Painkiller Jane

Unlike another user who said the pilot was bad but the series "just keeps getting better", I found the pilot to be pretty good for a Scifi Channel pilot, but the series failed to build upon that base and instead churned out the same formula week after week. The multi-episode arc involving Jane's investigation of the source of her abilities was introduced about three episodes too late and was really the only thing that could have saved this. But by that point in the run, people had already given up on the show. And you have to admit that, following on the heels of the success of Heroes -- which also features a hot blonde with amazing healing ability -- PKJ really needed to hit the ground running, rather than stumbling and jogging in place. A competent show with interesting locations, decent acting, but only average scripts and thin characters, it really didn't have much of a chance.

I won't go into plot and story details. Others are more capable. I'll just give you my opinions as a life long Si-Fi fan. I sat through the first two episodes with mixed feelings. I thought it contained some interesting ideas, but I thought the writing, plots and especially the dialog were like a bad low budget action movie. I thought maybe I'll come back to it some time when I'm really bored.

Well, there came an evening when I was ill and confined to bed so I decided to watch the next couple of episodes. It improved a bit, and the storyline started pulling me in. It seemed to get better with every episode, the characters began to grow on me and the show was genuinely entertaining.

I never read the comic series or saw the made for TV movie, so I can't make any comparisons, but this is way better than my first impressions led me to believe. The directing, scripts, acting etc. are all quite good once everything gets rolling, and to me, worth the wait. The cast all fit their parts.I really came to enjoy Painkiller Jane and I'm sorry it wasn't picked up for a second season.

Network: Sci-Fi; Genre: Action, Mystery, Sci-Fi; Content Rating: TV-PG (violence, language); Perspective: Contemporary (star range: 1-4);

Season Reviewed: season 1

Of all the show's I've watched this year so far, few are quite as punishing as "Painkiller Jane". To call it a "mess" or "sloppy" would not begin to do it justice.

Jane Vasko (Kristanna Loken) is an agent for a secret crime fighting agency that hunts "Neuros" – defined by Jane in the opening as "people who can do strange things with their mind". A Neuro is basically a catch-all that allows the show to do anything it wants. The show trots in villains who can see the future, can start fires, are banshees, machine controlling killers and, hell, maybe even ghosts. There are no set rules or consistent behavior to the Neuros, or if there are the show plays pretty fast and loose with them. The Sci-fi Channel should know one thing, if anything about their base: that sci-fi fans love keeping up with the rules of a new world.

Led by this complete lack of focus with the Neuros, the show slips and slides all over the road trying to plug itself into every genre and sci-fi story it can think of - possibly in the name of versatility, possibly because it has no personality of it's own. When a show can pull this off successfully you've got some wildly inventive TV heaven, but when it can't you've got a mess. A show without a backbone or its own original voice.

The superhero catch: Jane has an ability herself. She can heal, quickly, from anything. Even a fatal fall or a hit from a train. The show doesn't have the budget that, say, NBC's "Heroes" does (which includes a character with the exact same power) to allow us to really see Jane's bone-crunching skills in action. So most of the "stunts" are pieced together from a series of confusing shots leaving the viewer to decipher what the hell just happened and squashing any potential thrill or intensity from the show. The fundamental flaw with "Jane" is that while this may be based on a comic book of the same name, from Wolverine to Clair Bennett we've seen this ability ad nauseum and it is a hard thing to get excited about anymore.

On top of it all, Loken plays Jane as deadpan and emotionally cold as her cyborg villain in "Terminator 3". The woman either cannot act at all or somebody forgot to tell her than Jane should have emotions. But Loken is a gorgeous woman playing to a sci-fi crowd and the show makes the mistake of treating her like one of the boys. Knowing how silly it was and who it was playing to "Dark Angel" had the foresight to put Jessica Alba in skimpy clothes and have her go into heat every time sweeps rolled around. "Jane" has our main character covered up, trapped in a boring love life and musing over narration about how you never really know somebody… or something equally basic. It is as if the show is on a mission to keep her as sexless and dull as possible on every level. Will she get together with the bald emotionally distant jerk on the team? Even that might help. Come on, let's give the internet something to talk about.

If it didn't look like garbage or was written with one inane, confounding line following another, everything in "Jane" from the characters to the show's world is half (or never) explored or explained. For to do that might require the show to think something out or express itself in a voice that is something other than cheap, manufactured, assembly line stories. Could Jane be a Neuro herself? If not that would be quite a coincidence. I'm sure answers will come, but I for one, won't be sticking around any more to get them.

If any promise was made by "Eureka" to trend the Sci-Fi Channel out of its non-stop output of trash, "Painkiller Jane" reverses that with a vengeance.

½ / 4

I watched Painkiller Jane from the premiere onwards, but stopped watching once Psych came onto USA during the same time slot. Painkiller Jane isn't the best show by far, yet I would still call it one of my favorites on today. If you want sci-fi that doesn't make you think a lot yet still has reasonably interesting characters (Riley and Conner being two of my favorites on the show), then PKJ is for you. I'm glad Sci-Fi at least gave it a full season--it's a shame about the possible cancellation, because I think the cast could have grown into their roles and improvement dramatically with a second season.

Overall, I think the show is fine if you don't come into it with high expectations. Take it for what it is: an hour escape from reality. It's not meant to be Pulitzer Prize-winning material, but just a development of an old comic book idea. For all intents and purposes, PKJ provides a entertaining hour full of action.

Apparently, it is customary to either hate or love a show, that's however not how I work. I think this show had very little potential to begin with, but managed to build up quite a fun team-dynamic and plot, though horribly clichéd at times.

I'd rate it a 6+, because it's just fun to watch and forget, like many shows today. I really liked Rob Stewart as Andre McBride, he really put a strong, disciplined leader in the show which it really needed. The team itself gets many moral issues to deal with (definite +) but the writers didn't manage to put the conclusion in the team-context (definite -).

Overall, mediocre show.