Evangelion 3.33: (No) lo puedes rehacer
Título original: Evangelion Shin Gekijôban: Kyu
CALIFICACIÓN DE IMDb
6.9/10
21 k
TU CALIFICACIÓN
Han pasado 14 años desde el casi tercer impacto. La mayor parte del mundo ha cambiado, excepto Shinji Ikari, que despierta sin envejecer en un entorno nuevo y extraño. Misato ha formado un g... Leer todoHan pasado 14 años desde el casi tercer impacto. La mayor parte del mundo ha cambiado, excepto Shinji Ikari, que despierta sin envejecer en un entorno nuevo y extraño. Misato ha formado un grupo que está separado de Nerv.Han pasado 14 años desde el casi tercer impacto. La mayor parte del mundo ha cambiado, excepto Shinji Ikari, que despierta sin envejecer en un entorno nuevo y extraño. Misato ha formado un grupo que está separado de Nerv.
- Premios
- 2 nominaciones en total
Mugihito
- Keel Lorenz
- (voz)
Opiniones destacadas
With a plot full of holes like Swiss cheese, setting and setup that will confuse even the staunchest long-time fans, script on the level of a bad fan fiction, countless disrepancies and abandoned plot lines from the first two movies and characterization taking 180-degree turns every two seconds, Evangelion 3.0 is an utter mess at best, and an open insult to movie watchers at worst. It's a colossal failure as its own story, as a follow-up, as a remake and a movie in general that renders the previous two movies and all their accomplishments completely pointless.
Almost nothing from the previous films is resolved in any meaningful way: Shinji's relationships with his friends and slowly growing confidence, Kaji's shady dealings with NERV, the Key of Nebuchadnezzar, Rei coming out of her shell, Asuka warming up to people, the growing threat of Angel attacks and much more are completely abandoned and forgotten about. In their place we get an endless barrage of new terms and plot elements which the characters talk about, but none of which are ever adequately explained or established. The first 30 minutes consist of nothing but action scenes with only the tiniest amount of context or setup, just a bunch of flashy stuff for the viewer to look at.
The characters have taken a total nosedive. Mari, who had a strange foreboding about her in 2.0 is reduced to a mere sidekick with no meaning. Despite the 14-year gap, Asuka is still her old bratty self despite now being 28 years old. The justification for her and Mari not having aged is so ridiculous you have to wonder if the writers are actually pulling a prank. Misato is so far removed from her previous persona she might as well be an entirely new character. Rei's character actually regresses, as all her development from the previous movies is rendered nonexistent, and is never properly explained how. Gendo has become a caricature of himself. In the original series he had an enigmatic presence and there were hints of his deeper motives, but here there's nothing under the surface: he's just a cartoon villain, practically twirling his moustache and cackling "JUST AS PLANNED".
But the change of setting is undoubtedly the thing that shoots this film in the leg and then some. So many questions rise and are never answered that the viewer is completely lost. The last 20 minutes will be spent in utter confusion as the viewer tries to grasp even the flimsiest straw of what is supposed to be going on, and why it should mean anything. Bombastic music playing over certain scenes is the only signal of something meaningful happening, but since the setting is so unestablished the viewer is just left thinking "I guess that's important because the characters act like it is, but why should I care?"
Perhaps the only saving qualities of this film are the music and the animation, both of which are great and work to put together some rather impressive action scenes. But that makes it only so much worse when you think what other projects this clearly great amount of talent could have been used for, rather than this 90-minute fart in the audience's face. At one point Fuyutsuki, the one character who gives the only direct exposition in the film, says "'Tis a wretched role I'm playing" to himself. It's almost if he's meta talking about his character having been reduced to a useless exposition device.
Add to all this meaningless shoutouts to the original like recycled shots from the series and Gendo's new choice of eyewear, occasional pseudo-philosophical lines which don't mean anything and some completely out of place piano playing scenes that add nothing to the story and you have an indulgent, incomprehensible, poorly told, plot less, pretentious, forced mess that doesn't even have a proper ending. Stuff explodes, characters talk about things you don't understand, Shinji sulks, some piano playing, stuff explodes again and then the movie just stops. Nothing has been achieved, learned or accomplished and you just don't care.
Almost nothing from the previous films is resolved in any meaningful way: Shinji's relationships with his friends and slowly growing confidence, Kaji's shady dealings with NERV, the Key of Nebuchadnezzar, Rei coming out of her shell, Asuka warming up to people, the growing threat of Angel attacks and much more are completely abandoned and forgotten about. In their place we get an endless barrage of new terms and plot elements which the characters talk about, but none of which are ever adequately explained or established. The first 30 minutes consist of nothing but action scenes with only the tiniest amount of context or setup, just a bunch of flashy stuff for the viewer to look at.
The characters have taken a total nosedive. Mari, who had a strange foreboding about her in 2.0 is reduced to a mere sidekick with no meaning. Despite the 14-year gap, Asuka is still her old bratty self despite now being 28 years old. The justification for her and Mari not having aged is so ridiculous you have to wonder if the writers are actually pulling a prank. Misato is so far removed from her previous persona she might as well be an entirely new character. Rei's character actually regresses, as all her development from the previous movies is rendered nonexistent, and is never properly explained how. Gendo has become a caricature of himself. In the original series he had an enigmatic presence and there were hints of his deeper motives, but here there's nothing under the surface: he's just a cartoon villain, practically twirling his moustache and cackling "JUST AS PLANNED".
But the change of setting is undoubtedly the thing that shoots this film in the leg and then some. So many questions rise and are never answered that the viewer is completely lost. The last 20 minutes will be spent in utter confusion as the viewer tries to grasp even the flimsiest straw of what is supposed to be going on, and why it should mean anything. Bombastic music playing over certain scenes is the only signal of something meaningful happening, but since the setting is so unestablished the viewer is just left thinking "I guess that's important because the characters act like it is, but why should I care?"
Perhaps the only saving qualities of this film are the music and the animation, both of which are great and work to put together some rather impressive action scenes. But that makes it only so much worse when you think what other projects this clearly great amount of talent could have been used for, rather than this 90-minute fart in the audience's face. At one point Fuyutsuki, the one character who gives the only direct exposition in the film, says "'Tis a wretched role I'm playing" to himself. It's almost if he's meta talking about his character having been reduced to a useless exposition device.
Add to all this meaningless shoutouts to the original like recycled shots from the series and Gendo's new choice of eyewear, occasional pseudo-philosophical lines which don't mean anything and some completely out of place piano playing scenes that add nothing to the story and you have an indulgent, incomprehensible, poorly told, plot less, pretentious, forced mess that doesn't even have a proper ending. Stuff explodes, characters talk about things you don't understand, Shinji sulks, some piano playing, stuff explodes again and then the movie just stops. Nothing has been achieved, learned or accomplished and you just don't care.
This film loses all the momentum of the first two installments. It takes an interesting arc and just devolves into a bunch of empty moments. Before, there was intense drama and stakes serving a wider plot. Here it just feels forced. Everyone hates Shinji, sure, but it never seems convincing or meaningful.
After watching the 2.0 rebuild I was hyped to see the 3rd part. 3rd part of the rebuild series came off as a major disappointment and look no further than that.
The stroy was just atrocious, a 15 year time skip! And the number of flaws and inconsistencies. For like 27 min we don't get any exposition and even after we got some details alot of my questions were still answered. The pacing was really bad. The final battle was like half the movie. And we get these usless dialogues and scenes which don't even mean anything. And lastly for the plot it doesnt even make sense, after I watched 2.0 I thought it would go in any interesting direction but no it just hit a dead end. Oh my the characters what in the world did they do to the lineup. They skipped 15 years of character development and we don't get any background details deep enough for it to make much sense. The characters are shells of their former selves.
The constant mix of CGI with hand drawn animation was really annoying, there was too much CGI at times and the animation production dipped a bit compared to the prequel. The music composition and sound choices were similiar to the prequel.
Never watching this movie again...
The stroy was just atrocious, a 15 year time skip! And the number of flaws and inconsistencies. For like 27 min we don't get any exposition and even after we got some details alot of my questions were still answered. The pacing was really bad. The final battle was like half the movie. And we get these usless dialogues and scenes which don't even mean anything. And lastly for the plot it doesnt even make sense, after I watched 2.0 I thought it would go in any interesting direction but no it just hit a dead end. Oh my the characters what in the world did they do to the lineup. They skipped 15 years of character development and we don't get any background details deep enough for it to make much sense. The characters are shells of their former selves.
The constant mix of CGI with hand drawn animation was really annoying, there was too much CGI at times and the animation production dipped a bit compared to the prequel. The music composition and sound choices were similiar to the prequel.
Never watching this movie again...
Finally new material after years of remakes and recycled material and reshuffled scenes.
It is glorious to behold!
But, at the same time, it was a whole lot of setup and build up for the final part in the series. So, it didn't have as much bang as I would have liked.
Overall, it's very true to what came before, and it's nice to see these characters doing something new even if it was a bit of a tease to wait for the final movie.
It is glorious to behold!
But, at the same time, it was a whole lot of setup and build up for the final part in the series. So, it didn't have as much bang as I would have liked.
Overall, it's very true to what came before, and it's nice to see these characters doing something new even if it was a bit of a tease to wait for the final movie.
Ah look, the black sheep of the rebuilds.
Look, this film was just ok when I watched it. It's dramatically improved by the sequel, which makes a lot of this film (notably not all) make actual sense. The goal of Anno it seems, is to show the plot from Shinji's perspective. So basically, confuse the hell out of the viewer to make us empathise with this kid. This is an interesting, but flawed decision I think. Why not trust the viewer to empathise with this traumatised, anxiety filled teenager that's forced to risk his life constantly? Is your target audience children?
Regardless, knowing what comes next does improve this aspect.
The film does start out strongly, with a fight on a scale not before seen in Evangelion. The 3D, while looking a bit cheaper, does allow for this to happen. I liked it quite a bit, and the general sense of overwhelming information at first is refreshing.
It's important to note that we are so far detached from the main series at this point, this is a fresh new experience with slightly different versions of characters that you probably love from the original series.
Don't let the feedback of this film scare you away. It's probably due to how confusing it is, and the 9 year wait people had to endure to actually get some answers.
For me, I just had to wait 5 minutes.
Look, this film was just ok when I watched it. It's dramatically improved by the sequel, which makes a lot of this film (notably not all) make actual sense. The goal of Anno it seems, is to show the plot from Shinji's perspective. So basically, confuse the hell out of the viewer to make us empathise with this kid. This is an interesting, but flawed decision I think. Why not trust the viewer to empathise with this traumatised, anxiety filled teenager that's forced to risk his life constantly? Is your target audience children?
Regardless, knowing what comes next does improve this aspect.
The film does start out strongly, with a fight on a scale not before seen in Evangelion. The 3D, while looking a bit cheaper, does allow for this to happen. I liked it quite a bit, and the general sense of overwhelming information at first is refreshing.
It's important to note that we are so far detached from the main series at this point, this is a fresh new experience with slightly different versions of characters that you probably love from the original series.
Don't let the feedback of this film scare you away. It's probably due to how confusing it is, and the 9 year wait people had to endure to actually get some answers.
For me, I just had to wait 5 minutes.
¿Sabías que…?
- TriviaThe post-credits preview for the next film, featuring EVA Unit 8+2 fighting, was created by motion capturing stuntmen rather than traditional animation.
- ErroresDuring the scene when Rei attacks Wunder, there is a close up shot of Shinji screaming, during the close up we didn't see his collar attached to his neck, however, after a flash of explosion, the collar magically appears.
However, this mistake only appears in the home video version.
- Créditos curiososUnlike the previous two movies, where the original Japanese title cards showed in the beginning or after the prologue, in 3.0/Q the title card shows up when the film runs 30 minutes of its duration.
However, the English title card still shows up at the halfway point of the movie.
- ConexionesFeatured in ScrewAttack's Top 10s: Top 10 Piloted Mechs (2017)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Evangelion 3.33: Tú (no) lo puedes rehacer
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 174,945
- Fin de semana de estreno en EE. UU. y Canadá
- USD 110,825
- 12 ene 2014
- Total a nivel mundial
- USD 60,648,662
- Tiempo de ejecución1 hora 36 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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