Una crónica de la vida de la aristócrata del siglo XVIII Georgiana, duquesa de Devonshire, reconocida por su extravagante vida política y personal.Una crónica de la vida de la aristócrata del siglo XVIII Georgiana, duquesa de Devonshire, reconocida por su extravagante vida política y personal.Una crónica de la vida de la aristócrata del siglo XVIII Georgiana, duquesa de Devonshire, reconocida por su extravagante vida política y personal.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 8 premios ganados y 21 nominaciones en total
Andrew Armour
- Burleigh
- (as Andy Armour)
Bruce Mackinnon
- Sir Peter Teazle
- (as Bruce MacKinnon)
Opiniones destacadas
The Duchess is a superior slice of costume drama which manages to craft interesting, multi dimensional characters and an involving storyline from the well worn confines of the genre.
Keira Knightley plays a very similar role to the one she played in Pride and Prejudice, a feisty, modern woman trapped in a male dominated society. However, whereas Lizzie Bennett's heart and character inspires affection, the Duchess of Devonshire's fosters only reproach and punishment from her traditional and patriarchal husband. Her performance is a standout and demonstrates why she is so highly rated in the face of many disappointing roles in other films. She brings both strength and weakness to the character. Able to deliver withering put downs at her husband and others, whilst showing the pain of her loveless marriage etched into her face.
If Knightley is the lynchpin of the piece then it is Ralph Fiennes that elevates it above a crowded genre. Resisting the temptation to play his character as evil, instead he simply plays him as a man of his times. In Fiennes' hands the Duke feels no need to win any bouts of verbal jousting with his wife as he is secure in the knowledge that, as a husband, he is in complete control of the relationship. The Duke also clearly sees very little wrong in his treatment of his wife and acts, as he sees it, in a logic manner making the whole film feel more believable and, as a result, tragic.
In terms of the cast the only misstep is Dominic Cooper as Charles Grey, who lends the wide eyes of a political dreamer but doesn't have convincing chemistry with Knightley and plays one of the more one dimensional characters in the piece. However Hayley Atwell impresses by playing her character so well it is possible to describe her as scheming, and manipulative as well as sympathetic and loyal without it seeming a contradiction.
The film is deliberately paced so as to give characters and events time to breathe, encouraging the mood that the marriage is a car crash in slow motion, inextricably drawing all the characters further into the muddled mess of their relationships. Overall it's a fully recommended slice of real life costume drama that draws a multi layered drama full of compellingly deep characters from what could easily have been a one note story.
Keira Knightley plays a very similar role to the one she played in Pride and Prejudice, a feisty, modern woman trapped in a male dominated society. However, whereas Lizzie Bennett's heart and character inspires affection, the Duchess of Devonshire's fosters only reproach and punishment from her traditional and patriarchal husband. Her performance is a standout and demonstrates why she is so highly rated in the face of many disappointing roles in other films. She brings both strength and weakness to the character. Able to deliver withering put downs at her husband and others, whilst showing the pain of her loveless marriage etched into her face.
If Knightley is the lynchpin of the piece then it is Ralph Fiennes that elevates it above a crowded genre. Resisting the temptation to play his character as evil, instead he simply plays him as a man of his times. In Fiennes' hands the Duke feels no need to win any bouts of verbal jousting with his wife as he is secure in the knowledge that, as a husband, he is in complete control of the relationship. The Duke also clearly sees very little wrong in his treatment of his wife and acts, as he sees it, in a logic manner making the whole film feel more believable and, as a result, tragic.
In terms of the cast the only misstep is Dominic Cooper as Charles Grey, who lends the wide eyes of a political dreamer but doesn't have convincing chemistry with Knightley and plays one of the more one dimensional characters in the piece. However Hayley Atwell impresses by playing her character so well it is possible to describe her as scheming, and manipulative as well as sympathetic and loyal without it seeming a contradiction.
The film is deliberately paced so as to give characters and events time to breathe, encouraging the mood that the marriage is a car crash in slow motion, inextricably drawing all the characters further into the muddled mess of their relationships. Overall it's a fully recommended slice of real life costume drama that draws a multi layered drama full of compellingly deep characters from what could easily have been a one note story.
After reading copious amounts of mediocre reviews for "The duchess", I wasn't expecting much from this film. However, from the first scene I was utterly absorbed.
The film isn't "just another period drama", it is an absolutely beautiful and heart-rendering tale of the tribulations faced by Georgian woman. Georgiana, Duchess of Devonshire, who although is the key character in the film (as you can probably infer from the title), represents the situation of all woman belonging to a patriarchal society, not just the aristocracy.
Keira knightly is exemplary in this role. Her facial expression tells more than a script ever could. I enjoyed her performance in "atonement" but this was in a whole new league. Ralph Fiennes was also excellent. My best advice is to ignore the critics and come to your own conclusion. My only negative criticism was the rapidity with which Georgiana bonded so intimately with Bess. However, I don't know enough about the social context of the time to really make a judgement.
All in all, a deeply moving tale that shouldn't be neglected.
The film isn't "just another period drama", it is an absolutely beautiful and heart-rendering tale of the tribulations faced by Georgian woman. Georgiana, Duchess of Devonshire, who although is the key character in the film (as you can probably infer from the title), represents the situation of all woman belonging to a patriarchal society, not just the aristocracy.
Keira knightly is exemplary in this role. Her facial expression tells more than a script ever could. I enjoyed her performance in "atonement" but this was in a whole new league. Ralph Fiennes was also excellent. My best advice is to ignore the critics and come to your own conclusion. My only negative criticism was the rapidity with which Georgiana bonded so intimately with Bess. However, I don't know enough about the social context of the time to really make a judgement.
All in all, a deeply moving tale that shouldn't be neglected.
I saw this film for the first time this weekend, and overall I liked it a lot. The story is a little uneventful, with some parts feeling as though they were skimmed over(the political life) or only briefly explored, and the pacing can be pedestrian. That said, it is a visual feast really, as the costumes, sets, scenery, cinematography, interiors and even the carriages are spectacular, while the music gives a lovely touch to the proceedings too. The script is well written and gripping, and the direction is fairly good. Kiera Knightley is great as Georgina, really quite dignified, while Ralph Fiennes is perfect as her philandering husband. To conclude, a visually beautiful film. 7/10 Bethany Cox
This is one of my favourite films of all time. Keira Knightley is superb in this role. Although it may not be wholly accurate, this film clearly shows how badly women (even those of high birth) were treated by men and society. The costumes and settings are delicious. Love love love!
a beautiful film. not great or remarkable. only beautiful. for costumes and correct acting. for the light to dark rooms of period. for the flavor of Anna Karenina. and for the atmosphere before the storm. a movie like a jewel from 18 century. more complex than a nice adaptation of a book, almost fascinating for the science of Keira Knightley and Ralph Fiennes to explore theirs roles possibilities, special for performance of Charlotte Rampling and for the air of portrait of a life. a movie like a drop of perfume. noble, seductive, charming. and a different tool for discover the past in a profound way.that is all. a beautiful film about a special universe and remarkable force of a woman to be herself .
¿Sabías que…?
- TriviaIt took two hours every day to get Keira Knightley fully costumed, including being sewn into her corsets. Once she was fully dressed and wigged, it was practically impossible for Knightley to go to the toilet in the production trailers.
- ErroresGeorgiana, Duchess of Devonshire was born in 1757. Charles Grey was seven years younger, born in 1764. According to the subtitle, the scene depicting a wager among the young ladies over a footrace between Charles Grey and other young men was held in 1774. Georgiana was correctly seventeen at the time, but Charles Grey was ten. He would have been a boy, not the young man about to attend Cambridge portrayed in the film.
- Citas
Duke of Devonshire: This will be the mistake of your life.
Georgiana, The Duchess of Devonshire: No, I made that many years ago. I trust you can see yourself out.
- Versiones alternativasParamount Vantage preferred a PG-13 version for the United States and in order to get that rating some cuts and alternate shots were used.
- ConexionesFeatured in The Orange British Academy Film Awards (2009)
- Bandas sonorasAllemande from French Suite V in G Major
Written by Johann Sebastian Bach
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- The Duchess
- Locaciones de filmación
- Somerset House, Strand, Londres, Inglaterra, Reino Unido(Devonshire House exteriors)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- GBP 13,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 13,848,978
- Fin de semana de estreno en EE. UU. y Canadá
- USD 190,426
- 21 sep 2008
- Total a nivel mundial
- USD 43,343,384
- Tiempo de ejecución
- 1h 50min(110 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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