Contre-enquête

Quoting from another reviewer : "This is one of those cases that if it had a different production, it would have make it BIG TIME. And that's a real shame because this little piece of french tape is a lesson of good film-making and the fact that it didn't get much of recognition and visibility left it forgotten".

It's a small budget production, so don't expect expensive action scenes and overall, anything similar. CI is a good crime/thriller relying upon its actors and the story. It's not a movie that will make you hold your breath, but it's very interesting all the way until the ending, it's clever and the ending was strong. It's "tight", not a second wasted, it has nothing to do with a fun flick, it will make you sad, so if you're looking for pure entertainment or a violent and dumb revenge film, watch something else.

This is "cerebral", meticulously written and it's rewarding. Not because the ending is satisfying, it's neither satisfying or unsatisfying. But anyone who wants to watch a good crime/thriller, CI is a good choice.

I love 10 movies. This be one of them. It's well made, directed, decent story and has all the range of emotions one would expect when being entertained. It wont take long for the viewer to be captured and then immersed into the storyline all the while not knowing what to expect. It has a sense of something is coming but what to it and finally, that "what" appears giving one of the best closures to the human psyche one could have. I am in support of how well the story was acted out to the point where you accept and even support it come what may. I also like the hearing the French language with the subtitles too. Somehow the fact that it is in a different tongue causes me to pay more attention upping the emotional quota considerably. Definite must watch for a good evenings entertainment. Snacking a must with a tasty drink too. No interruptions or you lose the bonding aspect. Stay still and it pays-off nicely...enjoy

Having watched for years Jean Dujardin in his hilarious sitcom "Un Gars Une Fille" ,I was wondering how he would manage in a dramatic story.He is quite convincing ,as is Laurent Lucas in a shady role.The story is ,except for the debatable ending,close to the famous Boileau-Narcejac frame-ups with a dash of Patricia Highsmith thrown in for good measure ,but the characters lack in-depth psychology.The movie is too short and the part of Daniel is underwritten.The scene when Dujardin arrives on the scene of the crime shows the influence of Clint Eastwood's "Mystic river" .All in all,this is a rather good thriller,which could have been really great.The short nightmare scene ("I can't ,dad,I'm dead") is effective.

... by a few things. Like how good the movie was, how bad it is rated here and how convincing the main actor was in this (given the movie I saw him before was a spoof, OSS 117). Although I heard he's a big star over in France.

No wonder I say. His performance holds this movie together, which may be a little predictable and might run a bit too long, but it still is a good movie. With a very difficult topic that is. And a relationship between two characters, that is disturbing to say the least. And that's not only counting for the wife of the main character (it's his movie though, which is apparent too), but also with the other main person of the movie. It moves slowly, but if you adapt to that, than you will like it (and the twists will be a nice addition, too).

First "writers_reign" the script is not an adaptation of a novel written by Robert Bloch but by Lawrence Block, also author of "Eight million ways to die" adapted by Hal Ashby. Having said this the movie itself offers a good and unusual performance by Jean Dujardin and a new great one by Laurent Lucas. Franck Mancuso being an ex cop is certainly in a better place that anyone to know about police procedures and does a good job for his first directorial task. It's also great to see a cameo by the late Jean-Pierre Cassel. So, in the end it's a tight (the movie is approx 75mn long) crime drama that don't relies on car chases or gunfights. French thrillers still can be made these days.