Agrega una trama en tu idiomaTen men took away his life. Now ten men will pay with their's. Ryan is left for dead, but returns to his old ways for one last revenge trip. And it's going to be bloody!Ten men took away his life. Now ten men will pay with their's. Ryan is left for dead, but returns to his old ways for one last revenge trip. And it's going to be bloody!Ten men took away his life. Now ten men will pay with their's. Ryan is left for dead, but returns to his old ways for one last revenge trip. And it's going to be bloody!
- Dirección
- Guionistas
- Elenco
John Campbell-Mac
- Parker
- (as JC Mac)
P.l Hobden
- Stone
- (as P.L. Hobden)
Greg Burridge
- Knepper
- (as Darren Burridge)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This is by far the worst British film I have ever seen. An absolute disgrace to my eyes, ears and general well being. Its suppose to be a 'action thriller' but turned out to be the unintentional 'Comedy of the year'. Me and my mates had a right good laugh at this tripe. God knows where we stumbled upon this steaming pile of dog toffee but it was soon discarded from my presence. I hate it that much it has a special place in my heart. We watched it several times and even viewed the 'making of', what a top laugh that was. I was tortured with the theme tune, little quotes and reminders of scenes to this day. All in all the term 'hate from the pit of my stomach' is thrown around too much these days but Ten Dead Men really fits the bill. The cast and crew should be ashamed of what they have done and let loose on the unsuspecting public. Ten men took Ryans life way. Ten men had to pay. Including Brendan Carr, Lee Latchford Evans, Terry Stone and that idiot 'the Projects Manager'.
AVOID AT ALL COSTS!!!
AVOID AT ALL COSTS!!!
I was hoping that "10 Dead Men" was going to be as good as "Rise of the Foot Soldier." The premise/plot is a decent yet typical tale of revenge while the fight choreographing is superb. The acting, dialog, cinematography and editing are horrible (i.e. terrible directing).
The small budget excuses the poor cinematography and editing however it doesn't excuse the bad acting, dialog and overall horrible directing.
The film seems more a vehicle for sadistic homo-erotica than serious story-telling with lots of violent BDSM, torture, transvestites, and big burly men.
As a Mixed Martial Arts (MMA) fan I was offended by the film's portrayal of MMA competitors as brutal, blood-thirsty, mindless goons.
The entire film is summed up in one scene halfway though the movie. Two of the main characters are mindlessly watching TV on the couch. The supporting actor channel surfs past an MMA fight to a porn channel which bores and annoys Ryan (the main character). Ryan then takes the remote and returns to watching the MMA fight and is visibly excited by the action.
If you're looking for a film featuring homo-erotica, BDSM and MMA to watch with your guy buddies then this is the flick for you. However if you are looking for a good action film like "Rise of the Foot Soldier" look somewhere else.
Don't be fooled by a high IMDb rating of this film. I watched it as it had an IMDb rating of 8.1/10 with 156 votes. After watching the film I am very certain that the entire cast and everyone they know voted a 10 for this movie.
I rated it a 4/10 as the fight choreographing is superb.
The small budget excuses the poor cinematography and editing however it doesn't excuse the bad acting, dialog and overall horrible directing.
The film seems more a vehicle for sadistic homo-erotica than serious story-telling with lots of violent BDSM, torture, transvestites, and big burly men.
As a Mixed Martial Arts (MMA) fan I was offended by the film's portrayal of MMA competitors as brutal, blood-thirsty, mindless goons.
The entire film is summed up in one scene halfway though the movie. Two of the main characters are mindlessly watching TV on the couch. The supporting actor channel surfs past an MMA fight to a porn channel which bores and annoys Ryan (the main character). Ryan then takes the remote and returns to watching the MMA fight and is visibly excited by the action.
If you're looking for a film featuring homo-erotica, BDSM and MMA to watch with your guy buddies then this is the flick for you. However if you are looking for a good action film like "Rise of the Foot Soldier" look somewhere else.
Don't be fooled by a high IMDb rating of this film. I watched it as it had an IMDb rating of 8.1/10 with 156 votes. After watching the film I am very certain that the entire cast and everyone they know voted a 10 for this movie.
I rated it a 4/10 as the fight choreographing is superb.
Inspired by the DIY initiative of Robert Rodriguez and the hard-hitting but playful style of Quentin Tarantino, Ten Dead Men is passionate genre film-making and despite some weaknesses it's well worth a look.
One of a growing number of British action movies, Ross Boyask's follow-up to 2004's Left for Dead revisits many familiar themes but shows a great deal of maturity. Left for Dead was dense with action but was easily forgotten, but there's something about this film that lingers.
Made for genre fans by genre fans, Ten Dead Men has much in common with equally gritty British action flicks such as Underground and The Silencer, as well as the likes of Ultimate Force, a vehicle for UFC fighter Mirko Cro-Cop Filipovic.
Brendan Carr stars as Ryan, a reformed gangster whose darkside is reawakened when he returns, apparently from the dead, to avenge the murder of his girlfriend. It's a good set-up and the supernatural element is commendably underplayed.
Carr seems a little young to play the role but gives it his all. Like Arnie in The Terminator or Kurt Russell in Soldier, Ryan is almost entirely a physical presence, a force of nature. His lack of dialogue keeps the viewer unsettled and he's impossible to relate to. But that seems to be the point.
Aside from the action the most notable feature of Boyask's film is the use of voice-over. The contribution of fan favourite Doug Bradley is this film's greatest asset and unfortunately it's also the biggest weakness. As The Narrator, Bradley explains the story and speaks for the hero, but this is intrusive and seemingly added only to give cohesion to some of the more throwaway sequences. Bradley's voice too often distracts. Unfortunately it's an interesting idea that only highlights shortcomings in the structure and execution of the story.
That criticism aside there's much to praise. Boyask's bold non-linear approach is intriguing and there are an inventive variety of shots, which compensate for an overuse of freeze frame and fade to black devices. Aside from the diverse camera-work, the Cage Rage and speedboat sequences add some nice production value. Plus, you can't help but be amused by the incongruous presence of Lee from one-time pop sensations Steps.
Most importantly this is an action movie and Ross Boyask delivers some solid action with the help of experienced Hong Kong stuntman/action director Jude Poyer. His quick edits get maximum impact from some brutal martial arts action and stunts. Standout set-pieces take place in a garage and a derelict house, as the plot builds steadily in intensity toward a satisfying climactic duel with Transporter 3, Dead or Alive and Black Mask 2 heavy Silvio Simac.
Shot on digital video, a format popular not only with budget-conscious filmmakers but also the likes of Michael Mann and Mike Figgis, Ten Dead Men is best described as art-house action. A restless and fragmented experience with some memorable moments that may disappoint those expecting Hollywood production quality but will entertain and intrigue those with an interest in action films and independent film-making.
One of a growing number of British action movies, Ross Boyask's follow-up to 2004's Left for Dead revisits many familiar themes but shows a great deal of maturity. Left for Dead was dense with action but was easily forgotten, but there's something about this film that lingers.
Made for genre fans by genre fans, Ten Dead Men has much in common with equally gritty British action flicks such as Underground and The Silencer, as well as the likes of Ultimate Force, a vehicle for UFC fighter Mirko Cro-Cop Filipovic.
Brendan Carr stars as Ryan, a reformed gangster whose darkside is reawakened when he returns, apparently from the dead, to avenge the murder of his girlfriend. It's a good set-up and the supernatural element is commendably underplayed.
Carr seems a little young to play the role but gives it his all. Like Arnie in The Terminator or Kurt Russell in Soldier, Ryan is almost entirely a physical presence, a force of nature. His lack of dialogue keeps the viewer unsettled and he's impossible to relate to. But that seems to be the point.
Aside from the action the most notable feature of Boyask's film is the use of voice-over. The contribution of fan favourite Doug Bradley is this film's greatest asset and unfortunately it's also the biggest weakness. As The Narrator, Bradley explains the story and speaks for the hero, but this is intrusive and seemingly added only to give cohesion to some of the more throwaway sequences. Bradley's voice too often distracts. Unfortunately it's an interesting idea that only highlights shortcomings in the structure and execution of the story.
That criticism aside there's much to praise. Boyask's bold non-linear approach is intriguing and there are an inventive variety of shots, which compensate for an overuse of freeze frame and fade to black devices. Aside from the diverse camera-work, the Cage Rage and speedboat sequences add some nice production value. Plus, you can't help but be amused by the incongruous presence of Lee from one-time pop sensations Steps.
Most importantly this is an action movie and Ross Boyask delivers some solid action with the help of experienced Hong Kong stuntman/action director Jude Poyer. His quick edits get maximum impact from some brutal martial arts action and stunts. Standout set-pieces take place in a garage and a derelict house, as the plot builds steadily in intensity toward a satisfying climactic duel with Transporter 3, Dead or Alive and Black Mask 2 heavy Silvio Simac.
Shot on digital video, a format popular not only with budget-conscious filmmakers but also the likes of Michael Mann and Mike Figgis, Ten Dead Men is best described as art-house action. A restless and fragmented experience with some memorable moments that may disappoint those expecting Hollywood production quality but will entertain and intrigue those with an interest in action films and independent film-making.
I never give up on a film, but I jacked this one in after only 20 Min's just now. Bad camera shots, equally bad editing and sound post production. The score is one of the worst I've ever heard. I really could knock up up better one right now (even the instruments/sounds used are cheap ass midi tacky rubbish).
And to cap it all, (bearing in mind this is meant to be a hard bloke sorta film), it's only got Lee Latchford-Evans from a crappy British Village People-esquire pop band called 'Steps' that destroyed the airwaves for a good ten years or so.. trying to act hard/gangster. Even if your not British and don't know who he is, it's still not gonna sit right.
I get the feeling the whole thing is devised and made by inexperienced, retired cage fighters still high on after show testosterone fuelled steroid binges.
And to cap it all, (bearing in mind this is meant to be a hard bloke sorta film), it's only got Lee Latchford-Evans from a crappy British Village People-esquire pop band called 'Steps' that destroyed the airwaves for a good ten years or so.. trying to act hard/gangster. Even if your not British and don't know who he is, it's still not gonna sit right.
I get the feeling the whole thing is devised and made by inexperienced, retired cage fighters still high on after show testosterone fuelled steroid binges.
This is absolute tripe!! Terrible acting by most, if not all of the cast. I watched this for about half an hour thinking it couldn't get any worse....but it did. I only watched it because Terry Stone is in it and I thought Rise of the Footsoldier was excellent. Avoid this film....it is 90 minutes of your life you won't be able to get back. BAD BAD BAD BAD. I do wonder what people think of when they are making garbage like this? Do they honestly think this is a good piece of film making? I would love to hear what the director/producer have to say about it. It makes it into my all time worst 5 films. It is years since I saw something as bad as this. I love this type of film but this one falls way short on so many levels. The acting is rubbish, the sound is rubbish, the directing is rubbish.....and did I mention the acting???
¿Sabías que…?
- TriviaThe movie was filmed to replace the higher budget feature 'Fixers', a film that had it's finance pulled at the last min. The film was originally intended as a finance trailer for Fixers but took on a life of it's own...
- Créditos curiososProducers DB is short for producers Drinking buddy, a credit the producer always gives to his colleague Nick Milnes
- Versiones alternativas'Ten Dead Men' has two versions, a desaturated colour version and a black & white accented colour version also.
- ConexionesFeatured in Conversations with Dead Men (2008)
- Bandas sonorasNo Bad Deed
Written, Produced & Performed by Damian Velika
© 2007 Damian Velika
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- 10 Dead Men
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- GBP 100,000 (estimado)
- Tiempo de ejecución1 hora 30 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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