Agrega una trama en tu idiomaAuthor Rudyard Kipling and his wife search for their 18-year-old son after he goes missing during World War I.Author Rudyard Kipling and his wife search for their 18-year-old son after he goes missing during World War I.Author Rudyard Kipling and his wife search for their 18-year-old son after he goes missing during World War I.
- Dirección
- Guionista
- Elenco
- Ganó 1 premio BAFTA
- 4 premios ganados y 10 nominaciones en total
- McHugh
- (as Ruaidhri Conroy)
- Mrs. Carter
- (as Lucy Millar)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Well produced, well filmed and well acted, finally a movie with a script, with intelligent, meaningful dialog. What a welcome surprise! My compliments to David Haig, not only for the aforementioned script, but also for his acting, which was nothing short of excellent. His Kipling is a real, living creature, we can see him, we can hear him, but we can also feel him, his pain is real, when he hurts, it is almost as if we do too.
If there is a flaw to this film, it is only that of not having dared to dig even deeper into the emotions of the main characters, which would undoubtedly have made it a much longer movie, but in my opinion also a better one.
David Haig plays Rudyard Kipling (there's a remarkable resemblance) who many will remember from previous UK TV series 'Thin Blue Line' and 'Soldier Soldier' as well as the massively successful 'Four Weddings and a Funeral'. Haig captures the British Imperialist that Kipling had become perfectly, as well as the emotional turmoil that Kipling went through as he realised just what he had helped to achieve by sending his young son to war. Haig also wrote the original play and screenplay so the resulting TV movie must be pretty much what he wanted.
The supporting players, Kim Catterill as Rudyard's American wife, and Martin McCann as the Irish Guardsman who goes to war with young John to name two, give excellent, measured performances which compliment the two lead roles, giving the whole production a rounded, glossy finish.
This is superb TV catch it if you can (but don't forget the hankies!)
Kim Cattrall: surprisingly good. But I was totally distracted by her American pretending to be English pretending to be American bizarre accent. Let her use her natural speech (and yes, I know she was born and spent time in England) or else hire a good dialogue coach.
Though the whole production was gorgeous (Bateman's!) and moving in its interrelationships, the bookending of the scenes with friends King George V and Rud just tore my heart out. The King having just lost a "boy Jack" of his own (young Prince John, an epileptic, subject of another fantastic Masterpiece series, "The Lost Prince", some years ago), Rudyard recites the poem he wrote for his Jack. I sobbed through the whole recital, and was still weeping when I went to sleep a few hours later. Staggeringly wondrous. And cathartic in the sense in which all tragedies should be. Fine, fine work by all concerned.
The main character of the film was Rudyard Kipling and everything you feel is aimed at his loss and guilt for pushing his son to do something where he was destined to underachieve in, due to his "disability" (poor eyesight). I think this rigid but heartfelt performance was brilliant. The score was orchestral and built up atmosphere and sadness throughout, while the camera-work was inventive, intuitive and well shot throughout, including some rather experimental frames.
I think that the film as a whole really captured the feeling of grief and guilt that many must have felt at that time, the sense of irretrievable loss of something so precious. I think this is a great achievement as a film. I recommend anyone should see it who is interested in any aspects of film, it gives its best in all areas.
¿Sabías que…?
- TriviaSeveral scenes were shot at the actual Rudyard Kipling estate, Bateman's, where Kipling lived from 1902 until his death.
- ErroresIn the movie the soldiers are taught to fire the Lee-Enfield rifle using their index finger on the trigger. This is incorrect. Guards regiments in the early part of the war were taught to fire 20 aimed rounds per minute. This fast rate of fire was achieved by virtue of the close proximity of the bolt mechanism and the trigger mechanism on the .303 Short Magazine Lee-Enfield rifle. Soldiers in Guards regiments were trained (like the Old Contemptibles) to fire the Lee-Enfield using the middle finger to fire the weapon while the index finger and thumb worked the bolt. The index finger and thumb would keep hold of the bolt THROUGHOUT the firing procedure, thus speeding up the rate of fire considerably. In the movie soldiers are clearly shown releasing the bolt on every shot in order to use the index finger to fire the weapon.
- Citas
[last lines]
Rudyard Kipling: Have you news of my boy Jack?/ Not this tide./ When d'you think that he'll come back?/ Not with this wind blowing, and this tide./ Has any one else had word of him?/ Not this tide./ For what is sunk will hardly swim, Not with this wind blowing, and this tide./ Oh, dear, what comfort can I find?/ None this tide,/ Nor any tide,/ Except he did not shame his kind-/ Not even with that wind blowing, and that tide./ Then hold your head up all the more,/ This tide,/ And every tide;/ Because he was the son you bore,/ And gave to that wind blowing and that tide!
- ConexionesFeatured in Masterpiece Theatre: My Boy Jack (2008)
- Bandas sonorasHappy Birthday to You
by Patty S. Hill (as Patti Hill Smith) & Mildred J. Hill (as Mildred Hill)
EMI Music Publishing Ltd
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Môj syn Jack
- Locaciones de filmación
- Kilruddery House, Bray, County Wicklow, Irlanda(Windsor Castle exteriors, with CGI Round Tower added)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1