Un drama basado en las experiencias de Kathryn Bolkovac, una policía de Nebraska que sirvió como pacificadora en la Bosnia de posguerra y abandonó a la ONU por encubrir un escándalo de tráfi... Leer todoUn drama basado en las experiencias de Kathryn Bolkovac, una policía de Nebraska que sirvió como pacificadora en la Bosnia de posguerra y abandonó a la ONU por encubrir un escándalo de tráfico sexual.Un drama basado en las experiencias de Kathryn Bolkovac, una policía de Nebraska que sirvió como pacificadora en la Bosnia de posguerra y abandonó a la ONU por encubrir un escándalo de tráfico sexual.
- Dirección
- Guionistas
- Elenco
- Premios
- 8 premios ganados y 10 nominaciones en total
- Zoe
- (as Anna Anissimova)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I thought Weisz, Redgrave and Strathairn gave good performances. But,most of all, what I liked was the raw feel of this movie, perhaps due to it's smaller budget, and the fact that it had a very important story to tell (a true story).
I can not comprehend people complaining, in their reviews, regarding the languages spoken. Who cares ? Obviously they cared more about aesthetics than the actual story.
Even with all it's flaws, it is a very entertaining, although sad, movie. It actually prompted me to do some research on DynCorp, KBR and Blackwater , 3 of the security contractors getting billions of $ from our governments while committing countless crimes around the world. So, I guess, in that respect, the movie has worked and got it's point across. Good to see a movie that actually gets your passion and emotions flowing, even if it is outrage.
For six months of her time and $100,000, Kathryn was to monitor the local Sarajevo police and advise them on proper police procedures. Very quickly, she discovers the word monitor means turn a blind eye as Serbs, Croats, and Bosniaks abuse whatever power they have to continue a sort of undeclared war on each other. The Serb policemen will not investigate or prosecute domestic violence cases, especially if the woman is Muslim. Kathryn successfully leads Bosnia's first case against domestic violence earning her a more visible job as the department head for gender affairs.
Now her scope includes far more than standard local police issues. Young Eastern European and Russian girls are turning up on the streets and shelters looking severely assaulted and sexually abused. To her shock and dismay, Kathryn learns that United Nations employees from all nations are not only the girls' customers, but frequently aid local human traffickers in their transport and have an interest in holding the girls against their will.
Nobody in any position of authority ever raises their hand for a scandal, so all of Kathryn's investigations and findings are swept under the rug and she is ostracized from the rest of her compatriots who are either not interested in obtaining justice for the girls or believe so much in bureaucracy and paperwork that they sometimes send the girls right back to their rapists. On Kathryn's side is the High Commissioner for Human Rights rep played by Vanessa Redgrave and an internal affairs agent played by David Strathairn.
Frequently, the subject matter and scenes of girls undergoing sexual abuse and torture are stomach churning. The film can be relentless at times showing various punishments and cruelty. Human trafficking, especially if it involves a trusted world organization and its sleazy contractors, is an extremely important subject to cover and make films about; therefore, be ready to adjust uncomfortably in your seats as you watch downright disgusting and brutal activities perpetrated against teenage girls.
The Whistleblower deserves applause for bringing to light the company Democra which still carries out government contracts to this day. However, when the film takes a break for showing the girls' plight, it focuses on Kathryn's personal life and back story which are choppy and do not come across as fully thought out. There is her home life back in the states which she left, including her daughter, and an awkward budding romance with a Dutch security contractor. Including romance and relationships in a film with this disturbing subject matter would be tough for any director, and this first time feature director does not quite pull it off.
It will take this reviewer some time to get over some of the images in The Whistleblower; tread at your own risk. But this story deserves to be told and shown in all of its brutality.
Rachel Weisz delivers what is far and away her best performance yet. She captures the emotional complexity and strength that Ms. Bolkovac displayed. Some have stated she was conflicted, but I never saw that. I saw the character of a woman who had a clear understanding of right and wrong ... and would settle for nothing less than "right".
Kathryn, a Nebraska cop, accepts a UN peacekeeping job in post-war Bosnia. Her spirit and strength is recognized, and rewarded with promotion, by Madeleine Rees (Vanessa Redgrave) who is director of the Human Rights Commission. It is in this job where she slowly uncovers the corruption and cover-up of sex trafficking of underage girls. Even more sickening is that this most profitable business is being run by the peacekeepers and law officers being paid to protect these citizens.
It turns out that though Ms. Bolkovac was fighting for these human rights of these girls, she was also working diligently to expose the corruption of the private contractors hired to supply personnel in all aspects of recovery in countries such as Bosnia. In her situation, the private contractor was DynCorp and she had no problem pulling back the curtain on the lack of training and control exhibited by this and other contractors.
Combine that with the frustrations in dealing with bureaucrats such as Monica Bellucci's character, it often feels as if Ms. Bolkovac is fighting a one woman crusade (with a little help from David Strathairn's character). When red tape (such as no passport for the abused girls) and diplomatic immunity become major players in fending off her efforts, we get the wonderful line "immunity not impunity". That explains a great deal.
The film is directed by first timer Larysa Kondracki. Setting and tone is well captured, but the editing of many scenes left me somewhat distracted, but not to the point of annoyance. There is so much tension and exposure to despicable actions in this film that I found it difficult to relax afterward. The strength and courage of this woman will restore your faith in humanity and remind us we should never turn away from doing the right thing.
¿Sabías que…?
- TriviaKathryn Bolkovac, the woman on whose real life experiences the film is based, sold the rights to her story to director Larysa Kondracki for $100.
- ErroresWhen Kathryn is asked to return her ID at the HQ, her right-side shirt collar is unfolded. When she is escorted, the collar is folded again, and in the next shot it is the left-side collar that is unfolded.
- Citas
Kathryn Bolkovac: [email to authorities] We are peacekeepers who came to protect the innocent, but now prey upon them in the worst ways possible. We may be accused of thinking with our hearts instead of our heads, but we will have our humanity.
- ConexionesFeatured in Maltin on Movies: Man on a Ledge (2012)
- Bandas sonorasVONHA (War)
Written by Anatoli Krupnov (as Anatoly Krupnov), Vasily Bilishotsky and Vladimir Ermakov
Performed by Black Obelisk
Courtesy of CD-Maximum
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- The Whistleblower
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 1,124,966
- Fin de semana de estreno en EE. UU. y Canadá
- USD 61,002
- 7 ago 2011
- Total a nivel mundial
- USD 1,870,392
- Tiempo de ejecución1 hora 52 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1