El hijo de Rambow

Greetings again from the darkness. The Sundance favorite is finally making the rounds and I found this to be a very entertaining and charming film, despite its relative simplicity.

A semi-autobiographical piece from writer/director Garth Jennings ("The Hitchhiker's Guide to the Galaxy"), the film focuses on the escapades of two young boys making a movie. Along the way, many topics are addressed ... family, religion, friendship, loyalty, idol-worship, etc.

Bill Milner (as Will Proudfoot) and Will Poulter (as Lee Carter) are the newcomers who play the boys. Poulter is a near reincarnation of River Phoenix as Chris Chambers ("Stand By Me") as he carries so much bottled up emotion stemming from his longing for attention. Milner's character is the more sensitive, creative type being suffocated by his family's religion. Quite a pair.

As a commentary on film and celebrity, the two boy's world is rocked when their film-making is discovered. Now everyone wants a piece including the French exchange student, Didier, played hysterically well by Jules Sitruk. Character issues to follow!

The boys are so endearing that most kids would enjoy the film and certainly most adults who were still growing up in the 80's will get a kick out of it.

If you sometimes feel like all you watch are big-budget 'blockbuster' movies this is the film to remind you what movie-making should be.

Attended a preview screening this week, and can't wait for the weekend so I can go back and watch it again. The screening was packed, and the general reaction definitely agreed with my own.

There are several 'laugh-out-loud' moments, from the opening titles, to the touching climax, and at many points in between, in a well written, perfectly paced film. I am someone who goes to a lot of movies, and sometimes find myself checking my watch, but this draws you in from the start, and it never loses you.

Probably has most appeal for those , like myself, who were in the UK in the 80's but I'm sure it has appeal for all, and hope the two leads go on to further success in the future. There is an innocent charm about the lead pairing, and the movie as a whole, that should transcend national and cultural boundaries.

I recently took this movie in at the 2007 Sundance film festival and am quite glad that I made the effort to sneak this little gem in. The movie was made by the very talented Garth Jennings of the famed music video production team Hammer and Tongs known for their visionary music videos and previously Hitcherhiker's Guide to the Galaxy. Set in an average English town in 1982 the movie revolves around the interesting life of a 12-13 year old boy named Will whose family is part of a strict religious group that prohibits him from having any friends outside the group and strictly forbids him from watchings any TV or Movies. Without these usual sources of childhood entertainment Will finds other ways to pass the time, namely in drawing out his flourishing imagination that he scribbles and doodles all over the pages of his bible. One day Will unexpectedly crosses paths with the school terror Carter who also happens to be an amateur bootlegger at the local movie theater. Will, whose never seen a movie before is caught off guard when at Carters home he sees Rambo playing on the TV, the visuals of the movie explode in Will's imaginative mind and from there on out Will is forever changed. An unlikely friendship begins between Will and Carter as they begin production on Carter's home movie masterpiece, Son of Rambow. The two children begin coming closer before their friendship is tested by a new-wave French exchange student Didier Revolve. As the friendship between Will and Carter begins getting twisted so does his relationship with his family, as the church group starts taking notice of Wills more worldly interests. In the end Will must stay true to himself and the film must go on.

The performances by all the children were exceptional, especially Carter who is the movie's sparkplug and provides comic relief frequently. As well as Didier the french exchange student who is a text book example of how absurd the whole new wave trends of the day were, his appearances are all wildly amusing. The movie also has a fair amount of quirky animations and dream sequences that offer visual pleasures for the eyes and bring childhood doodles to life. The movie is just a brilliant little idea and it plays out so very well in all the settings and the characters are extremely likable in all manners, the movie should play great for almost all ages

"Son of Rambow" is a cute and enjoyable film. However, it's one that has an amazingly unlikely ending and it has a few loose ends...but on balance it is worth seeing.

Will is a young boy who appears to be about 8 years-old who is very sad and lonely. This is because his family are members of an ultra-religious sect and Will isn't allowed to do many of the things other kids do. However, oddly, his mother sends him to school with other kids....kids who are NOT from this same religious order. But being an oddball, he's mostly alone...that is until he meets Lee Carter, the kid who's been voted most likely to go to prison before he reaches puberty!

So what do these two boys have in common? Well, they both want to make a movie....a sequel to "Rambo: First Blood"...and making films and hanging with this 'bad kid' is a serious breech of the rules for Will. And, what does a weird French foreign exchange student have to do with all this?

The film has some charming moments and the child actors did a very nice job. But the final portion of the film, while enjoyable, makes no sense and seems more formulaic than intelligently made. Still, it's a cute little film....and there aren't too many like it.

When I saw the trailer for this film, it looked like another corny British comedy. The film itself is much, much better than that, as someone else has said it feels more like a Michael Gondry film. Very idiosyncratic, quirky and confident in what it does, with many laugh-out-loud moments. What I enjoyed most of all was how some really nice themes and subplots started to innocently dovetail with the story, never feeling contrived, or overly sentimental. There were some great touches where the writer/director chose to imply or suggest something without going overboard - which makes for a much more warming experience than the usual obvious and clunky approach in British screen writing. The acting was superb. This film will appeal to many, many people for different reasons - I just hope they are encouraged and inspired enough to go and see it. I hope that word of mouth does this film the justice it deserves. Go see it!!