El soñador

I typically do not like the "traditional" gay cliché genre where all relationships have to end in tragedy. But I COULD have made an exception here had the writer/filmmaker decided to go in the direction of a ghost story...which was alluded to about mid-way. Meaning, there were many elements of horror/psychological thriller, beginning with the character of Nathan's family life. Then, we see the tension between Nathan and one of Roy's "alpha male" friends, foreshadowing some negative story line. But all in all, this is just too linear and has a very "made for TV" feel (the sound-track gets very annoying). And the ending seems to make this just too "cutesy" and negates the entire horror/ghost story direction (it's almost as if the writer got stuck and didn't know where to go and wanted to end on some "feel good" note...just lazy). Also, there were several instances where either the writer or the director didn't seem to understand the setting they were portraying (Baptists in the South would NEVER have a crucifix on the wall...let alone in a church...that's Catholicism). In other words, a) do your research b) pick your "mood" and where you want to go and c) be consistent. The acting was in fact superb and I think the best thing about this...so I wish all involved an excellent career.

I was thoroughly enjoying this film, with its talented and attractive two leads, the evocative setting, and a decently realistic premise.

Then came the final act.

What happens in the ending is both poorly written and a waste of a potentially fantastic film. In a story that felt so natural and real, the entire third act comes seemingly out of nowhere in effort to force the characters into a specific type of ending. An ending which, though I would have preferred otherwise, could have been achieved much more organically with story pieces already in place (the father) instead of driving an underdeveloped secondary character into an unjustifiable decision, and forcing a main character to passively accept their fate with no fight.

Awful. Truly awful.

Wow! What a nice surprise. Saw this gem at Newfest film festival in NYC June 12-08. Was drawn in from the very first moment. The film takes place in rural Louisiana in the mid 20th century. The film has a quiet intensity and power, is beautifully paced with excellent attention to detail, which gives it a very genuine feel. There is a simplicity and sparsity to the film that makes it feel like classic Americana, like the Last Picture Show, Hud or East of Eden or a Eudora Welty story. The two actors Stephan Bender and Maximillian Roeg that play the teenage boys are outstanding and should have very fruitful careers after this film. They give beautifully controlled nuanced performances that give the characters an honesty and depth. Diana Scarwid plays one of the boy's mother and is amazing. This actress is really underused in films and her performance here is a powerhouse and should be nominated for a best supporting Oscar. The singer Rickie Lee Jones plays the other boys mother and in a small part creates a memorable and touching character.Don't want to give too much away about the plot but the center of the story is about two teenage boys. One who just moves into town and the friendship that develops as they gravitate to one another. Keep an eye out for this film, it is a sleeper and true jewel.

People watch movies for different reasons. Some people like an elaborate, fast-paced plot. Others enjoy the visual and audio experience. I am the kind of movie watcher who enjoys a well executed and consistent tone and mood. In "Dream Boy," the mood is both melancholy and sweet and there is a constant, if not always apparent, hint of anxiety and apprehension that builds throughout the movie. Capturing a mood is very difficult, and it relies on a number of factors including acting, cinematography, and music. While the acting of the supporting cast in "Dream Boy" can be somewhat inconsistent, the acting of the two main characters, Roy (Max Roeg) and Nathan (Stephan Bender), is very strong. I was particularly impressed with Bender whose performance reminds me of Gabourey Sidibe in "Precious." While it is true that the awkward, inarticulate teenager is well-trod territory in gay cinema, I've never seen the role acted so flawlessly. I was completely convinced that Bender was Nathan. Here we have a rare example of the kind of role that doesn't seem "acted" at all; it's as if Bender embodies the character. Sadly, I think actors with roles that are over-the-top, histrionic, and melodramatic often get the most praise, but it seems equally if not more difficult to portray a shy, introverted character, and the actors who really nail these roles often don't get the recognition they deserve (re: Heath Ledger in Brokeback Mountain). I've read some criticism that Bender's performance was "wooden," and it strikes me that if you were not an awkward, inarticulate teenager you might not be able to identify with the performance, but if you were the kind of kid who stayed inside most of the day you will probably find the portrayal of your former self incredibly accurate and moving.

There is a lot of attention paid to subtle, non-verbal forms of communication - glances, stares, half-smiles, physical contact - all of which create a much more realistic depiction of young, gay love than the more chatty gay coming-of-age movies that I'm used to seeing. All of that being said, I understand the disappointment with the ambiguous denouement, but plots are relatively tangential for me. If the actors and director manage to depict a convincing mood, then that is all I need to be satisfied, and they have certainly done that with "Dream Boy."

I enjoyed the atmospheric, thoughtful and sensitive slow pace of this movie, but the dialog in important parts, and especially during the climax, was drowned out by some of the worst, most inappropriate, extremely annoying, repetitive, cloying and very loud music I've ever heard in a movie soundtrack.

The dialog volume should have been turned up and the music _way_ down in this movie, and absent altogether in parts where the dialog was of utmost importance for revealing the plot. As it was, there were parts in which I could only guess what was being murmured because the music was deafening by comparison. I almost stopped watching this movie, despite liking the story and characters, specifically because of the awful "background" music that was much too often in the close foreground. Extremely poor choices regarding the music. Everything else was fine.