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Great World of Sound (2007)

I've suddenly grown tired of Indie films like this. And there are a lot of them. So this is a bad vibes review. Sorry.

Here's what I mean. There is a clever plot here, as usual, and some great low key acting, and the most drab and functional photography and editing. That's understandable (if not forgivable--good photography is free, but that's another story).

But what's with the awkward nerdy reclusive oddball main characters. They're lovable, and I suppose they are meant to be a counterpart to the glitz of Hollywood's stars. But they are starting to imitate themselves. That is, I think Indie producers and directors and eventually actors are playing, on purpose, Indie parts, with an Indie style. It's lovable, but it's worn thin.

So here we are, with a cute and slightly clever plot about the well known scam of small time record companies (quote unquote) who suck the millions of aspiring musicians into spending money on CDs that will never get airplay. I've seen it happen to a few people, over time, and there have even been dangles of fame, a has been musician wandering through the studio at the same time, that kind of thing. Who doesn't have a thousand dollars once in a lifetime for a dream that might not come true? Why not die knowing you wasted a little money for that good intention?

And so these two very nice, somewhat naive men fall into the racket. They are victims themselves, and they create a trail of victims behind them. It's really charming and warm and maddening in all the right proportions. It's a pretty good story.

But it's very mediocre, too, on purpose. It doesn't strive for greatness in the old sense of the "art of the cinema," as Hitchcock would say. This is about modest means, but also modest goals. And so the goals get met, and we have a modest movie. Enjoyable, yes. Amazing, no. Not even a little.

And for me, I'd rather have a failed attempt at amazing than a successful stab at pretty darned good. Go ahead, have some fun watching it, and forgive me.

Although this is a very good movie, it's hard to say I "enjoyed" it because it's so painfully accurate. The world is full of dreamers and predators. This movie uses the music industry (perfect setting!) to illustrate the sad state of this "food chain".

How, you ask, could this be a comedy? It doesn't have many big zingers, no silly hijinks, it's not a satire. The best description is to say it's like a documentary or reality show, exposing the two-facedness of good intentions. not exactly "haha funny" but funny in a sinister way that's hard to describe.

The comedy comes mostly from the colorful characters and sheer bizarreness of the situations. In that respect it's kind of like "Pulp Fiction", the hyper-violent, disturbing Tarantino film which manages to be a comedy due to the colorful characters in the story. Like in "Pulp Fiction", here we get a lot of corny banter between the main characters Martin & Clarence, and all the while they're doing horrible things to innocent people's dreams.

Unlike Pulp, this movie carries a strong moral statement which is what makes it even more serious. There are some powerful dramatic scenes where Martin & Clarence come to grips with what they're doing, each in his own interesting way. There is a stunningly powerful speech delivered by Clarence near the end which basically sums up everything that's wrong with the music industry and the human race. Don't miss it.

There aren't many movies like this, so if you're in the mood for something original, do not hesitate to watch it. Also if you're in the music biz (particularly a fledgling artist wondering how to break in to the big time) SEE THIS MOVIE. You most definitely will encounter these types of con artists in the business, and this movie serves as a great warning. Or you can thank your lucky stars that you never met anyone like them.

Movies I'd compare this to include: "Pumpkin" a pseudo satire of sorority life (and human society) starring Christina Ricci, "Believe!" a funny film about self-help salesmen, and maybe the Matt Damon flick "The Informant!" which isn't much like this movie, but it carries the same subtle humor where there are no big laughs but instead the bizarreness of it all makes you smirk throughout.

Oh a final word about the music. Not talking about the satirically mediocre performances in the on-screen auditions, but the actual soundtrack itself is quite nice. Simple yet powerful brooding songs that really add to the atmosphere. Again, if you're a musician or a fan of music, definitely check this one out.

This, I thought, was a satire. It's not...What it is a story about con men who dupe some down on their luck types to steal from those who dare to dream. As such it quite depressing, but somehow it becomes entertainment as well. This fact is due to two actor's excellent performances which bring characters Martin and Clarence to life. Pat Healy and Kene Holiday make this movie and I will, from now on, always know who these guys are. Check them out here and you'll likely be instant fans too. This movie isn't fast paced or wonderfully enjoyable, but is seems real with the right amount of entertainment value to keep you interested. I give it a 7 and a recommendation as such.

One good thing about this movie is that the cheap indie feel for once works in a flick's favor. The record-company executives are seen to be scam artists (by us) from the very beginning. We see gold records being spray-painted as the opening credits roll. But the men sucked into the scheme only gradually become aware that they're conning people. You have to suspend some disbelief to accept that it takes them so long to figure it out.

The plot focuses on two of the "record producers," played by Pat Healy and Kene Holliday, who go on the road to audition local talent and persuade the bands to make a contribution to the production of their records. One of them gets really good at it, and is more reluctant than the other one to get out of the game.

The movie has a lot of rough spots and a few bright spots. Kene Holliday's performance is quite good.

The brightest spots were the auditions of all the local acts. I loved every one of them. It seems clear that they really were amateur performers -- bands, singers, songwriters, some good, most not so good -- and I could not imagine how they were lured into making a movie about exploitation of bad local bands, and having their performances immortalized on celluloid. The editing of the auditions was perfect, so we never get bored with them. The dialog between Healy's and Holliday's characters as they sell their operation to the suckers seems improvised, and skillfully improvised.

The movie as a whole just sags too often, and when it does Pat Healy is always the main character on screen. He goes through the entire movie as if drugged, and at the end his character loses all credibility. Well, that's not his fault, I guess, since the script was the script; too bad he didn't get to improvise more.

I predict most people will not be able to sit through the whole movie, but don't give up before the auditions start.

I really enjoyed this film. I saw it with my brother the other night on netflix. The African-American actor was amazing. that guy should be and could be in a lot more films... His performance was captivating. I read about the film and heard the scenes with the talent was done with hidden cameras and mirrors. It is clear because the people who come in are all so real and distinct. The film is unique and original and that goes a long way. The film uses humor and an original story to deal with the American dream, and our obsession with recognition and the current wave of talent shows and reality shows, of fame, fortune and morality. Great first film from a new American director-- someone to follow for sure.

I don't normally review a film before I finish it - and this one runs almost two hours - but I feel compelled to do so here. Why?

I don't know, exactly, and you probably won't either. "Great World of Sound" is one of those films that captures the imagination without really explaining itself. That, in my humble opinion, is the absolute ESSENCE of art.

It's not a guy film but it's not a chick flick, either. Still, I don't know exactly what it is, except interesting. Very interesting.

The music and performers seem genuine - so, if they're not actually amateur talent, then they are topnotch actors and actresses. So believable!

I think, though, the best and most attractive thing about this hidden gem of a film is the chemistry between the main players -Pat Healy as Martin and Kene Holiday as Clarence - they really engage one another and the audience such that you wish you were on their roadtrip, too! I love characters that can do that!

Of course, John Baker (as Shank) and Robert Longstreet (as Layton) set the mood for them. Both are unknown to me, but I think this cast could do great things - I know Mr. Holiday already has done.

When you watch this film, pay attention. Then write to let me know what you think it is that makes this movie so engrossing!

There's a great, not just good, movie that could be made from the writer's concept, but it's not this movie. It plods along, one character is underwritten and the other one is over the top. So much of the movie is spent on auditions that it feels padded. Or like an indie version of American Idol. Tricia Paoluccio almost single-handedly brings the movie to life but it's too little too late, and her character is used to undermine the protagonist's supposed awakening.

This flick was an all around great film. It was a moving story that definitely gets you thinking and implants morals. The actors in this film really make you feel along with them. I watched this movie 3 days ago and I am still thinking about it. That's the test of a great movie, it gets you thinking and keeps you thinking.

I plan to recommend this to my family and friends, as well as obviously anyone looking to rent it. I was very impressed with everything about this film, I would love to see more like it!! The thirst for a dream comes at a price, but where do you draw the line? Do you fulfill you dream while crushing others?

This movie is disarmingly good.

I first saw it at the Atlanta Film Festival (where it won top honors) and got to participate in a Q&A with the director and one of the producers. He said some of the music performers in the movie answered an actual ad promising record label auditions. Some of them are also legitimate talents who knew they were acting in a movie. Also, his father actually was a "song shark" in the 70s for a bogus company like Great World of Sound.

Also, the two leads are amazing. I'm officially watching anything with Pat Healy in it (Just caught In Memory of My Father and loved every minute of it).

I'm unsure as to why this didn't take off like Little Miss Sunshine and Napolean Dynamite. I know it premiered at Sundance and got bought. It even has a strong musical element and I feel like Once was a big sensation that year as well. Very puzzling.

Regardless, this one outlives the hype --- definitely a must see.

I normally don't comment on movies but this one was important to me. It shows the GREET in the entertainment world. My brother is in a band and has been trying to make it big for years. His band has paid out thousands and thousands of dollars playing in shows and working on a CD. I never really understood why. He has played on numerous cd's and hasn't been paid a penny. In the end the record labels are always paid. This movie may have a little bit more truth than some want to admit or believe. For the few that make it in big time there must be 1000's that are in the same boat. I am going on and on because I have to type 10 full lines. lol

The film with its excellent leads puts its finger on the pulse of the American dream. The subject is the selling of success to would be musicians, but it reflects all aspects of the truly American confidence game. Pat Healy as Martin and Kene Holliday as Clarence are hired as a team to scout for undiscovered talent for an independent recording label, which is interested in the next big thing. Since "skin in the game" is a mark of seriousness, then the aspiring musicians should be willing to put up some cash to hedge the risks of the recording company: a perfectly reasonable request. The two leads play off each other to create a metaphor of the American dichotomy: liberal secular humanism vs. conservative unbridled capitalism. Certainly a film worth seeing.

This is not for people who like fast paced action. This is what I refer to art. Like books, some are simply entertaining, some are cheap crap and then you have the category of actual literature worth reading for it's thought provoking emotion.

This is such a film. It is not just a quick "make a buck" made by committee money maker. The acting by the 2 main character does not come across as simply acting, It comes across as real. As a matter of fact, everyone in this came across as genuine. Will it be a "blockbuster"? Not for the general audience. But it is for true fans of well made touching films. A good film has lasting value. It makes an impression on the thinking viewer. I give it a 10.