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IMDbPro

Tit sam gok

  • 2007
  • R
  • 1h 33min
CALIFICACIÓN DE IMDb
6.2/10
1.9 k
TU CALIFICACIÓN
Tit sam gok (2007)
CrimenThriller

Agrega una trama en tu idiomaTold in three 30-minute segments, three friends seek out the buried treasure of a mysterious stranger.Told in three 30-minute segments, three friends seek out the buried treasure of a mysterious stranger.Told in three 30-minute segments, three friends seek out the buried treasure of a mysterious stranger.

  • Dirección
    • Ringo Lam
    • Johnnie To
    • Hark Tsui
  • Guionistas
    • Sharon Chung
    • Kenny Kan
    • Nai-Hoi Yau
  • Elenco
    • Louis Koo
    • Simon Yam
    • Honglei Sun
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.2/10
    1.9 k
    TU CALIFICACIÓN
    • Dirección
      • Ringo Lam
      • Johnnie To
      • Hark Tsui
    • Guionistas
      • Sharon Chung
      • Kenny Kan
      • Nai-Hoi Yau
    • Elenco
      • Louis Koo
      • Simon Yam
      • Honglei Sun
    • 14Opiniones de los usuarios
    • 38Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 2 premios ganados y 1 nominación en total

    Fotos19

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    Elenco principal14

    Editar
    Louis Koo
    Louis Koo
    • Fai
    Simon Yam
    Simon Yam
    • Lee Bo Sam
    Honglei Sun
    Honglei Sun
    • Mok Chung Yuan
    • (as Sun Hong Lei)
    Ka-Tung Lam
    Ka-Tung Lam
    • Wen
    • (as Lam Ka Tung)
    Kelly Lin
    Kelly Lin
    • Ling
    Yong You
    • Policeman
    • (as Yao Yung)
    Suet Lam
    Suet Lam
    • Fat Bo
    • (as Lam Suet)
    Haitao Li
    • Lung
    • (as Li Hai Tao)
    Kai Wa Chan
    • Kwan
    • (as Chan Kai Wa)
    Chun Yip
    • Chan Fok-sui
    • (as Yip Chun)
    Ho Sai Chan
      Libby Brien
      Libby Brien
      • Fai's Mother
      • (English version)
      • (voz)
      • …
      Philip Hersh
      Philip Hersh
      • Wen
      • (English version)
      • (voz)
      Chi-Shing Chiu
      • Mob Boss
      • (sin créditos)
      • Dirección
        • Ringo Lam
        • Johnnie To
        • Hark Tsui
      • Guionistas
        • Sharon Chung
        • Kenny Kan
        • Nai-Hoi Yau
      • Todo el elenco y el equipo
      • Producción, taquilla y más en IMDbPro

      Opiniones de usuarios14

      6.21.9K
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      Opiniones destacadas

      9moerchi

      Totally underrated

      With all the negative reviews and opinions I had read about Triangle before watching the film, I expected to be disappointed. Actually, I was pleasantly surprised.

      Triangle is by no means a masterpiece that lives up to any of the three directors' names, but it is certainly not the incoherent mess some people make it out to be. Tsui's first third establishes too many subplots, but I thought that even in Lam's third, I was able to follow everything. Sun Honglei really shines in the film, and it would be great seeing him in other Milkyway films. But what's most important is that despite the slightly confusing plot, Triangle always remains an entertaining movie - from the great car chases in Lam's segment to the typical Johnnie To shootouts in the final third, it always kept me on the edge of my seat. Great music has become a staple in Milkyway productions since the last few years, but Zerafa's score here shows strokes of brilliance, adding to the mythical tone established by Tsui in the first third. And that piece playing in the credits is beautiful!

      I also really liked the ending, which in a way comments on the theme of "fate" which I thought was illustrated pretty well throughout the movie.

      Sure, you perhaps need to be a huge, huge fan of at least one of the directors present here (To's style seems to be prevalent, even in the segments not directed by him) to appreciate this film, but I thought it was pretty great. Maybe people just need to be a bit more open-minded and not expect a masterpiece from three legendary directors who are just having a bit of fun - and contrary to what others said, I felt I was able to participate in that fun.
      7SamuraiNixon

      Three is the Magic Number

      The idea behind this film was to get three of the best Hong Kong action/crime directors today working together. The result was each did one segment (around 30 minutes each) in chronological order with Tsui first, Lam second and To finishing it off. This would be done differently than a film like Four Rooms (1995) where each segment was basically a separate story. In this movie each director would continue after the other to move the story and characters along from what happened previously. Like many conceptual films this movie sometimes seems a bit forced, sometimes clunky, some plot angles hang, disappear and seem a bit confusing, but I still found the movie quite interesting and entertaining.

      Triangle (the Chinese title is The Iron Triangle) starts off with Tsui Hark creating the foundation for the plot. It is both good and bad that Hark creates tons of plot angles for the movie to go. It gives the Ringo and later To plenty of room to move with, but also will leave either a bit too much to be either ignored and some angles barely gone over that a tighter script would have just ignored. In fact it took me a few tries to get past the beginning.

      Simon Yam (PTU, Election) is Lee Bo Sam a former race driver who is friends with Fai (Louis Koo: Throwdown) and antique shop owner Mok Chung-yuan (Sun Hong Lei: Seven Swords). Fai is trying to get him to acquiesce to a driving job for a jewelry heist. If he does not Fai will receive harm from some local triad members. All three need money though. In the middle of the meeting between Fai and Lee a strange man gives those three a small gold piece and states where they can find the rest of this treasure. His motives for doing this are a mystery to the bunch. Meanwhile Lee's wife Lin (Kelly Lin: Sparrow) is having an affair with policeman Wen (Gordon Lam), states that her husband is trying to have her killed off and wants Lam to get rid of Sam first.

      When Ringo Lam takes over in the first film he has directed since leaving the production of Wake of Death (2004), he ups the psychological attitude of the film and enriches the characterization. The most effective change is how the love-triangle relationship between Lam, Lin and Sam no longer appears to be the stereotypical triangle in the beginning and takes on a new bizarre dimension. Ringo Lam does a homage to Reservoir Dogs which was based on his film City on Fire so you see a homage to an homage) by using a record player, a handcuffed cop and a few other scenarios in this middle segment of the film.

      The last segment belongs to Johnnie To and from the beginning where we see Lam Suet (Lam is in a lot of Johnnie To movies) we know who is directing this. Suet plays a drug addicted epileptic who causes flats in both automobiles and bikes and offers to fix them. The area where he is in has no cellular reception and a conveniently located eatery where they can wait while their vehicle is being fixed. However, Wen is there as well as the triad members who are there to purchase firearms. This is another use of the triangle in this film. To offers his normal use of "Team Spirit" themes and Mexican standoff action in this conflict triangle to make the last half hour quite interesting.

      While this film never fully jells together, some plot changes are just a bit bizarre like Lin's character change (or really non-use) in the third segment, I still ended up really liking this film. There are quite enough brilliant moments that make this movie a recommendation for fans of not only Hong Kong cinema and Johnnie To, but movie fanatics as well. You just have to get past the first 15 minutes.

      I have the Magnolia pictures R1 release that has two extra features: a "Making of" and a Behind the Scenes. The "Making of" is solely focused on Johnnie To's segment and ultimately not that interesting. It is mostly standing around, saying a few lines and more waiting. Behind the Scenes actually has the most information with interviews from several of the cast and crew. The region 3 release of this by Mega Star has deleted scenes, TV spots and trailers in addition to what the R1 has. I was most disappointed that the R1 does not have the deleted scenes, but it is still a worthwhile release.
      3goods116

      Don't waste your time, so many better films from Asia to watch

      If a movie can't hold your interest in the first 25 minutes, it's over as far as I'm concerned. This concept that you have to simply deal with a slow first third of a movie and be rewarded later is nonsense. A good movie has to start and end strong. It all seem interesting and some decent shots and lots of promise, but ultimately muddled and irrelevant. There are so many other movies from Asia to watch, many of which I am sure most of you have not seen, that I would really skip this one and look elsewhere. Why exactly does IMDb require a 10 line minimum for reviews? I said my piece and I hope this helps a few of you move on to the next film.
      8DICK STEEL

      A Nutshell Review: Triangle

      The much awaited Hong Kong movie Triangle has finally hit our shores. It's an interesting project, given that 3 HK directors - Tsui Hark, Ringo Lam and Johnnie To - are combining forces to tell a story in the "exquisite corpse" style, where each one takes over from where the other left off, each injecting their own narrative style and spin to the characters and story. It's friendly one-upmanship between the directors in their bout to demonstrate their innovativeness, spontaneity and resourcefulness, but what comes through is clearly a mixed bag, expectedly so since you have three distinct creative inputs.

      Does it come across as confusing? You bet, at least for the first third when Tsui creates the characters and the premise. I thought Tsui had tried to bite off more than he can chew. Then again, being the one off the starting blocks, he might be trying to provide as many possibilities and directions that the narrative can choose to adopt and examine in depth or drop altogether. And he doesn't get involved in the chewing anyway, as that's left to Ringo Lam to digest, and Johnnie To to wrap up. Tsui creates a trio who are hard pressed for cash. In Mok's (Chinese actor Sun Hong Lei) antique shop, Fai (Louis Koo) proposes to Sam (Simon Yam) about a heist, which requires them to utilize the latter's driving skills. A stranger appears and provides them an ancient coin, and a puzzle on a website which directs them to treasure (which includes lingerie!) underneath a government legislative building.

      Simple enough? Yes, until we also get thrown many other subplots, some of which involves the original heist gone awry because of Sam's backing out, Sam's wife Ling (Kelly Lin) having an affair with corrupt cop Wen (Lam Ka Tung), Fai being under Wen's payroll and their plot within a plot in the original heist to bump Sam off, so that the adulterous couple can lead a new life, gangland members screwball involvement in the whole scheme of things, and the list goes on. Ideas get thrown into the mix and tossed about, and you can almost hear Tsui's cheeky snickering at how Lam and To will be able to sieve through the mess.

      But fret not, I believe Lam had managed to, given that he closed most of the open threads and decided quite cleverly, to focus on the individual motivations involving a love "Triangle", and examined some of the characters in depth. This created a much needed and deserved pause for your brain to filter through the noise Tsui had caused, and made the narrative henceforth more manageable, and it did have some rather creative scenes of violence. Fans of Ringo Lam will have known of his earlier movie City On Fire, which Quentin Tarantino's Reservoir Dogs was widely acknowledged to be inspired from. And in Lam's third of the movie, he provides a throwback to Reservoir Dogs, coming full circle with a scene within a warehouse, a character in bondage, everyone else coming over for their piece of the action, with music played over a turntable.

      So what's left of Johnnie To to do? He cleared the mess, literally. I thought he provided the best possible last arc for what had transpired over the last hour, with shades from the Election movie (the hunt for an artifact) and a very, very complicated setup to Exiled styled Mexican stand-offs, together with themes of brotherhood, loyalty and honour all summed up beautifully. And I thought he just had to throw in Lam Suet for comedic purposes to provide one last, but short, complication to up the ante that he too can make things complex! To does what To does best, and by the time the credits roll, you'll be pondering over what had transpired, and no doubt, I believe the talking point will be its ending.

      All in all, Triangle proved to be an enjoyable ride. Just endure the messy start to get to the meat, before lasting the final sprint to the finishing line where you'll get that rewarding yarn. I'm not sure if the three directors will collaborate again, maybe they should, but this time to rearrange the order for a different film, and if they're at it, why not make it a trilogy to complete the loop so that everyone has a chance to begin, sustain, and close.
      9K2nsl3r

      Multiply - Not Divide - by 3

      Fear not: the juicy premise of putting three masters of HK violent cinema in one movie delivers one of the most entertaining action movies of 2007.

      The film is a palpable thrill-ride, with an air of unmistakable cool and sheer brassiness of style. With scarcely time to slow-down, the silly and initially confusing but heavily entertaining and ultimately straightforward plot runs through a hundred twists and turns on its way to the seat-gripping finale that is the last third of the film.

      The three segments directed by Tsui Hark, Ringo Lam and Johnny To (apparently in that order, although it was not indicated in the film) are distinct in style and mannerism, but near-seamlessly integrated into a single experience. Not only did they use three directors, they also used multiple script-writers. Do not expect any section-markers here, though: it is not three stories, but one story told in three consecutively more elaborate segments which represent the vision and prowess of one director each - without, however, appearing needlessly patched-together or unfocused. So, to compare this to that other Asian 3-in-1 package, the excellent Three Extremes (with Takashi Miike, Fruit Chan and Park Chan-Wook), is to miss the point. Here we are dealing with a unitary experience, one not divisible by three.

      Fans of each director will find much to comment on the stylistic differences between each section. Best known perhaps for his kung-fu productions (at least in the West), the multi-talented Tsui Hark delivers a cool, crafty ambiance in his piece. Ringo Lam, a long-line police action-drama director, likewise carries the torch with a surprisingly mellow and tactful show-of-hands. It is really the last segment of the film, under the steady hand of the miracle-worker Johnny To - the brilliant director of gems such as Election I & II and Exiled - that really puts this work in the category of must-see cinema. It would be impossible to describe just what makes the last act so good without giving something away, but suffice to say the success lies in its mixture of suspense, action and black humour in a dazzling tour-de-force. And yet, To's section makes sense only in the context of the whole; it would not be possible to appreciate the finale without going through the first and second acts. The third act is the charm, but only because the first two acts lead to it and suggest it with force and clarity. By its combination of three geniuses, the impeccable thrill of the film gets multiplied by three, making the end result something greater than the sum of its parts.

      The actors are adequate and the chemistry between them works well. This is not an especially 'deep' thinking-man's movie by any stretch - character-development especially is among the real weaknesses of this movie - but for what it's worth, the characters deliver their lines and express their emotional range quite convincingly (with a few notable exceptions). The fraternal chemistry between the main characters saves much of the hapless script. But really, this film is about action, violence, crime, morality and love - the stuff of entertainment. Maybe not serious or tight enough for some, the over-the-top story proves highly entertaining as a backdrop for the stylish visual work emanating from the three great directors.

      I'm willing to forgive this movie its obvious shortcomings: its unexplained plot-ends and side-tracks, its focus on action and shine over drama and substance, its use of three writers in the seemingly impossible task of writing a single storyline. Bottomline: It works! Sometimes heckling about details seems petty when what is iffy in ideation is saved in execution. Minor script is turned into a major movie.

      Absolute entertainment, with a touch - or two, or three - of genius.

      Argumento

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      ¿Sabías que…?

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      • Trivia
        After Tsui completed the first segment of Triangle, Lam looked at the development of it before shooting the second part, and handed the film to Johnnie To who completed the third part with its conclusion.
      • Bandas sonoras
        LOVE IS LIKE A BALLOON
        Performed by Xiu Qiong Pan

        Composed by Yao Ming

        Lyrics by Chen Di Yi

        OP: EMI Music Publishing Hong Kong

        Sound recording license courtesy of EMI Music Hong Kong

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      Detalles

      Editar
      • Fecha de lanzamiento
        • 1 de octubre de 2007 (China)
      • Países de origen
        • Hong Kong
        • China
      • Sitios oficiales
        • Official site
        • Official site (Japan)
      • Idiomas
        • Mandarín
        • Cantonés
      • También se conoce como
        • Triangle
      • Locaciones de filmación
        • Hong Kong, China
      • Productoras
        • Milky Way Image Company
        • Media Asia Films
        • Beijing Ciwen Digital Oriental Film & TV Production Co.
      • Ver más créditos de la compañía en IMDbPro

      Taquilla

      Editar
      • Presupuesto
        • USD 5,000,000 (estimado)
      • Total a nivel mundial
        • USD 4,641,637
      Ver la información detallada de la taquilla en IMDbPro

      Especificaciones técnicas

      Editar
      • Tiempo de ejecución
        • 1h 33min(93 min)
      • Color
        • Color
      • Mezcla de sonido
        • Dolby Digital
      • Relación de aspecto
        • 2.35 : 1

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