Frost/Nixon - La entrevista del escándalo

Ron Howard's competent film adaptation of Peter Morgan's play (who also scripted and co-produced here) dramatizes the famous Frost/Nixon interviews from 1977. At one point in the film, Kevin Bacon's character explains to Frank Langella's Nixon that a portion of the interview will focus on "Nixon the man". To which Nixon retorted, "As opposed to what? Nixon the horse?" Of course what was on everyone's mind at the time was Watergate and how American was never able to give Nixon the trial they so desperately wanted. Through the unlikely Frost interviews, the American people finally heard the truth behind the scandal--straight from the horse's mouth.

Morgan's source material translates smoothly onto film. Much as he did with "The Queen", he mixes a behind the scenes look at the immediate time period leading up to the historical event and closes with an almost word-for-word dramatization of said event. Also, like "The Queen", we have the excellent Michael Sheen on board, who after playing Tony Blair now takes on the mannerisms of the legendary British talk-show host and man-about-town David Frost. Director Ron Howard nicely interweaves archival news footage, faux-post interviews with the secondary players, and the dramatic reenactments of the actual Frost/Nixon interviews. Howard's studied but pedestrian style of direction lends itself well to this type of docudrama as he allows the actual events to speak for themselves and the fine performances to shine on their own. Though it takes quite awhile to get where it's going, the final interview where Frost takes Nixon head-on about the Watergate cover-up is a payoff well worth the wait.

Of course the most fascinating aspect of the film is Frank Langella's portrayal of a shamed and swollen Richard Nixon. He plays him as a fallen man desperate for an act of contrition but still in too deep with his old trickery and slick ways. His performance, and the way it connects with the audience, is wonderfully layered. On one level, we have an aged actor thought to be well past his prime firing back on all cylinders in a renaissance role that will likely lead to a showering of award nominations. The way the film reduces his performance to that one lingering close-up after being steamrolled by Frost on the last day of the interview leaves a lasting impression. But it also works on another level as it is meant to represent the reduction of Nixon's political life to that one lingering close-up on the television monitor when he realized it's all over for him. The audience members who remember watching the interviews and can picture the actual close-up they saw on their TV screens are now allowed to share a communion with the audience members who weren't even born yet and now only have a memory of Langella's face on the silver screen. In that sense, Langella truly became Nixon, and his performance will not soon be forgotten.

A remarkable performance by Frank Langella as Richard Nixon transforms this unexpected Ron Howard film into a gripping and unforgettable experience. The behind the scenes of the famous David Frost, Richard Nixon interviews pale in comparison to the compelling sight of Nixon/Langella thinking. It was difficult to forget that Michael Sheen was not Tony Blair but David Frost. Sheen's Frost is an entertaining foil to Langella's somber,sad, desolate portrait of the former president. Ron Howard finds a winning pace giving the true tale a fictional slant. Unfortunately I never saw the stage production and the film never betrays its theatrical origins. In a bizarre sort of way this is Ron Howard's most cinematic film. I highly recommend it.

The sole reason I did not watch this in the cinema two years ago was that I could not find a theater near me that played it, and I was, as I am now, a busy student. That caused me to have to take breaks in my viewing of it, and I have to say, it was not easy to do so. It is, simply put, immensely gripping, and the ending is pitch perfect. I haven't seen the play, but I understand that this expands upon the people around the two who were engaged in the verbal boxing match, especially Cushing. The two leads are the same, and I can get behind getting them to do both versions. They are immensely talented(they had the material so committed to memory that they only flubbed once each), and Sheen is an absolute chameleon, disappearing entirely into what he portrays(I can just barely believe that he played Lucian in the Underworld trilogy... great job in those, by the way). The cast is fantastic, and everyone really delves into their credible and swiftly developed characters. This manages to not paint anyone as a one-note good or bad guy, and I have to admit, I did not feel any sympathy for the former president before this film. The acting is amazing. Dialog is excellent. A little of it was improvised; so was most of the camera-work, and it helps make it feel dynamic and natural. This builds tension rather well. The drama is compelling. There is a short sequence of disturbing content, infrequent strong language and brief nudity in this. The DVD comes with an informational commentary track by Howard, a well-done 23 minute behind-the-scenes production, 22 and a half minutes of deleted scenes, and two well-made featurettes of 7 and a half minutes(about the real interview) and six minutes(about the Nixon library), respectively. I recommend this to anyone interested in the subject. 8/10

Peter Morgan adapted his wonderful stage play Frost/Nixon for film with tremendous success. Directed by Ron Howard and starring Michael Sheen as David Frost and Frank Langella as Nixon, it tells the behind-the-scenes story of the famous series of interviews.

For all many of us who lived through the Nixon presidency and Watergate, this is not the stuff of nostalgia or happy reminiscence. And when the Nixon tapes were published and his bigotry against just about everyone was revealed in explicit "expletive deleted" language, it was time to get disgusted all over again.

Here, portrayed by Frank Langella, we see Nixon as a lonely, vulnerable, angry, and bitter human being, a man who's made a bed he must sleep in for the next twenty years. We also see a manipulative and highly intelligent individual who, despite a great deal of success, had no self-worth. It's the feeling of being an outsider, of never being good enough, that led him to some atrocious decisions.

It's Langella's performance and Michael Sheen's wonderful performance as David Frost -- playboy, comedian, talk show host, and party-giver turned investigative journalist -- that anchor "Frost/Nixon." They are given great support by Kevin Bacon as Nixon's protective assistant, Jack Brennan, Sam Rockwell as James Reston, determined that Nixon pay for Watergate, as well as Oliver Platt, Matthew Mcfadyen, and Toby Jones.

I found the determination of Frost as he attempted to raise financing for the interviews and get networks interested -- with no luck -- very admirable and inspiring. And his gut instinct paid off for him big time.

I transcribed an interview with Nixon that took place in his home in the 1980s, as well as a speech he made during one of the Presidential election periods. He was a brilliant speaker, and as an interviewee, when the interview was over, he engaged the reporter in a very friendly personal conversation.

In the end, both those listening experiences made me sad, as did this film. For everything he achieved, Richard Nixon had undeveloped gifts and potential. He robbed the world of a lot more than the ability to trust government. But in the end, as the film shows, he robbed himself the most.

I almost skipped "Frost/Nixon," and I am glad I didn't. It's eminently worthwhile, one of the year's few films that deserves to be seen.

My reluctance had to do with the expectation that it will offer nothing new to somebody who lived through the Watergate years and saw the Frost interviews (although remembering surprisingly little of them).

Ron Howard's film is anything but ho-hum - if anything it's a bit too gussied up to be exciting. There is an element of discernible manipulation of the audience, but mostly it works, and you don't long resist it.

The (relatively) unsung hero of the film besides Howard, Frank Langella's tremendous Nixon, and Michael Sheen's excellent Frost is the screenwriter: once again Peter Morgan (of "The Last King of Scotland" and "The Queen") engages mind and heart, and doesn't let go. Sam Rockwell's James Reston, Jr. and Oliver Platt's Bob Zelnick (Frost's two collaborators) are outstanding, and Kevin Bacon's Nixon-worshipping Jack Brennan is the actor's best work in a long time.

Morgan and Howard manage to make the viewer think constantly of another criminal President without saying or showing anything overt - they just let history, past and present, speak.

I had a strange, uncomfortable thought watching "Frost/Nixon": even if some future film "humanizes" (not excuses) Bush the way Nixon comes through this one, W. would still remain a malevolent midget against Nixon's accomplishments and actual *brain*. How far we have fallen.