Mentiras y gordas

An ordinary story of sex-minded people , dealing with brainless youthful full of perversions and vices , being made without solvency. A youth group is preparing for what the summer of their lives will be, including secrets, lies , sex, confusion, mayhem and especially great night party. Most teenagers are not aware that once you starts this journey of initiation, you can not turn back, and often the lies will become increasingly large, and sometimes love means to hurt. The movie talks upon the misfortunes of a group of friends at their eighteen to twenty years old , seeing lustfully by the opposite sex , including homosexualism , lesbianism and drug addiction.

¨Mentiras y Gordas¨ attempts at a certain truthful approach to the phenomenon of drugs, but none of this gives off credibility and, most importantly, honesty . And it doesn't because there are no characters here, there are just sex that Menkes and Albacete photograph with obvious delight in search of lascivious appealing , and, naturally, the most profitable scandal. The film is a boring and disgusting drama with numerous sex scenes, lacking clarity and sharpness enough . And of course , there's very bad taste , being the extreme when the continuous suggestive sex happens . This young drama is cheesy and gross-out , though it has some atractive but brief moments here and there . The film is an embarrassing and absurd mess , the plot is ridiculous and monotonous and is formed by depictions of the different couples , quite disagreeable and graceless . Often, there is a lot of crush present, most notably in scenes which take place in the nightclub, but it is also obvious in other darker scenes in people's apartments. Skin tones are a little warm in these darker locations too. Colours in the lighter locations, like the bar where Paz/Miriam Giovanelli works, are a lot better. Details vary from very good , to mediocre, with some facial close-ups showing excellent minute details such as chapped lips, and errant strands of hair , and other strong close-ups that most have come to expect . There are some steamy hot scenes which will rejoice the rogue aficionados to these kinds of things . The picture takes part of the large group of films that confidently filed in the sub-genre of grittiness known as Sexy-Grit. This is an annoying Spanish version of other films with no soul or originality. This is more or less the usual American young guys such as Kids' and 'Skins' , but in a Spanish style , and following a similar vein to 'Y Tu Mama Tambien' . Unfortunately, it has none of the warmth or charm of the aforementioned slice of Mexican film-making. This is basically lots of sweaty, Spanish youngsters taking drugs and having sex with each other, while at parties, where they tell lies . But neither the players , nor the filmmaking seem to be nice , and the storyline is utterly embarrassing. A below average film with plenty of dirty, sweaty characters, someone having sex in a seedy toilet cubicle, someone having sex in a seedy alley, lots of drug action, and someone having an overdose . Silly and exaggerated acting by a known cast in their beginnings including as follows the male sex-symbol Mario Casas, Yon González , Hugo Silva, Ana Polvorosa, Alejo Sauras, Marieta Orozco, Miriam Giovanelli , Asier Etxeandia , Maxi Iglesias, Esmeralda Moya, Elena de Frutos and the future Hollywood actress and Oscar-nominated Ana de Armas .

The motion picture was lousily directed by Alfonso Albacete and David Menkes. They're well known as directors and writers , specially known for Atómica (1998), Más que amor, frenesí (1996) , Entre vivir y soñar (2004) , Solo Quimica (2015) , La novia de América (2023) and Sobreviviré (1999) and Mentiras y gordas (2009) . Rating : 2.5/10, Inferior youthful drama . It's essentially rubbish, though it's gritty rubbish, the Sexy-Grit genre deserves better.

The movie is just six years old, but does feel a bit dated already. It's not how the people party or their relationships they have (or don't have for that matter). It's the fact, that social media has changed almost everything and it feels weird not seeing an effect of that in the movie, which makes it feel almost more dated than some movies from the 90s or even 80s.

The story this tells (or stories, because it involves a lot of people) also might feel like a TV movie of the week for some. One that has quite a lot of nudity in it of course, but still. It's decent with the telling and the characters get the time they need to develop. The drama feels real too. It's not as bad as the rating here would suggest, but it's not really a great movie either

This has no plot,no decent acting,and its just a bunch of teenagers doing drugs, having sex and dancing in between. Several of the actors are very notable later in their careers . This was so boring and a real sleeper. Sorry I wasted my time and was grossed out. The actors that have great careers now are probably sorry too. This could have been a career killer, but they were young and naive.

This film did not bore me one single second. It has a great cast of handsome, young, talented actors. The script is delightfully irreverent and at times refreshingly comic. Visually, it's fast paced, and we move from iridescent scenes in da club, hands in the air dancing to anthems, to sleazily snorting cocaine in the toilet cubicles, or heedlessly taking home dodgy young studs for a one night stand. Yes, it's that type of movie: sex, drugs and club life, Spanish style (they're no prudes, and I like it).

But there's more to it than that. Within this promiscuous hedonist environment, people are trying to find a match for their desires. The storyline where one guy (Mario Casas) is secretly in love with his best (straight) mate (Yon Gonzales) is particularly well done. The film is anything but shallow. People writing this film off, because of its themes, are shallow.

The soundtrack is a joy as well.

The film is a hyperactive, coke-dusted collage of youth hedonism, sex, bisexual confusion, MDMA-fueled decisions, and-most memorably-Ana de Armas's body.

Let's get right to the scene. De Armas plays Carola, a young woman navigating love, betrayal, and a wardrobe that clearly lost a bet. In what might be the film's most gratuitous-and therefore most unforgettable-moment, Carola corners her friend's boyfriend in a nightclub bathroom, pulls down her her top, and whispers, "Suck my breasts." He obliges. Passionately. Then they have sex right there inside the stall, amid flashes of strobe lighting and dramatic guilt monologues. All while Carola breathes through her regret: "I feel terrible...betraying her like this." They both get a kick out of this confession.

Now, let's be clear: Ana de Armas is a walking supernova. Even in a film this messy, she has a presence you can't look away from- all pouty lips, hypnotic eyes, and the kind of topless screen magnetism that short-circuits plot logic entirely. The camera worships her-and honestly, it should. Her nude scenes, especially in this bathroom encounter, are filmed with the kind of reverence usually reserved for confessionals or sunrises.

But the film? It's chaos. Characters jump from partner to partner like horny chess pieces. Emotions change mid-sentence. The soundtrack seems curated by a teenager with unlimited Red Bull. There's potential here-moments of raw vulnerability, explorations of toxic youth culture-but it all gets lost in a haze of over-acting, under-writing, and scenes that feel less written than dared.

If you're here for coherence, look elsewhere. But if you're here for Ana de Armas writhing topless while wrestling with guilt mid-thrust, congratulations-you've found your cinema.