all, what I liked was the raw feel of this movie, perhaps due to it's smaller budget, and the fact that it had a very important story to tell (a true story).

I can not comprehend people complaining, in their reviews, regarding the languages spoken. Who cares ? Obviously they cared more about aesthetics than the actual story.

Even with all it's flaws, it is a very entertaining, although sad, movie. It actually prompted me to do some research on DynCorp, KBR and Blackwater , 3 of the security contractors getting billions of $ from our governments while committing countless crimes around the world. So, I guess, in that respect, the movie has worked and got it's point across. Good to see a movie that actually gets your passion and emotions flowing, even if it is outrage.