The Deal

Saw it last night (April 5th) at Philly Film Festival. Mr. Macy, Jason Ritter and Fiona Glascott were all present and were gracious to the max.

This film was clearly a labor of love and had a very difficult "birthing". But it never connected with me in any significant way (especially the "quasi-insider making of a movie" road it took us down).

Macy as ALWAYS is magnificent. Meg Ryan is...well Meg Ryan and that is NOT all things bad. I think Jason Ritter has a great future in the business (and did fine work in the late and very lamented TV Show Joan of Arcadia too).

But I thought the plot as far as I could discern it was both muddled and totally unbelievable. I know it made sense to folks more in tune with things that could go right/wrong/changes of direction in getting a film greenlighted and made.But I'm far from an insider so the references were quite lost on me for the most part.

To me it doesn't quite make it as satire (or I didn't get it) and not funny enough to be a sustained comedy.

But I truly hope it is just me and this film gets an audience and makes $$ for those (especially Mr. Macy) who put their heart, soul and funds into its making.

The Deal is a wacky and frenetic Hollywood insider movie about a movie, in the spirit of Altman's The Player or Mamet's State and Main. Written by and starring the extremely talented William H. Macy and directed by his long-time friend and veteran TV movie director Steven Schachter, The Deal is part vanity piece, part industry insider self-indulgence and wholly funny.

Macy plays Charlie Berns, a one-hit wonder Hollywood producer with no money and no prospects and on the verge of suicide. Interrupting his plans is his nephew Lionel (Jason Ritter), who knocks on his door at the propitious moment, carrying his script about Benjamin Disraeli and looking for Uncle Charlie's help in Hollywood. Ignoring the script, Charlie returns to his morbid task, only to spot an article about a blockbuster action-hero movie star (L.L. Cool J) who has recently converted to Judaism and is looking for a Jewish film for his next project. Seeing a glimmer of hope, Charlie hatches an outrageous seat-of-your-pants scheme to coerce a studio into approving this preposterous pairing. Assigned to the project is Diedre Hearn, a second-tier studio exec (played by Meg Ryan, still trying to transition from her girl-next-door pedigree). Charlie is smitten, and resurrected, "Ben Disraeli – Freedom Fighter" gets green-lighted and the fun begins. There's even a role for Elliott Gould, playing a rabbi who serves as a technical adviser and "Assistant Producer" to the film! I guess Macy decided that at 57 if he was ever going to play a leading man, he was going to have to personally drive the project. And he has written himself a plum role—a multi-dimensional character with a lot of funny lines and Meg Ryan as a love interest! Charlie Berns has suffered all the indignities that Hollywood can dish out. But he's learned enough tricks, and developed enough chutzpah that with a little luck he can really work the system. Macy plays the role with unflappable charm and impeccable comic timing.

The script bounces around a bit, and probably bounces a couple of times too many. The "resolution" feels a little like an add-on, and perhaps could have been left out. So while I doubt this movie will do great things at the box office, it certainly entertained the Sundance crowd.

Sundance Moment: Macy told the long story of how difficult it was to get the project funded, which is a recurring Sundance (and Hollywood) theme. They passed out red yarmulkas to the crowd, and many wore them while watching the movie.

This could have been good if it were actually funny. Humor is obviously subjective, but based on the 6.1 rating on here, most viewers did not subjectively find this film funny either.

There is not remotely a believable, moving, or memorable moment to save this unfunny "comedy." Macy usually provides some human warmth to his characters, but even he could not save this terrible script. Macy's relationship with Ryan is not touching, and the two have no chemistry whatsoever.

Also, Meg Ryan, who was never good looking to begin with, now looks like a freak: gross!

Grade: F

It would have been nice if there are other users who commented before me, so that I can just copy paste their comments and edit it, rather than having to write it myself. Haha Kidding, it would not be nice to read comments that you know you've read it somewhere else, makes it like something kinda like deja vu, no ? My point exactly. This film is original, and a refreshing watch, after being fed by the many films Hollywood churned out that more or less have the same storyline. This film is original, one has to watch it to the end (without pressing fast forward button, I might add) and felt good that the ending is good.

I enjoyed the film very much, and even though it's not Oscar material, it's undeniably a good film. While I expect there are trolls lurking in the Internet, ready to discredit whatever good comments one make, I do not mind the least bit.

Recommended watch, especially to those who want storyline that is different than the usual ones they usually watch on their telly.

Not funny huh... "Benjamin Disraeli? What happened to Tony Blair?" - "...she throws like a girl!!" - "Hey guys thanks much, you're fired, great input though" - "....colonel America" - "...if you circumcised this movie it still couldn't be Jewish." - "...that's Bobbie's trailer, that's his gym and that's his mobile temple." LL Cool J in a Yarmukuh over a Du Rag: Moderately hysterical. William H. Macy's bare butt: Hysterical. Meg Ryan's choices in footwear: Priceless. Especially when compared to some other so called romantic comedies I've seen recently I was pleasantly surprised and entertained by this movie. Besides, Elliott Gould can make me laugh by just reading the phone book.