Un francotirador exiliado decide volver a la acción para detener un atentado contra el Presidente. Sin embargo se ve incriminado y tiene que darse a la fuga y encontrar al verdadero autor.Un francotirador exiliado decide volver a la acción para detener un atentado contra el Presidente. Sin embargo se ve incriminado y tiene que darse a la fuga y encontrar al verdadero autor.Un francotirador exiliado decide volver a la acción para detener un atentado contra el Presidente. Sin embargo se ve incriminado y tiene que darse a la fuga y encontrar al verdadero autor.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 nominaciones en total
Louis Ferreira
- Howard Purnell
- (as Justin Louis)
Rade Serbedzija
- Michael Sandor
- (as Rade Sherbedgia)
A.C. Peterson
- Officer Stanley Timmons
- (as Alan C. Peterson)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Mark Wahlberg might be the Bruce Willis of the new generation. His taciturn Bobby Swagger is perfect. The action is basically nonstop and very gritty. Bobby is a sniper who has retired to the mountains after being screwed by the government in an event which finds his sidekick dead. After being set up, he is stone cold killer. Think Jason Bourne as someone who remembers his past is really p.o.'d about it. The acting is good all around, with Glover and Beatty as bad guys you love to hate. Underlying all this a morality tale about what this country and its government have become. Many situations, of course, stretch the imagination , but watching a sense of honor prevail, no matter how briefly, is worth the price of admission. No Oscar nominations here, but a big bundle of money for the producers will be no surprise.
Like so many other projects, you have to find something not intended or not well exploited to enjoy it.
The film itself is ordinary, a noir revenge story. Its modern noir because the hero is captured in the story and the twists of reality he goes through are organized for our benefit.
Government conspiracy of extreme competence? Check. Individual with superhuman powers who unfailingly undoes it, leaving no man standing? Check. Pretty girl who gets swept up? Check. There really isn't much else left to the extremely strict formula, expect for the obligatory but minor plot twist associated with our hero's past.
What this has that is interesting are two things.
One is the idea about watching from a distance. These noir things depend on the notion of a watcher, us. Modern noir has a watcher folded into the story. Here, its our hero who can watch and touch from over a mile away. Its a big deal, a big idea that isn't quite exploited here. The director is too ordinary. Tony Scott could have done it.
The second is a short scene in the middle. Its there for purely expository reasons, to explain a key plot point. But its pretty darn good, one wonderful scene in the midst of a tepid movie. It a visit to an old fellow in the country. He's an expert gunsmith, supposedly the best. He's also clued into the "government" who is here portrayed as existing only to create attractive fictions.
The actor is immensely talented. The setup and writing here is a cut above the rest of the script, incisive, deep and many-layered. In the midst of a rant about conspiracies, he mentions that the shooters from the grassy knoll were dead three hours after the JFK shooting and buried in the desert . When slightly questioned our man simply says "I still have the shovel."
Its very impressive writing. It must have been someone else.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
The film itself is ordinary, a noir revenge story. Its modern noir because the hero is captured in the story and the twists of reality he goes through are organized for our benefit.
Government conspiracy of extreme competence? Check. Individual with superhuman powers who unfailingly undoes it, leaving no man standing? Check. Pretty girl who gets swept up? Check. There really isn't much else left to the extremely strict formula, expect for the obligatory but minor plot twist associated with our hero's past.
What this has that is interesting are two things.
One is the idea about watching from a distance. These noir things depend on the notion of a watcher, us. Modern noir has a watcher folded into the story. Here, its our hero who can watch and touch from over a mile away. Its a big deal, a big idea that isn't quite exploited here. The director is too ordinary. Tony Scott could have done it.
The second is a short scene in the middle. Its there for purely expository reasons, to explain a key plot point. But its pretty darn good, one wonderful scene in the midst of a tepid movie. It a visit to an old fellow in the country. He's an expert gunsmith, supposedly the best. He's also clued into the "government" who is here portrayed as existing only to create attractive fictions.
The actor is immensely talented. The setup and writing here is a cut above the rest of the script, incisive, deep and many-layered. In the midst of a rant about conspiracies, he mentions that the shooters from the grassy knoll were dead three hours after the JFK shooting and buried in the desert . When slightly questioned our man simply says "I still have the shovel."
Its very impressive writing. It must have been someone else.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
If you were to take the best parts of Tom Clancy's Jack Ryan series (Patriot Games, Clear And Present Danger, Sum of All Fears) and mixed in the best parts of the only good Rambo film (First Blood) you would end up with something akin to Shooter. Shooter is a smart, engaging and all out enjoyable action flick that never pulls its punches and always surprises you when you least expect it.
Mark Whalberg plays the role of Bob Lee Swagger, a former military sniper who quit the army following a disastrous mission where his best friend and spotter is killed when they are left behind. Three years later he is hired by a Colonel (played with gusto by Danny Glover) to figure out how a suspected assassin is going to attempt to kill the President from over a mile away, a shot that few could make. Swagger figures out how it is going to be done and is asked to supervise locating the sniper on site. But on the day of the supposed assassination, Swagger is set up with the assassination attempt that kills a visiting diplomat. Swagger is then left on the hunt while trying to prove his innocence.
Shooter twists and turns with an elaborate conspiracy that is very convincing, though of course the writers wimp out and take the cheap road of drawing international oil into the plot (can't writers think of an original plot device?). However, this is hardly a drawback since the rest of the film is solid as a rock. The film really puts you into the shoes of a sniper and gives an impressive overview of the mindset that it takes to be as accurate as someone of the character of Swagger.
The only real distractions in the film would be Elias Koteas, whose psycho performance is heavy-handed and does not fit the film, and Kate Mara who has little to do throughout the film but appear upset or in distress. The film could have done without either characters or their respective actors. As well, some of the character relations seem forced at time, particularly in the relationship between Michael Peña's character of Nick Memphis and his FBI confidante Lourdes, played by Rhona Mitra. Their almost effortless camaraderie comes off as less than convincing.
Overall, Shooter certainly delivers as an entertaining thrill-ride that is certainly not dumbed down in the least. If you want an intelligent action film with lots of impressive gun play and several elaborate, thrilling action sequences to boot, Shooter is right up your alley and will not disappoint. 7.6 out of 10
Mark Whalberg plays the role of Bob Lee Swagger, a former military sniper who quit the army following a disastrous mission where his best friend and spotter is killed when they are left behind. Three years later he is hired by a Colonel (played with gusto by Danny Glover) to figure out how a suspected assassin is going to attempt to kill the President from over a mile away, a shot that few could make. Swagger figures out how it is going to be done and is asked to supervise locating the sniper on site. But on the day of the supposed assassination, Swagger is set up with the assassination attempt that kills a visiting diplomat. Swagger is then left on the hunt while trying to prove his innocence.
Shooter twists and turns with an elaborate conspiracy that is very convincing, though of course the writers wimp out and take the cheap road of drawing international oil into the plot (can't writers think of an original plot device?). However, this is hardly a drawback since the rest of the film is solid as a rock. The film really puts you into the shoes of a sniper and gives an impressive overview of the mindset that it takes to be as accurate as someone of the character of Swagger.
The only real distractions in the film would be Elias Koteas, whose psycho performance is heavy-handed and does not fit the film, and Kate Mara who has little to do throughout the film but appear upset or in distress. The film could have done without either characters or their respective actors. As well, some of the character relations seem forced at time, particularly in the relationship between Michael Peña's character of Nick Memphis and his FBI confidante Lourdes, played by Rhona Mitra. Their almost effortless camaraderie comes off as less than convincing.
Overall, Shooter certainly delivers as an entertaining thrill-ride that is certainly not dumbed down in the least. If you want an intelligent action film with lots of impressive gun play and several elaborate, thrilling action sequences to boot, Shooter is right up your alley and will not disappoint. 7.6 out of 10
I was surprised in many ways by shooter. #1, I was surprised by the release. I follow movies and I didn't hear about this title until early this year. #2, I was amazed by Marks ability to sell me on his acting skills. #3, By the fact that the most established actors in this title, Ned and Danny may have given career killing performances. I think Tony Todd and Stephen Root would have been solid choices, but my guess is the two poor performances were bought for name recognition.
To me this had Eastwood written all over it. At times I thought I was watching Line of Fire at others Unforgiven, but in the end it was just really good entertainment, much like The Bourne movies.
I think it's worth the watch and the story although not new was presented in a fresh manner. This one will go in my collection when available. I'm sure it will have a host of deleted scenes and alternate endings.
Solid film!
To me this had Eastwood written all over it. At times I thought I was watching Line of Fire at others Unforgiven, but in the end it was just really good entertainment, much like The Bourne movies.
I think it's worth the watch and the story although not new was presented in a fresh manner. This one will go in my collection when available. I'm sure it will have a host of deleted scenes and alternate endings.
Solid film!
23 March 2007. Warning: Spoilers. I can't say I was impressed with the ending, but most of the movie was involving and interesting. This solid action thriller is held together by Mark Walberg and contains the classic "Three Days of Condor" suspense and chase as well as the "The Bourne Identity" sophistication to make an overall nice thriller. Of course Walberg's near escape from death has already been pointed out as being a bit suspicious but the aftermath is handled about as well as any movie I've seen. There is a good interweaving of two characters trying on different tracks to solve this mystery, though its final explanation isn't as nefarious as some movies, more like "The Interpreter." While not in the top flight class of thrillers like "Bourne Supremacy," this movie definitely adds to the quality of this genre. Seven out of Ten Stars.
¿Sabías que…?
- TriviaAccording to the movie's script doctor William Goldman, Clint Eastwood, Robert Redford, and Harrison Ford passed on the movie. These men would have fit the literary Bob Lee Swagger's age a bit more closely than Mark Wahlberg (born in 1971). Author Stephen Hunter introduced Swagger as a Vietnam veteran in a 1993 novel, taking place in 1992; however, to accommodate Wahlberg's age, this film has Swagger active in Africa in the 1990s, instead of Vietnam in the 1970s.
- Errores(at around 1h 9 mins) Inexplicably, the three men who plan to kill Memphis and make it look like a suicide beat him bruised and bloody beforehand. These wounds would surely raise unwanted questions about the circumstances of his death.
- Citas
Bob Lee Swagger: I don't think you understand. These boys killed my dog.
- Versiones alternativasSome television airings use alternate takes with less blood and gore. For example, when Swagger shoots Payne in the hand, it is shown in a wide shot, instead of the bloody closeup in the theatrical release. And when Swagger shoots Payne again, instead of Payne's arm being blown off, as in the theatrical release, he is hit in the shoulder and simply falls down in a wide shot.
- Bandas sonorasNasty Letter
Written and Performed by Otis Taylor
Courtesy of Telarc International Corporation
By Arrangement with Music for the Masses
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- How long is Shooter?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Shooter
- Locaciones de filmación
- Cache Creek, British Columbia, Canadá(Exterior)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 61,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 47,003,582
- Fin de semana de estreno en EE. UU. y Canadá
- USD 14,523,571
- 25 mar 2007
- Total a nivel mundial
- USD 95,696,996
- Tiempo de ejecución2 horas 4 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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