007 Quantum

Since Pierce Brosnan started playing bond, I've started enjoying the game despite all the ridiculous history of the Bond brand and when they announced that Daniel Craig is taking over I thought "Gees" we are going back to the dark ages. well, I was wrong. Casino Royale to the series of Bond was like Batman Begins for Batman. The film was seriously good, it was a rebirth of the brand totally genuine and lacked all the silliness that was associated with Mr.Bond movies. The directing along with the film editing was awesome, Danial Craig's performance was brilliant and the film was coherent and sharp. Now I can confidently claim that Daniel Craig is the best suited James Bond of all time. So we are standing on pretty solid ground. Quantum Of Solace is no good if you haven't watched Casino Royale because for the first time a bond movie is based on its predecessor. the film is quite dark in tone and is over-dramatic for this kind of movie but let's get to the serious stuff. what's with the shaky hand held cams and the fast shots of the action scenes ? it gives you a fake feeling of what's going on the scene and add to that terrible editing and you end up with a messed up piece of work and a headache. I wonder who was responsible of casting Marc Forster for Director, the man has no taste of Bond at all. wasn't it enough for them to take away Moneypenny, Q, the gadgets, the humor and witticism, his "shaken, not stirred", the line "my name is Bond, James Bond." where the hell is the opening gun-barrel-sequence ?? even the Brilliant music composer David Arnold was miles away from Bond although he made some serious soundtracks before but again where is James Bond theme ? Anyway the movie isn't that bad but it's sure not a 007 movie and I'm putting a score of "7/10" just for Daniel Craig and Judi Dench performance. But for the 23rd Bond movie, please bring the soul of the series back.

Decent story, good pacing but those action scenes sure make you dizzy with all the cuts going on.

Quantum of Solace or Quantum so less, as some of its critics may call it, definitely lacks certain aspects of a traditional Bond movie. It may be eccentric in the sense that it may not be able to titillate the esoteric Bond fans as it may lack their eclectic style and taste but it definitely succeeds in projecting a new Bond for the contemporary world who may not be a coeval of a superhero, who despite being vulnerable has got the killer instinct in him, which is the very defining characteristic of Ian Fleming's larger than life human incarnate. This Bond goes about his business in a fashion which is far more realistic compared to the Bond of the bygone era with an incredible passion and utmost devotion which is nothing but inexorable. Though Casino Royale was the pioneer of this graduation but its Quantum of Solace that consummates it and gives Fleming's agent a mystique which has always eluded him hitherto, an aura which gives him an opportunity to be mortal and hence a chance to qualify to be called a human.

Quantum of Solace is loaded with mind blowing action sequences which makes it a high octane extravaganza. The pace of the movie is such that you hardly get time to breathe freely. The plot though comparatively weaker than its precursor, is still good enough to keep one guessing thereby keeping one at the edge of the seat, all the way through.

The only aspect of the movie which should be under the scanner is its editing which is far from just and at times needless and severely annoying. A bit constraint editing under some meticulous vigilance could have done wonders and would have probably helped it, in its quest to be the best Bond movie of all time.

All being said and given what we have, the movie fails to disappoint the audience and will surely redefine the very prerequisites of an action movie and will definitely serve as a benchmark for the movies in the years to come.

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I first saw this in 2008 with my family in a theatre.

Revisited it recently on a dvd which I own.

This is the twenty-second in the Bond series, a direct sequel to Casino Royale, and the second film to star Daniel Craig as James Bond.

Like its predecessor, this one too doesn't rely on gadgets n cgi n has more chases n fast paced action but in trying to cash in on the success of Jason Bourne, Taken n other action movies, this one tried the fast cut editing which ruined the fun.

In quick cut editing one cannot make out who's who n what is going on.

In this film, Bond seeks revenge for the death of his lover, Vesper Lynd and is assisted by a Bolivian agent Camille Montes, who is coincidentally seeking to avenge the murder of her own family. The trail eventually leads them to Dominic Green, well connected with CIA and a businessman working in reforestation and charity funding for environmental science but helping an exiled General to get back into power, in return for support for his sinister plans along with CIA.

This time Bond faces Craig Mitchell, General Medrano, Dominic Greene n Colonel Carlos.

I miss those olden Bond villain's powerful henchmen.

This time the movie being fast paced n Bond on a vengeance, Bond gets to cool off with Gemma Arterton only.

The pioneer of the balcony/window jump is undisputedly Jackie Chan (Rumble in the Bronx).

Jason Bourne in Bourne Ultimatum copied almost the same jump.

Bond too copied almost the same jump in this movie.

Quantum was my least favorite Bond movie for quite some time. After the over-ambitious Spectre, I look back at Quantum with fondness due to its simplicity. Not necessarily in its plot, but in its treatment of Bond as a character and his coming to terms with Vesper's death. It's an epilogue to Casino Royale; Bond is hellbent on revenge. It effectively functions as a discount Bourne film. Daniel Craig is great as always, as is Judi Dench and the rest of the supporting cast. The problems with Quantum lie mainly in the directing and editing.

The film opens with a car chase - Bond is being pursued by thugs. Why? We find out later, but the fact that we have no information at the start makes it really hard to care about the action. On top of that, the camera is moving and cutting every half-second so it's nearly impossible to tell what's even happening. This shaky-cam technique is used throughout the film and it's as disorienting as it is annoying.

We're eventually led to our Bond Girl, Camille, who is a unique Bond Girl for having her own character arc (and her own villain), then she leads Bond to our main villain, Dominic Greene - a businessman who wants to buy a pipeline to control Bolivia's water supply. Not exactly a James Bond-level threat, is it? Greene is no match for Bond physically in any sense, but their final confrontation is gratifying if only to see a villain genuinely, and rightly, terrified of Bond. It's great fun to watch Greene yelp as he's swinging an axe around for dear life while his fuel cell-ridden desert hotel explodes around him.

The rest plays out like a standard revenge story. Camille wants revenge against General Medrano for killing her family, and Bond wants revenge for Vesper by going after the organization that was blackmailing her. The writing is stilted and unpolished, but where the movie mainly fails is in its directing. It's pretentious and tonally clashes with the dark character study of Bond that the script is going for. It also doesn't help when the action scenes keep cutting away to a nearby horse race or an opera.

What we have here is a Bond-Bourne hybrid that had the impossible burden of having to follow Casino Royale. However, it's nice to see a gritty Bond adventure for a change. It's not a great Bond movie, but it's engaging enough to be a good time if you're able to look past its flaws.