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7.2/10
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Agrega una trama en tu idiomaA documentary about typography, graphic design, and global visual culture.A documentary about typography, graphic design, and global visual culture.A documentary about typography, graphic design, and global visual culture.
- Premios
- 3 nominaciones en total
Opiniones destacadas
I saw this film last night at the Rochester Institute of Technology in the company of hundreds of budding graphic designers, new media specialists, and fans of typography. I found it utterly engaging. It wasn't just a film about a font. It was a clever device used to weave a story around graphic design, the importance of typography in the craft, and the passionate opinions on design in general elicited from this stellar cast of über creative professionals.
I feel that this film has a broad appeal beyond typography aficionados, which is admittedly a small tribe. The passion behind the ideals expressed by the graphic designers is undeniable and infectious.
The film was beautifully put together. The effect of showing the ubiquitous use of this font in cities around the world, with people walking by, buses, taxis, and cars whizzing past, etc. all set to a totally perfect music was wonderful. These vignettes provided transitions between interviews with world renowned designers.
You might have trouble finding a screening of this film but if you see it coming to a theater or film festival near you don't miss it!!
I feel that this film has a broad appeal beyond typography aficionados, which is admittedly a small tribe. The passion behind the ideals expressed by the graphic designers is undeniable and infectious.
The film was beautifully put together. The effect of showing the ubiquitous use of this font in cities around the world, with people walking by, buses, taxis, and cars whizzing past, etc. all set to a totally perfect music was wonderful. These vignettes provided transitions between interviews with world renowned designers.
You might have trouble finding a screening of this film but if you see it coming to a theater or film festival near you don't miss it!!
This is an 80 minute long movie about a font. People talk about the font, the history, the meaning and the significance of helvetica. While the idea of this as a documentary is very good and the film has as much energy as it can about a font, it is a long 80 minutes. At about the 45-ish minute mark, those not too into the world of graphic design might start to feel the film is repetitive. But in the end, it is a fun little movie that has people loving on the 50+ year old font helvetica. If that is your idea of a good time, you'll love this. If you say to yourself, "80 minutes about a typeface?" - this movie may not be for you.
Helvetica is a beautifully created documentary about the Helvetica font. Now you might think this is a dry and boring subject (as I did before I saw the film) but it is in fact a fascinating tale of design and it's implications.
I think this is a film for anyone who wants to know what design is all about. Never mind that it's based on the font it is a statement on design in general too.
The interviewed people are all extremely interesting and succeed in conveying their passions and convictions. The video work is convincing too and shows very well how common and you might say oversaturated the world is with Helvetica.
This Film WILL change how you see writing. It teaches how to look for the font and it's influence in writing and advertising.
Great film, definitely a must watch.
Oliver
I think this is a film for anyone who wants to know what design is all about. Never mind that it's based on the font it is a statement on design in general too.
The interviewed people are all extremely interesting and succeed in conveying their passions and convictions. The video work is convincing too and shows very well how common and you might say oversaturated the world is with Helvetica.
This Film WILL change how you see writing. It teaches how to look for the font and it's influence in writing and advertising.
Great film, definitely a must watch.
Oliver
Helvetica screened this week at the SXSW Film Festival in Austin, TX where it was very well-received. In a million years it would never have occurred to me to do a documentary on a type font. The film makers somehow came up with the idea of doing a cultural history of the Helvetica font which has become the almost universal default modern font over the past 50 years. Fonts are almost like the air we breathe. They play a very subtle and almost unnoticed and usually uncommented upon role in our daily lives. The social and psychological ways in which Helvetic informs all our lives are quite fascinating.
Helvetica is a humorous film that combines a series of interview clips with a variety of often rather quirky graphic font designers with shot of various street signs and corporate logos. The film provides a great deal of insight into the role of the Helvetica font in shaping Western culture. Helvetica is both entertaining and informative in that it provides great insight into a ubiquitous aspect of modernity about which most of us are completely oblivious. I hope that many people get the opportunity to see this unusual and insightful film, because it opens a fascinating window for better understanding our society. Since versions of Helvetica are also the default font on most computers, many of us type in Helvetica constantly without even realizing it.
As I walked home from the film, I couldn't help noticing that many of the street signs in Austin appeared to be in Helvetica.
Helvetica is a humorous film that combines a series of interview clips with a variety of often rather quirky graphic font designers with shot of various street signs and corporate logos. The film provides a great deal of insight into the role of the Helvetica font in shaping Western culture. Helvetica is both entertaining and informative in that it provides great insight into a ubiquitous aspect of modernity about which most of us are completely oblivious. I hope that many people get the opportunity to see this unusual and insightful film, because it opens a fascinating window for better understanding our society. Since versions of Helvetica are also the default font on most computers, many of us type in Helvetica constantly without even realizing it.
As I walked home from the film, I couldn't help noticing that many of the street signs in Austin appeared to be in Helvetica.
A documentary about a typeface? For those of us who take interest in such things, of course! But if you're one of those who never bothers to change the default font in your Word documents from Times New Roman, then I'd recommend you stay away from this film altogether.
Unfortunately, even those who are keenly aware of typefaces may find this movie disappointing. My main criticisms:
1. It spends long sequences showing us examples of Helvetica signage used in various contexts. Some are elegant and clean, many are torn old posters, ragged pieces of letters peeling off walls, etc. These sequences were artistic and okay at first, but maybe after the fourth one, you find yourself reaching for the fast-forward.
2. It spends the vast majority of its time in interviews with various designers discussing their impressions of the font's "meaning" or its impact in the history of design. This should have been perhaps 30% of the film, instead it is closer to 80%.
3. It doesn't spend enough time looking at the technical details of the font. There are occasional off-hand references by some of the interview subjects to various features of certain letters, but even those segments are not illustrated. I would have loved to see a side-by-side contrast between Helvetica and similar sans-serif fonts used earlier, or perhaps others created since then. In one sequence, we catch a glimpse of one of the original large-scale drawings for one of the letters; I would have enjoyed seeing more of those, larger on the screen, and with explanation of how the various parts work in relation to one another.
With its current affective emphasis, this would have been an acceptable 45-min. documentary, but at an hour and a half, it is far longer than it needs to be. I hoped to walk away with an understanding of what made Helvetica uniquely popular, but that was never clearly shown in any way.
Unfortunately, even those who are keenly aware of typefaces may find this movie disappointing. My main criticisms:
1. It spends long sequences showing us examples of Helvetica signage used in various contexts. Some are elegant and clean, many are torn old posters, ragged pieces of letters peeling off walls, etc. These sequences were artistic and okay at first, but maybe after the fourth one, you find yourself reaching for the fast-forward.
2. It spends the vast majority of its time in interviews with various designers discussing their impressions of the font's "meaning" or its impact in the history of design. This should have been perhaps 30% of the film, instead it is closer to 80%.
3. It doesn't spend enough time looking at the technical details of the font. There are occasional off-hand references by some of the interview subjects to various features of certain letters, but even those segments are not illustrated. I would have loved to see a side-by-side contrast between Helvetica and similar sans-serif fonts used earlier, or perhaps others created since then. In one sequence, we catch a glimpse of one of the original large-scale drawings for one of the letters; I would have enjoyed seeing more of those, larger on the screen, and with explanation of how the various parts work in relation to one another.
With its current affective emphasis, this would have been an acceptable 45-min. documentary, but at an hour and a half, it is far longer than it needs to be. I hoped to walk away with an understanding of what made Helvetica uniquely popular, but that was never clearly shown in any way.
¿Sabías que…?
- Citas
Massimo Vignelli: You can say, "I love you," in Helvetica. And you can say it with Helvetica Extra Light if you want to be really fancy. Or you can say it with the Extra Bold if it's really intensive and passionate, you know, and it might work.
- ConexionesFollowed by Objectified (2009)
- Bandas sonorasThinking Loudly
Written and Performed by El Ten Eleven
Vopar Music/Go Champale Music
Courtesy of Bar/None Records
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- How long is Helvetica?Con tecnología de Alexa
Detalles
Taquilla
- Total a nivel mundial
- USD 21,680
- Tiempo de ejecución1 hora 20 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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