Milano Palermo - Il ritorno

Optimal movie, where like in those, history and the psychology of the personages they are to the first place in the plot, with addition of suspense and action very made that not out of order. The comment precedence is that one of the usual aspirant director and or scriptwriter who thinks to be Flaiano and does not understand nothing of cinema. Of ridicule in Italy there are only the movie on the young people with history d' love to the diabetes. This is an optimal movie d' real action with values and feelings, us of are not others in Italy and this is a great sin for who knows to do good thus the kind, hopes that the authors soon return to make other films. Chiara

I liked the movie a lot and I hope as a fan of the first film (palermo Milan one way) that there is a third. The first film was more full of emotions, comedy and yellow, but perhaps too much melodrama, perfect and innovative in 1995, but now perhaps a little dated. The second film, "Milan Palermo Return" is technically superior to the shooting, scenic effects and narrative solutions. More detached in their feelings, no melodrama, and this is positive. I also find the closed narrative on two children, is a clever message, and positive as possible. Now I wonder, what will happen when the two children are grown? ... This could be the plot for the third film?. We hope so. Fragasso and Drudi, perfect team for: action, drama, mafia, horror, fantasy, thriller and more, with all the twists and turns of their stories, many psychological and political social, we hope to make a new return soon.

a film d' action with dramatic moments us and other spectacular ones, than to surprise nozzle a message in the end, giving hope in the new generations for the Sicily and the mafia mentality that goes changed, teaching to the children to believe. Very good Libero De Rienzo, looks at itself that a lot in its personage has been amused, sin for Bova who is not never convincing, Giannini always good even if sometimes he exaggerates, fantastic the children, very directed and we know how much is not easy, on the whole a great beautiful film that null he has to envy to those Americans, realized with costs million advanced times to this, only cost 2 million euro. The scene of Montecatini is from anthology. Funny struck the comic dates to De Rienzo, beautiful the relationship between he and the Roman Ricky Menphis. To see, optimal film d' entertainment with final surprise. Large happening to the box office in Italy and all' foreign country. Task that Fragasso is l' only exportable Italian director, would have to go in festival international, sure unnoticed as its connect, but the choices are known make in Italy with the eyes sluices them.

How annoying, really. Claudio Fragasso has a good eye, there is no doubt about that, so, I question , why puts his good eye at the service of this over inflated empty script. I don't care what anyone tells me regarding what the film is about, I just seen it, it's nothing about nothing trying to be so many other movies. A pretty cast Raoul Bova, with his wooden beautiful face can't help being at the center of a ridiculous and if that wasn't enough, pretentious piece of nothing. I was surprised to find Libero Di Rienzo in the cast. He, I thought, is one of the bright promises of the Italian cinema as an actor as well as a director - Here he is completely wasted and not in a fun, interesting way. Hopefully after this "return" there is no going back.