San guo zhi jian long xie jia

Andy Lau stars as a general who started as a foot soldier and worked his way up through the ranks after several acts of heroism.Thirty years on he's forced to fight one last battle against the daughter of an old enemy.

Apparently based on the same source material (The Romance of the Three Kingdoms) that John Woo is using for his 5 hour Red Cliffs (due for release later this year) Here the "epic" story is reduced to around 100 minutes of marching armies and battles. Any sense of plot is cast aside for the fighting and deep pronouncements. To be fair the DVD I watched had barely coherent subtitles, but at the same time they were coherent enough to know that they really didn't have a great deal to translate. The plot lurches from thing to thing with very little explanation- or rather only explanation to carry the emotion. We're told things rather than shown things. The performances of Lau and Sammo Hung provide a great deal of emotion that isn't in the script. The bond between the two men and the emotion that they impart are the reason you watch the film, not for anything else...

...okay maybe the action. As a film of epic action scenes its quite good. its not great but it is is good in a retro old school style. Its pretty pictures of armies fighting and it is entertaining, if rarely engaging (something the films scant dialog and character building prevents from ever happening). Never mind that coming as it does on the heels of the Jet Li masterpiece Warlords the film has a great deal to live up to since that earlier film had real characters and real action, two things this film never manages to achieve. Add to the mix the over use of slow motion and the film really isn't worth the trouble.

Actually its worth looking at if you want to see the fighting and a couple of good performances.

Based on the classical "The Romance of the Three Kingdoms" Daniel Lee ventures back to one of the most important eras of Chinese history - the time of the titular Three Kingdoms, of ever-lasting conflict and battles, which formed many a legend. Here focus is directed to the famed and glorified general Zhao Zilong (an ever-pleasing Andy Lau), a supposedly undefeated warrior, who brought glory to the the kingdom of Liu Bei. Backed by the military genius of Zhuge Liang (Cunxin Pu) and the remaining Five Tiger Generals, the heroes bathed in glory.

Opulent, radiant the settings, scenery, cinematography, lighting and general art direction borders on perfection with each shot nurtured and tended too is this lavish epic. With appropriate heroic pathos to accompany the story-telling Zhao Zilong is presented as a chaste and immaculate warrior, as if almost striving towards a Buddhist transcendence. Unrivalled in battle, loved by all men and glorified even by contemporaries, Zhao shines even when riding out by himself against an entire army. Naturally such a directorial choice can't be criticised, similarly as chanson de geste type poems are what they are: glorified monuments of heroic deeds, unabashedly singing praise to the main protagonist. In a take it or leave it deal, Zhao Zilong is a hero, unfailing and relentless in pursuit of unification of the kingdoms, even in tragedy a man suit for tall tales of glory.

However "Three Kingdoms" falters due to one rather overbearing glitch: lack of middle story. The depiction of Zhao Zilong's life basically limits itself to an extravagant presentation of two moments of his story: the beginning and the end of his legend. Unfortunately Daniel Lee fails to even trouble himself with building any back-story to the character (who was he? where did he come from? what motivated him?) or worse yet fails to build any backbone to Zilong, instead fast-forwarding us from his initial feat of bravery as a young man, straight into the time of him being an elderly general, the sole remaining of the Five Tiger Generals, right before what was to be his final battle.

The whole context of in between is forfeited, thus never even truly affording the audience an understanding as to the prominence of his battle achievements or allowing him to build an emotional connection with viewers. Such a thinly presented story is however aptly summarised in the fading line of the movie itself "How many things before and after fade into gossip and laughter."

It seems as though it is only a half finished project. A first time joint venture- a major motion picture project put together by the Chinese and the Korean production teams, the Chinese took part in pre-production; from writing up the screen play to directing (a Chinese guy who made Jet Li's "Black Mask), acting & filming while the Korean team took care of most of the post production (& funding), the CGI, and scoring.

With almost unlimited amount of funding and the pool of world-class production talents in Asia, I cannot help but wonder how an opportunity like this could have gone this wrong. The famous Chinese classic- the three kingdoms - is an epic war story that one could not find its proper match in its scale in any part of the world. The movie deserved more than only a 90 min. duration. Why Why Why did the director and its team decide to cut out anything that resembled a real drama? Who knows. Jhon Woo wanted to give the project a proper attention, so in his upcoming three kingdoms project,'the red cliff' he is devoting 4 hours to tell the story.

The action sequences, camera works, set designs, costumes, and props, and even the score, you name it, they were all top notch. But Why? Why no Drama? Why could't the director decide to use another 30 more minutes to supplement the sheer absence of story-telling and the sufficient characterization of each of the major characters ? It would only have made the film 120 minutes, which is still within the main stream block buster length range. Besides I bet that anyone who came to see the movie must have expected something more of a... "brave heart" type of epic story and heart wrenching human drama and understood appreciatively even if the movie went more than 2 hours.

What a waste...indeed !!! I am a big fan of Three kingdoms and Any Lau, so i will always love any project that has anything to do with those 2 elements, but this one.... oh... a surprisingly disappointing project, indeed. I gave it a 5 out of ten, because as I mentioned, the picture is only a half-finished and at least that half was pretty good.

Well, This is the first time that I came here. Actually, it is because of this movie made me come here! Because he is a Korean Director, I can bear and forgive his unknowns about the real and reasonable history of Three Kingdoms of Ancient China. But there is something I can't bear, and I am sure nobody had known Ancient China can bear.

The costumes(or Amor), I am sure they are all Japannese Style! I am not want to cause any racism arguments, but it is Chinese History, what's hell you give the worries Japannese Amors? Can I shoot a movie about Civil War of US but give them Ancient European Amors? And also there are many many unreasonable details about the story. Our Forums have discussed how bad and how stupid about this story~~~~Well, I know most of u guys can't understand what I am saying. Overall, it is not a good story, but it may be a good WAR FILM which made people excited.

To be brief, this movie was a disappointment.

The reasons are simple - it lacks any characterization, the whole story feels like a synopsis, not a full story. Scenes and images flashed by as if we are scanning (selected) pages of a novel, with no real details given.

I thought Andy Lau was good for the role and I didn't even mind Maggie Q's role; the samurai-like armor; the Wei forces' helmets resembling Stahlhelms (Nazi helmets) and the Shu's are like British soldiers being so obvious. These are cosmetic and artistic choices and didn't pose as a serious distraction. (The brief appearances of some other main ROTK characters were done just right and did provide a nice glimpse into what might have been part of a more romantic epic.) But still, give more meat to the story and characters, make it a real movie, not a hundred minutes long trailer.