Bunny Chow: Know Thyself

Most movies made regarding South Africa all centre on the old themes: Apartheid, HIV/AIDS, poverty, the African condition, etc. Bunny Chow, on the other hand, is about absolutely none of these things. It is just a movie, and as in all good movies, theme is subservient to character. What it does show is a few case studies on the new generation of South Africans, who can speak openly about contentious issues such as race in an atmosphere of mutual acceptance an even fascination.

Most importantly, though, is that it is funny. Really funny. Some of the dialogue is absolutely hilarious. Another surprise is the cinematography. Every image and motion bursts with originality. Shot completely in black and white, this comedy has a seriousness that in the end turns Bunny Chow into a pleasure to consider

"Bunny Chow: Know Thyself" is a 2006 South African movie directed by John Barker. The movie tells the story of three comedians and a weird guy named Cope who embark on a raucous weekend journey to Oppikoppi, South Africa's biggest rock festival. The guys slip out of the city for a few dusty and increasingly absurd days with hopes of mass debauchery, drugs, rampant sex, true love, and conquering the comedy stages, but they get a bit more than they bargained for.

The movie is a hilarious and heartfelt road-trip comedy about South Africa's new generation. The pace of the movie is slow, but it gives the plot and the audience enough time to fully realize the implications of the eventual revelations. The cinematography is stunning, and the performances by the cast are exceptional. David Kibuuka delivers a nuanced and complex performance that captures the character's inner turmoil and transformation.

Overall, "Bunny Chow: Know Thyself" is a must-see film that will leave you moved and inspired. It is a masterpiece that deserves to be seen and appreciated by all.

It's such a story teller movie. Love it. We need more of these movies in the entertainment industry. Been watching it since I was a child. I think that a good movie creates its own world, and that world needn't refer to anything that's real. If it's consistent, if it's entertaining, if it's interesting, it justifies its being there. At the end of the day it's got to be a good movie, it's got to be a funny movie, and it's got to make people think, 'Hey, I couldn't have spent my time any better.' I love going to the movies; I love watching good movie actors. They must know something I don't. Nice.

This could have been a very good film, if I had been able to watch it. The hand held camera was very bouncy. From the opening credits I was worried. Several of us watching it felt very nauseous by the end. But we did stay until the end because it was such a charming and interesting film, giving some insight to the young pop culture in South Africa. The black and white film did enhance the artful feeling of it. The acting seemed very authentic. Some of the dialog was a little hard to understand, but a theater full of non-South Africans seemed to find most of it funny. If you get motion sickness at all though, you may seriously consider skipping this film. It's quaint, but not worth the nausea.

I so wanted to believe in this movie after the only form of mainstream comedy this country recognises is slapstick and stereotypes.

Of course, it went completely the other way - let's be cool and edgy - and came out the other side with little to show for it. I bet One Small Seed went nuts for this. I know SL did.

None of the main characters have the comedic chops to pull it off. Even Danny K had better timing. I'm actually being serious. Every time they introduced a bit character I kept thinking, "Darn, this person should have been the lead!".

Independent doesn't mean that the camera work needs to be horrible. Black and white did nothing for this movie - actually with such flat dialogue it hurt this even more by bringing the boredom into sharp relief. The black and white also wasn't crisp. The composition was horrible. The use of music was horrible. Strangely enough I watched Little Miss Sunshine after this movie and the composition on that was superb - maybe that's why the deficiencies in this movie stick out in my mind.

I think Corne (who was funnier than the leads before he even said anything) was speaking to this movie and not David - see it and you'll understand. I bet the guys who organise Oppikoppi were dismayed. One would think nothing happens there at all. I got the feeling it could have been filmed in someone's back garden. I know regular guys who have much funnier, raunchier and wittier conversations than any of these "comics". The dude who they hooked up with end was OK though.

Guess SA comedy's gonna stay in the stone age a little longer. Nice work guys.