Evangelion 2.22: (No) puedes avanzar

The first Rebuild Of Evangelion gave audiences and fans just about the first 6 episodes of the original series with some small differences but showed promise and pointed to the fact that Anno might be heading to a different direction with the Rebuild series than his original Anime show.

You Can (Not) Advance does take the series into a completely new direction and actually changes situations that fans of the original series are familiar with for the better and actually drops the angsty over-philosophical dribble that hurt his original engaging creation. Characters develop new relationships and interact differently from the show. The three EVA pilots from the original series get some great development here and differ a lot from NGE in a very good way. New characters are introduced, stakes are raised and the film has a lot of build up which boils down to one hell of a climax.

The film has a more intense tone this time around and is very fast paced. The action is incredibly engaging and the film is the first in a while that has gotten my heart beating like crazy during the intense action on-screen. The film does give you breathing space with lighthearted interactions between characters and humor and thus makes it less heavy overall than NGE and EOE even though it certainly is more gruesome and still has it's moments of pure nightmare fuel.

The Score of Evangelion is at it's best in this film and truly delivers. It varies from beautifully orchestrated racing score to sweet and engaging J-pop and Anno sure makes the out-of-place songs fit as well as he did in the show and EOE. The entire experience watching this addition to the series is unforgettable and gives me much hope for even more improvement in the next two installments.

Overall the film is a vast improvement for the series and hints at better things to come with it's significant changes and has raised the stakes for the Evangelion universe. Anno seems to have gotten over his depression completely and bloomed into a true crafter of worlds and emotionally charged storytelling.

"The Third Impact is beginning. This is the end of the world."

Evangelion 2.0 is a much bigger departure from the original series than the first movie was, and it's an incredible anime feature, as a result. Everything is bigger and better, and it feels much more like a movie than just a collection of episodes. 

The animation is once again fantastic, the new battle scenes and Angel designs are impressive, and all the story/character additions and character changes are absolutely for the best. The writing and flow of the story has been notably improved, to the benefit of all of the main characters. I also have to mention how great the music is; it serves as a perfect compliment and counter-point to what's happening on screen, and at times demands as much of your attention as the visuals do. 

Casual Evangelion fans, die-hards, and newcomers should not hesitate to check out these movies. It's completely accessible to a new audience, while retaining and expanding upon the core of why this series is one of the most popular and influential. I'm no Evangelion fanatic, but I can't deny the quality of what I'm seeing in progress. 1.0 was great, and 2.0 is fantastic. I CANNOT wait to see where the third movie takes us, next. This is one of the best movies (animated or otherwise) that I've seen in quite a while.

The second movie of the evangelion rebuild. I have to say it was one rollercoaster ride.Though it seemed less "thematic" or less "psychological" the directors certainly took quiet a different approach in this movie and I was really happy with the outcome.

Story was very good and took a interesting turn compared to the series and oh my did I love it. With it somehow a good pacing which was consistent. They added and removed some scenes and changed up the dialouge quiet a bit and these were all changes that I was pretty happy with. The city scenes which just made the world feel so much more alive and real. And they removed some of the "disturbing" scenes which I was fine with. The transitions between atmospheres were well done, one moment they are upbeat and happy and the next they are sad and lost but it's not in an instant, they do it gradually. Also they add some new worldbuilding details.

Asuka's characterization is a bit different in rebuild and I mean a good different she seems far less annoying and has some new traits that make her quiet different from the original. And we are introduced to a new character that wasnt in the rebuild which is Mari and even though she probably had the least screentime she was a very interesting character and the oddball from the rest of the pack. We also get some new background details on some of the characters and some changes to characters's relationships.

The visuals and music were well done. The animation, the lighting it was pretty much in par with the prequel but a bit better especially with the action scenes which were awesome. Though I hate Unit 00's color scheme. The music was quiet different in this movie and it had a more upbeat and chill vibe to it though some of the action scenes's music was just crazy and hype and the songs were well picked.

Overall a very enjoyable movie. Somehow similar yet different to the series. They certainly invested the audience emotionally in a different way compared to the series and they did it excellently.

I watched Evangelion as a teenager and liked many aspects of it. However the series was very weak and repetitive in the middle and clearly suffered production difficulties near the end. The movies didn't do much for me after the initial epic-scope aesthetics of End of Evangelion had worn off. Now more than 10 years later I'm pretty happy that things have been reordered and re-rendered to make the series into what it should really have been in the first place.

I don't like the fact than Anno Hideaki has been able to milk the somewhat unfinished series for so much cash and so many editions (not to mention pachinko machines) so far, but taking 1.0 and 2.0 as stand-alone works (and ignoring their pretentious titles) is pretty satisfying.

Story 8/10 Good: much more than a rehash of the series. The story is fleshed out in some of the most necessary places and feels so much tighter and more concentrated than anything that has come before. Some awesome new snippets of what is to come later in the series add some satisfying excitement.

However, there is still an element of "here comes the next baddie" which gets a little tiresome. It is dealt with much more effectively here than the series, but it's still predictable. Nevertheless, despite giving the impression of being about to enter the full-on "monster of the week" barrage, it never really does, which is a blessed relief. The interactions of the characters are becoming more believable, and individual personalities are being better exposed and explained.

But, and it's a necessary but, what's the deal with the fan-service? Come on, man. Take yourself seriously, won't you? Animation 9/10 Well, it teetered between absolutely superb and a little disappointing. The budget was clearly insanely high. Action sequences are fantastically detailed and choreographed for the main part, although suffer from gratuitous flailing of limbs and ridiculous acrobats which unfortunately dumb it down a little. Backgrounds are simply amazing. The detail and range is incredible. The failings lie in the characters. Sometimes character faces and expressions look out of place by their simplicity. The broad pen pines and over-simple shading are a bit of a let-down.

Sound 7.5/10 Not particularly amazing. Again we see the technique of using a mixture of classical and children's music for depth and vulnerability. I'm surprised at some of the choices though. For example, one of the children's songs used is very popular in Japan and often used in elementary schools. The manner in which it is normally used makes its appearance in the film almost comical; which can't have been the intention. Not really knowing many Japanese people who care that much about anime I haven't been able to ask what they though, but it seemed a bit silly to me.

The Japanese people speaking English throughout the film are incredibly embarrassing. What a huge mis-calculation. How hard is it to train people to say a small number of lines in a natural way? Characters 8.5 Although some of the characters (particularly Asuka) seem to have become even less likable, for the most part the big-hitters have only improved. Although there is little time left for the minor-characters to develop or even really be involved, the well-developed personalities of the leads take somewhat new directions in their relations to one another. The relationship between teen-sap Shinji and his father has a more satisfying and somewhat relatable edge to it now, and Rei's annoyingly hyperbolic meekness has been flatted out to something more forgiving. All in all, satisfying.

And the new lead, Mari, is much better than (at least I) predicted. She has a very interesting relationship with herself, and pain. I am definitely looking forward to her future development.

Eva designs seem to have changed slightly around the waist which was a curious choice, and doesn't add much to their attractiveness. In contrast, the Angels have been changed for the better. The old, sometimes Ultraman-ish designs were sometimes a little... Ultraman-ish. The reduced number and better designs have helped things along well.

Overall 8.5/10 Overall satisfying. For me the film didn't quite have the intensity ascribed to it by others, and the ending I thought actually lacked a little emotional attachment. I also thought that the amazing animation and choreography discussed above wasn't nearly as good near the end as it was earlier in the feature. But despite this, as a whole this movie blows the series out of the water. So much which was unsatisfactory is now shiny and new. Whether or not I would feel this way about the film without having seen the rest of the franchise is anyone's guess, but I really enjoyed it. Good work, keep it up.

This review is based on the Blu-Ray release version 2.22

Evangelion 2.0: You Can (Not) Advance (or 2.22 depending on the version you saw) is the most successful interpretation of Evangelion thus far. While the first remake film 1.0: You Are (Not) Alone felt much like a mere recap of the first six episodes of the series, the second film takes a different approach and reaches a remarkable level of success. Everything is smoother, more refined and simply better.

The animation is gorgeous. The plot is more understandable. The characters are actually all likable this time. Many elements of the story are different, and the pretentious biblical gibberish seems to have taken a back seat. There is also warmth that was largely missing in the series: the characters seem to be genuinely content with their lives. Shinji isn't constantly mumbling about hating himself. Rei isn't a completely emotionless robot. Even Gendo seems more human. As a very small, but important detail we see his eyes through his shades far more than in the series, which may not sound like much, but it really makes a difference if you've watched the series.

The story remains mostly the same. The events cover mostly what happens in the episodes 7-19 of the series, but with all the filler cut out. Only the most meaningful angel battles are left. Instead of feeling episodic like the first film, 2.0 actually feels like a proper movie with appropriate highs and lows and character development, culminating in a huge climax which is one of the most exciting action sequences ever seen in animation.

The animation is top of the class. The level of detail is simply eye- popping, especially when watched in HD. With the help of CGI the angel battles look cooler than ever, and the evas are particularly impressive. The fairly simplistic characters are something of a letdown in comparison, but don't drag the overall presentation down.

The sound is also vastly improved from the series. The music this time is appropriately epic, matching the scale and size of the evas and angels. The voice acting is on par with the series with most of the original cast reprising their roles. The ending song, an acoustic version of Utada Hikaru's "Beautiful World" feels perfect for the film, as if letting out a sigh of relief yet still leaving the feeling there's more to come.

Yet there are still problems Evangelion can't seem to get rid of. The biblical imagery and names, though downplayed in this film, still feel somewhat goofy and superficial. Though the plot is more coherent, it still is very weird and it can be hard to grasp what exactly the big picture is. There is some weird dialogue and lines like "Do you hate pain?". Still, the rest of the film is good enough that the viewer is willing to overlook most of the flaws.

Evangelion 2.0 is the best interpretation of the series thus far, and it left me eagerly waiting for more. I recommend seeing the 2.22 version, as it gives more insight to the characters and story. Highly recommended for both fans of the series and newcomers alike.