Sheng xia guang nian

In a perfect world actor Hsiao-chuan Chang would be a star. He is the most subtle and sexiest actor I have seen in decades. His face is a knockout---especially his perfect lips. But the innocence he brings to his character is heart stopping.

Eternal Summer is a subtle and sexy Taiwanese movie that is beautifully directed and written by Leste Chen. Every scene and camera shot is perfection.

I found myself going back and watching scenes over and over again---especially, of course, the highly erotic love scene between male actors Bryant Chang and Hsiao-chuan Chang.

Gorgeous. Sexy. Subtle. True.

Bravo.

This film is about the friendship and relationship of 2 schoolboys and a schoolgirl in rural Taiwan.

This film is slow, but it is beautifully made. The characters are developed very well. The plot is touching and intense. The psychological turmoil of Jonathan is portrayed well through his expressions and his behaviour. The film successfully portrays teenage identity confusion, jealousy, passion and love. It is a beautiful portrayal of same sex feelings.

Only one comment though, I think the director uses too much mirrors. I can think of at least five scenes that uses a mirror (and nothing else can be seen apart from the mirror) to reflect what is going on in the other side of the room. The technique can add depth and can offer great composition of the shot, but I think it really is overused in the movie.

A brave effort…

Director Leste Chen has ventured into an unlikely genre with a brave heart, but the results are another matter. It is a film that attempts to be compelling, emotional and consequential, but ultimately it fails to connect with the audience. The film itself is like a beautiful image, filled with daring performances, outstanding direction and lighting, but somehow it falls short and perhaps ending up being quite lacking. Putting together two relatively unknown male leads enhance the credibility of the film by being more believable and surprisingly they handed their respective roles with suitable bravery and emotionally performed. Coming from the lush of fame from the arty 20:30:40, Kate Yeung is suitably nature and a potential filled performance worthy of noting.

The movie goes like this: The film opens with elementary school kid Jonathan (Bryant Chang), ordered by the teacher to befriend his classmate Shane (Joseph Chang). Since then, they have shared every episode in their lives until Carrie (Kate Yeung) becomes their high school classmate...

It is still a mystery, as to the prime reason why the movie never seem to connect to Neo, perhaps it is the subject matter it is dealing with, but the film is ultimately distant and leaving far too many stones unturned in the process. Some twists like the controversial sex scene is far more shocking and brave than actually affecting and connecting. It is probably safe to say that the script is really a let down, as everything else seems like the product of good cinema. There is no doubt that the filmmaker here is daring and is not afraid to expose edgy issues and there are even scenes that reminds us of a far superior –Wong Kar Wai's film – Happy Together. Unfortunately this flick never reaches those heights and the effect is more like experimental cinema than actual accomplished cinema.

Still, with all the criticisms the performances of the trio is without doubt the core saviour for the film as they are able to create believable characters and act beyond the material they are given. Byrant Chang handles his role in an outright sympathetic manner with his heart torn between his love for his best friend and his duty to maintain his friendship. He is expressive and subtle at times, creating a performance that is worthy of some recognition. Likewise, Joseph Chang performs extremely well in a complex role, but in a way his performance may well be enhanced by the sudden shocks within the scripts, rather than his actual performance. Nonetheless, he remains a fine young talent. Of the trio, Kate Yeung is given the filling parts or perhaps what Neo calls "a paper thin role", but somehow, Yeung is able to act beyond her material and resulting in the most natural performance of the trio. She is a bright young talent and despite not being an outright beauty, her talents by far outweigh that minor physical flaw.

All in all, Eternal Summer is by no means a bad movie, and in fact it almost has all the ingredients to set it up as an outright award winning arty film. Unfortunately the film failed to connect and affect to the audience's emotions, resulting in a finale that is more emotional and tense for the people on screen, rather than the ones looking on. It is ultimately a trying and brave effort and for that alone, it is worthy of giving some sort of credit to. Nonetheless, it is an interesting look into the lives of three tormented souls and the daring performances are alone worthy of a pat on the shoulders for their efforts… (Neo 2006)

I rate it 7.5/10.

• www.thehkneo.com

ETERNAL SUMMER (Sheng xia guang nian) is a delicate, quiet, understated and eloquent study of youthful interpersonal relationships form Taiwanese director Leste Chen from a screenplay by Cheng-Ping Hsu based on the novel by the same name by Chi-yao Wang. The style of the film allows a wide audience to appreciate the sexual challenges of teenagers and understand the need for finding love and acceptance in a world at times too busy to care.

The story begins in grade school where Jonathan Kang (Bryant Chang) is a gifted student asked to 'supervise' another young boy in his class, Shane Yu (the dazzlingly gifted young actor Joseph Chang) who has an apparent learning disorder/attention deficit. Shane is rambunctious and athletically gifted while Jonathan is the quiet, reserved, brilliant student. The boys bond as children and grow up together into young men facing the exams for university entrance. A young girl Carrie (Kate Yeung) meets the two boys: first she challenges the studious Jonathan to take a trip to Taipei (ditching school) where she hopes to have a physical encounter. The hotel room is a disaster and Jonathan feels isolated from both Carrie's desires and from deserting his duties at school - and with Shane, who Jonathan loves far more than merely a best friend. Shane gradually moves into Jonathan's position as Carrie's physical companion and the resulting triangle results in confessions and incidents that allow each of the three involved young people to grow and understand the spectrum of love.

The story is captured with exceptionally beautiful cinematic effects by cinematographer Charlie Lam and the atmosphere of play and passion is enhanced by the musical score by Jeffrey Cheng. Yet it is the sensitive direction by Leste Chen that encourages the three superb young actors to become immersed in their roles. Chen knows when to say enough (the sex scenes are sensual and suggestive without even approaching an R rating) and when to allow scenes of quiet and eye contact to carry the drama. This is a very fine film that deserves a wide audience, both young and old. Highly recommended. In Mandarin with English subtitles. Grady Harp

Firstly I thought: oh boy, just another movie I know I'm going to think later, why I wasted my time watching it. Not being from Taiwan and not speaking mandarin, the movie actually was a big surprise. With actors I'm not familiar with but the type of people we could say, "the neighbor next door", which also gave the movie a more sense of reality, a sense of something that could really have happened with the neighbor next door. Or maybe, even with any of us. It's just a movie about teenagers growing up and learning about love and getting trapped in conflicting feelings. The beauty of this movie is they didn't need huge cinematographic production. No need of cursing, no need of explicit sex scenes, no need of over-doings to tell the story of a strong friendship being trembled. With also, a really nice soundtrack. I definitely enjoyed have watched it! Drop the idea of big productions, drop the language barrier and enjoy it...