Cuando una mujer profesional recién soltera se entera de que no puede concebir, recurre a su hermana menor, que está separada, para que le lleve a su bebé.Cuando una mujer profesional recién soltera se entera de que no puede concebir, recurre a su hermana menor, que está separada, para que le lleve a su bebé.Cuando una mujer profesional recién soltera se entera de que no puede concebir, recurre a su hermana menor, que está separada, para que le lleve a su bebé.
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Well to sum up my summary comment this show really is oughl. Which is to bad since the actors are decent the script are decent and the show could be quite decent but if i have to singlehandedly take one thing that will make this show not hit it the f.... bad and not god laugh track which is on all time and it's not even funny 90% of time when it's on.
And whats worse it's sad that Amy Sherman can come to do this after the fantastic "Gilmore Girls".
To sum up this show ain't going to be on long especially since they have this extremely bad laugh tracks on.
And whats worse it's sad that Amy Sherman can come to do this after the fantastic "Gilmore Girls".
To sum up this show ain't going to be on long especially since they have this extremely bad laugh tracks on.
I'm a huge fan of Gilmore Girls and a huge part of my fanship (fandom? I'm not sure how to verbinate "being a fan of") is the dialogue: quicked-witted and intensely smart, it appealed to me on a fairly deep level. More than that, there was a real sense of character to back up not only Lorelai and Rory that made them more than just cardboard cut-out clichés. There was heart as much as there was humor so naturally I expected to find the same things in Amy Sherman-Palladino's newest show. But as anyone can attest, you can give the likes of Shakespeare to an ill-equipped actor and it will come off as clumsy. Whether or not it's the fault of Amy having phoned in a script that seems like it was culled from dropped scripts of GG, the show just doesn't work. Fact of the matter is that Parker Posey is a horrible stand-in for Lauren Graham's comedic talents and Posey seems to be overacting the material in front of her when the brilliance of AS-P's writing is that the jokes work best when the only laughing is from the viewer and not the "live studio audience". The laugh track *kills* the humor in the show.
What's more is that the dynamic between Sarah (Posey) and her on-screen younger sister Coco feels like it was transplanted haphazardly from Gilmore Girls, with Coco acting the role of Rory. It's infuriating because it feels like AS-P got lazy and went for the cheap laugh. I rate this show poorly because I feel that Amy Sherman-Palladino had the chance to follow up the six years of Gilmore Girls she was present for with another hit and that instead she delivered a thinly veiled insult to television audiences en masse.
What's more is that the dynamic between Sarah (Posey) and her on-screen younger sister Coco feels like it was transplanted haphazardly from Gilmore Girls, with Coco acting the role of Rory. It's infuriating because it feels like AS-P got lazy and went for the cheap laugh. I rate this show poorly because I feel that Amy Sherman-Palladino had the chance to follow up the six years of Gilmore Girls she was present for with another hit and that instead she delivered a thinly veiled insult to television audiences en masse.
Having read sometime ago that Sherman was on a new project and being a big fan of Gilmore Girls, one can imagine how much I was anticipating The Return of Jezebel James...I'm not an experienced TV critic, I know nothing of camera angles and all that. What I do know is that the show just...sucked! I can't seem to figure out whether the script is rubbish or just the acting. Parker Posey where I'm concerned was downright ridiculous in Boston Legal and certainly hasn't found her tempo here...Everyone involved exudes awkwardness on an embarrassing level. It's evident that they're trying too hard to make this super-hip-tongue-in-cheek....not buying it. Definitely not Gilmore Girls unfortunately...not by a long shot
I only watched the first episode - some people claim the show improved somewhat by the time it was canceled a couple of episodes later - but wow, that first episode was pretty disastrous.
Written by Amy Sherman-Palladino, whose work on the Gilmore Girls was brilliant, and starring talented "indie queen" Parker Posey, on paper this was going to be great. But it wasn't. Posey's performance is shrill and brittle; she acts the whole episode as though she has realized she is in a bomb and hopes that if she talks loud enough and fast enough people won't notice. And while the writing isn't terrible, it's not especially funny.
Which leads us to the laugh track. There is perhaps nothing so destructive to low-key witticisms than a boisterous laugh track. Sherman-Palladino is not a sitcom writer, and trying to persuade the public that she is by dropping huge laughs on every wry remark or deprecating comment just makes the show seem to be full of unfunny jokes. I had a similar reaction of Sports Night, another show where dry wit combined with loud laughs created nothing but dissonance (although my reaction to that show wasn't nearly as negative as my reaction to Jezebel James).
So, if Posey were calmer and the laugh track were gone, would the show have been good? Maybe. I would be curious to see Jezebel James sans laugh track with Posey replaced by, say, Lauren Graham. My gut feeling is that it still wouldn't have worked - that Amy just couldn't find the rhythm of the half-hour sitcom - but I'm not sure. All I am sure of is that the network executive who insisted the show have a laugh track should have been demoted to a janitorial position.
Written by Amy Sherman-Palladino, whose work on the Gilmore Girls was brilliant, and starring talented "indie queen" Parker Posey, on paper this was going to be great. But it wasn't. Posey's performance is shrill and brittle; she acts the whole episode as though she has realized she is in a bomb and hopes that if she talks loud enough and fast enough people won't notice. And while the writing isn't terrible, it's not especially funny.
Which leads us to the laugh track. There is perhaps nothing so destructive to low-key witticisms than a boisterous laugh track. Sherman-Palladino is not a sitcom writer, and trying to persuade the public that she is by dropping huge laughs on every wry remark or deprecating comment just makes the show seem to be full of unfunny jokes. I had a similar reaction of Sports Night, another show where dry wit combined with loud laughs created nothing but dissonance (although my reaction to that show wasn't nearly as negative as my reaction to Jezebel James).
So, if Posey were calmer and the laugh track were gone, would the show have been good? Maybe. I would be curious to see Jezebel James sans laugh track with Posey replaced by, say, Lauren Graham. My gut feeling is that it still wouldn't have worked - that Amy just couldn't find the rhythm of the half-hour sitcom - but I'm not sure. All I am sure of is that the network executive who insisted the show have a laugh track should have been demoted to a janitorial position.
10Jesstica
Amy is BRILLIANT! Parker Posey and Lauren Ambrose in a sitcom together with "sisterly banter", is what I look forward to now every Friday evening. The collaboration of Parker Posey, Lauren Ambrose, and Amy's brilliant dialogue is GENIUS! The perfect premise of today's women unable to conceive, the love of sisters becoming reaquainted by childhood memories and unselfishness, and what a better way to title a show or tell a cute story by coalescing on a children's book. This show is everything a female in her late 20's and early 30's have always wanted to watch in a television comedy! I rarely watch television, but I love every aspect of this show. Genius, just genius!
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