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3.7/10
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Agrega una trama en tu idiomaA crazy love story full of lies, deceits and a complicated quadrangle where each one has to think quickly and dance around each other's emotions.A crazy love story full of lies, deceits and a complicated quadrangle where each one has to think quickly and dance around each other's emotions.A crazy love story full of lies, deceits and a complicated quadrangle where each one has to think quickly and dance around each other's emotions.
- Dirección
- Guionistas
- Elenco
- Premios
- 4 nominaciones en total
Preity G Zinta
- Alvira Khan
- (as Preity Zinta)
Opiniones destacadas
I am so depressed. What the heck was that all about? Jhoom Babarbar Jhoom is a topper. It has made it all the way to number 1 in my list of "Movies I hate the most" overtaking the place of Yashraj's previous release Dhoom 2. What is the fuss all about? Who wants to sing, shout and dance with actors performing their most idiotic characters ever. There is no way anyone in any way can relate to this movie. Great sets, great locales, great actors - yet JBJ is a loser in every sense. If this is how Indian cinema is going global then it must stop, immediately.
Director Shaad Ali leaves everybody disappointed. His earlier movie Bunty aur Babli rocked the nation. He approached Jhoom.. is almost similar retrospective manner. Unfortunately, it does not work out this time because there is nothing Jhoom.. can be considered as decent cinema. Rikky and Alvira meet, erect a heap of lies, an idiotic nomad (Monsieur Amitabh Bachchan, the Great!) appears out of nowhere and does almost nothing, now the two are making up stories to conceal their lies and bingo - guess what, they're in love.
Why, why do they have to do it? They call it a rom-com, but let me tell you - it's neither romantic nor comic. It's not a movie that fits into comedy genre neither does it happen to be a love story (no, don't call it a love story. Idiots don't fall in love.) If there is anything in the movie, then it's the lush cinematography, great editing works, that breathtaking 360-degree rotated view of Taj Mahal, the dance sequence in front of the Eiffel Tower, the Superman falling sequence at Madame Taussad, Lara Dutta's French accent + the swearing and everything, and Preity Zinta (her Brit accent does not seem to work out for me.) Abhishek Bachchan needs to seriously think about his selection of roles and Bobby Doel, welcome back. A lot has changed while you were gone. They don't make those good movies anymore. But Bobby looks good, both as the hunk and the geek.
Kudos to Vaibhavi Merchant - she is the only person who does justice to her work. Shankar Ehsaan Loy fail to impress (Ticket to Hollywood.. is too Rahman style!) Gulzar is caught up with a bunch of people who don't know what they're doing. The casting director seems to have accomplished a hectic job. And finally Yashraj! (sigh) Least spoken is best. They're making money and that's good, perhaps they know Jhoom Barabar Jhoom is the substance that sells. And if films like Jhoom.. continue to sell, then Indian cinema wouldn't be very proud as the world's largest film industry.
Director Shaad Ali leaves everybody disappointed. His earlier movie Bunty aur Babli rocked the nation. He approached Jhoom.. is almost similar retrospective manner. Unfortunately, it does not work out this time because there is nothing Jhoom.. can be considered as decent cinema. Rikky and Alvira meet, erect a heap of lies, an idiotic nomad (Monsieur Amitabh Bachchan, the Great!) appears out of nowhere and does almost nothing, now the two are making up stories to conceal their lies and bingo - guess what, they're in love.
Why, why do they have to do it? They call it a rom-com, but let me tell you - it's neither romantic nor comic. It's not a movie that fits into comedy genre neither does it happen to be a love story (no, don't call it a love story. Idiots don't fall in love.) If there is anything in the movie, then it's the lush cinematography, great editing works, that breathtaking 360-degree rotated view of Taj Mahal, the dance sequence in front of the Eiffel Tower, the Superman falling sequence at Madame Taussad, Lara Dutta's French accent + the swearing and everything, and Preity Zinta (her Brit accent does not seem to work out for me.) Abhishek Bachchan needs to seriously think about his selection of roles and Bobby Doel, welcome back. A lot has changed while you were gone. They don't make those good movies anymore. But Bobby looks good, both as the hunk and the geek.
Kudos to Vaibhavi Merchant - she is the only person who does justice to her work. Shankar Ehsaan Loy fail to impress (Ticket to Hollywood.. is too Rahman style!) Gulzar is caught up with a bunch of people who don't know what they're doing. The casting director seems to have accomplished a hectic job. And finally Yashraj! (sigh) Least spoken is best. They're making money and that's good, perhaps they know Jhoom Barabar Jhoom is the substance that sells. And if films like Jhoom.. continue to sell, then Indian cinema wouldn't be very proud as the world's largest film industry.
such a crap film....urghhhhh.still cant believe the whole film was based only on one single song 'jhoom barabar jhoom'...not a single song was good.Don't know what the dance director or dress designer did.prety's make up was good but oh my god ..abhishek looked like a village stage artist ,,bobby did well.Lara was OK..i couldn't understand why did Mr.big B played in such a weird role.very unrealistic and stupid story line.after shathya and bunty aur bubly...i think nobody will expect such a film .there was few fun in the film but it didn't cover the stupidity of the story. overall comment will be-this film will be the super duper flop of the year!!!!
My 2 cents: This movie was highly recommended to me by a friend. He "sms'd" me the previous night and told me that it was an awesome movie... something that I should see the very next day. Taking his advice, another friend and I bought tickets at a "premium charge" (being newly released and all). Halfway through the movie, I wanted to tear my arm out and beat myself to death with it. The movie has an abysmal storyline. The intended "plot-twist" most moviegoers can predict when they are 30 mins into the movie. We stayed back after the intermission coz after all, a movie cannot be _that_ lame and boring.... Well, to our horror, it actually was. So USPs of the movie: 1) Lara Dutta looks hot 2) Nice song (only one... but after the 100 billionth repetition, it actually becomes really irritating) 3) Big B in a cool outfit.
Why you should not see this movie: 1) Extremely boring and slow. 2) Very lame jokes - courtesy small B. (Ash's man-toy) 3) Predictable storyline. 4) Big B needs to buy a ticket to Pluto and come back after a gazillion years... somebody needs to tell him about something called "OVER-EXPOSURE".
Conclusion: DO NOT SEE!
Why you should not see this movie: 1) Extremely boring and slow. 2) Very lame jokes - courtesy small B. (Ash's man-toy) 3) Predictable storyline. 4) Big B needs to buy a ticket to Pluto and come back after a gazillion years... somebody needs to tell him about something called "OVER-EXPOSURE".
Conclusion: DO NOT SEE!
I saw Jhoom Barabar Jhoom while travelling in Rajasthan, in the Raj Mundir in Jaipur, which is, with some justification, described as the best cinema in Asia (and it certainly beats watching a film in a 'Multiplex' on a screen the size of a large TV in London).
As the film ended and the huge audience of all ages rose, making its way into the grand, pretty foyer, I turned to an Indian man in his thirties next to me and asked him in Hindi if he liked it. He said he loved the songs, particularly the song of the title, which he thought would get even the most unlikely person in the cinema dancing in the aisles. Then he added,
'But the the rest of the film is nonsense'.
I certainly agree with him about the infectious song of the title, having badly hummed it often. However, I don't think the rest of the film is nonsense. What I believe many people mistake for nonsense is actually a playful, kitsch, knowingly referential film revolving around the desires and problems of self-mythology, and the power of Bollywood fantasy.
The film is set in Waterloo station where a young Indian man and woman of Pakistani origin bump into each other and form an acquaintance while waiting for infamously late English trains. But their talk about themselves, we come to see, may not quite be so credible and ingenuous. Not only this but there is something magical in the air at Waterloo Station, for a wondering busker, Amitabh Bachan, looking like a sixties drop out, is somehow mysteriously involved in the lively plot.
The two leads, Bachan's son Abishek, and Preity Zinta, make engaging leads and, alongside the wonderfully outrageous Laura Dutta and Bobby Deol handle the film's sense of fun and comedy vigorously (though perhaps the nods to the famous Bachan/Deol partnership in Sholay goes too far).
Another thing about Jhoon Barabar Jhoon is its sure sense of place, something few Indian films set in Britain can claim. Preity Zinta's Alvira is an NRI and the film makes a playful but genuine attempt to engage with the London Indian diaspora.
As the film ended and the huge audience of all ages rose, making its way into the grand, pretty foyer, I turned to an Indian man in his thirties next to me and asked him in Hindi if he liked it. He said he loved the songs, particularly the song of the title, which he thought would get even the most unlikely person in the cinema dancing in the aisles. Then he added,
'But the the rest of the film is nonsense'.
I certainly agree with him about the infectious song of the title, having badly hummed it often. However, I don't think the rest of the film is nonsense. What I believe many people mistake for nonsense is actually a playful, kitsch, knowingly referential film revolving around the desires and problems of self-mythology, and the power of Bollywood fantasy.
The film is set in Waterloo station where a young Indian man and woman of Pakistani origin bump into each other and form an acquaintance while waiting for infamously late English trains. But their talk about themselves, we come to see, may not quite be so credible and ingenuous. Not only this but there is something magical in the air at Waterloo Station, for a wondering busker, Amitabh Bachan, looking like a sixties drop out, is somehow mysteriously involved in the lively plot.
The two leads, Bachan's son Abishek, and Preity Zinta, make engaging leads and, alongside the wonderfully outrageous Laura Dutta and Bobby Deol handle the film's sense of fun and comedy vigorously (though perhaps the nods to the famous Bachan/Deol partnership in Sholay goes too far).
Another thing about Jhoon Barabar Jhoon is its sure sense of place, something few Indian films set in Britain can claim. Preity Zinta's Alvira is an NRI and the film makes a playful but genuine attempt to engage with the London Indian diaspora.
I have never seen worst movie then this. Waste of time, energy and of course money. Why do people make such movies just for petty gains by robbing millions of anticipating audience. The crew involved in making the film and star-cast should be punished to watch the movie 10 times and I'm sure they'll also become unconscious.
All the stars have been wasted of their potential, no screenplay, poor direction and confusing all the way. Cinematography is good, nothing much to say about choreography, title track is good but when it appears in movie 5 times, you loose the interest from that also..What is the need for Amitabh to play a joker ? So, don't waste your weekend watching this movie, instead take your family to some garden, museum, restaurant or even zoo is better. However, if still you want to see zoo of human beings this movie is for you. I have wasted my Saturday evening watching it and me and my wife continue to repent even today morning.
All the stars have been wasted of their potential, no screenplay, poor direction and confusing all the way. Cinematography is good, nothing much to say about choreography, title track is good but when it appears in movie 5 times, you loose the interest from that also..What is the need for Amitabh to play a joker ? So, don't waste your weekend watching this movie, instead take your family to some garden, museum, restaurant or even zoo is better. However, if still you want to see zoo of human beings this movie is for you. I have wasted my Saturday evening watching it and me and my wife continue to repent even today morning.
¿Sabías que…?
- TriviaThe crew of this film kept running into the crew from Una pareja explosiva 3 (2007). In one instance, while director Shaad Ali was shooting a sequence, a stunt car from Rush Hour 3 entered the camera's frame and the shot had to be retaken. Later, when Abhishek Bachchan and Lara Dutta were shooting the song 'Ticket To Hollywood' at Place de la Concorde, 'Jackie Chan' could not resist dropped by on the movie's sets to see the shooting. Jackie loved the song, and even though JBJ and Rush Hour 3 were being shot in same locations, the shooting units of the two films co-operated with each other.
- ErroresDuring the scene where Abhishek is telling the story of him and Lara he mentions that she is a Pakistani and he met her in 1997 around the time when Princess Diana was in Paris, France. This was fifty years after an Independant India and Pakistan were created. In one scene with him Lara he says to himself "She will take revenge for the past 60 years" So he jumped ten years ahead.
- Citas
Rikki Thukral, Anaida Raza, Anaida Raza, Steve Singh: [singing] Jhoom barabar jhoom... Dance, baby, dance!
- ConexionesReferenced in Bachna Ae Haseeno (2008)
- Bandas sonorasJhoom Barabar Jhoom
Written by Gulzar (as Sampooran Singh Gulzar)
Composed by Shankar Mahadevan, Ehsaan Noorani and Loy Mendonsa
Performed by Shankar Mahadevan, Sunidhi Chauhan and Zubeen Garg
Courtesy of Yash Raj Music
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 695,157
- Fin de semana de estreno en EE. UU. y Canadá
- USD 455,257
- 17 jun 2007
- Total a nivel mundial
- USD 11,905,018
- Tiempo de ejecución
- 2h 18min(138 min)
- Color
- Mezcla de sonido
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