Los falsificadores

Salomon "Sally" Sorowitsch (Markovics) is a master counterfeiter, living a life of debauchery in pre-war Berlin, until his luck finally runs out, and he is captured and shipped out to the Mauthausen concentration camp. He witnesses the horrors of camp life; fellow prisoners are beaten, shot, and starved, but Sally, determined to survive, looks out for himself and uses his skills as an artist to secure a more comfortable lifestyle during his incarceration. After taking advantage of his talents, his superiors transfer him to Sachsenhausen, where he is to oversee the largest counterfeiting operation in history.

Here, Sally is provided with all the men and equipment he needs to crack the pound and the dollar; his criminal enterprises are now government funded. The price of failure is made clear, but the counterfeiters are also wary of the price of success, as once the currencies have been cracked, they will be surplus to requirements; their lives depend not only on their successes but also their failures.

This is where Burger (Diehl), the film's moral centre, comes into play. Unlike Sally, he sees the bigger picture, struggling to come to terms with the fact that while his work keeps him alive, it helps the Nazi war effort. Neither can he reconcile himself with the fact that while he lives in relative comfort other detainees, including his wife and children, live in squalor.

These moral dilemmas form the basis of the film, and in the face of the horrors of camp life, Sally tries to shrug them off with De Niro squints and smiles; the maxim that one must look after oneself is one repeated throughout the film. It's a very interesting idea, and it's one that is presented very well, both in terms of style and performance. The camera-work captures the bleak setting effectively, and the lead performances are uniformly excellent, but the use of tango for the score is inspired. The contrast between the music and the images adeptly complement the film's complicated moral tone. There is also a surprising amount of humour; while the bigger picture is indeed bleak, there are moments of comedy, and even if it is laughter in the dark, it is welcome and helps not only to carry the film along but humanise it and its characters.

The Counterfeiters is a very enjoyable film, which isn't something that can be said for many World War II "true stories". Its interesting exploration of adaptation and survival under extreme circumstances makes for an engaging story, and one that is definitely worth seeking out.

This is the rare - and by that I REALLY mean rare! - case of an Austrian movie being able to bear comparison with international competition. "Die Fälscher" is a well-made and touching movie about the Holocaust and a special division of Jews in a concentration camp that survived by counterfeiting money (or pretending to do so) for the Nazis. Karl Markovics is the shining light of the cast. Who thought that the guy who came to greater popularity by starring in "Kommissar Rex" would end up getting roles like this one and playing them to perfection? August Diehl is good, too, but he comes across as a bit too dramatic at times. The Nazis - and that's the only weakness of Stefan Ruzowitzky's movie - are the way they always are. Ruthless, cruel, craven and at the same time stupid pigs who do everything to humiliate the Jews at any time. Even though, that is probably the way 99% of them really were, it would have been more interesting to get a differentiated view on some of them.

While "Die Fälscher" may not reinvent the wheel, it is a pretty great movie. And although it's typical that Hollywood would pick only a Holocaust-story from Austria as an Oscar contender, it is exciting as hell for a movie from this country to get a nomination. I really hope that Stefan Ruzowitzky will get the award, because his movie deserves it and it could help the Austrian film industry to finally get momentum again.

Be prepared that this is not a bum bum war movie but another interesting film that touched my feelings. The first scene begins on the dreamingly beach of Nice in South of France where I am going always jogging with my wife in my holidays. Then it dives directly in the second world war time telling how the Jewish people were kept and murdered by the Nazis. DIE FÄLSCHER shows how high talented Jewish forgers have been forced by the SS to work with them. I have now a better view about the development of the German machinery. The movie is well directed with a fast pace and full of turns and twists that led to the Oscar as best foreign film of this year. I have never got bored and I liked it.

There have been several respectable productions in the last years about the holocaust as for example THE PIANIST, BLACK BOOK, DER UNTERGANG, DIE LETZTEN TAGE DER SOPHIE SCHOLL or DER LETZTE ZUG. Read for all these mentioned movies my reviews.

Final vote 7/10 and another important DVD for my best of collection.

I don't go to the cinema much these days. Even sitting through the previews before I saw this I was beyond bored, even though Meryl Streep was in two of them, even she's in boring rubbish these days.

But, 'The Counterfeiters' is classy stuff. The Austrians (as well as The Germans) are excellent at making period films (masters at detail) & when they handle the subject of The Holocaust, the few things I've seen, have been superb.

Everyone's good in this. The lead is hypnotic.

If the subject of The Holocaust interests you, don't hesitate seeing this. It's a very good film indeed. It's nice to see something brand new that you can confidently call a classic.

I came away with a moral dilemma of my own: though "The Counterfeiters" is excellent in places in others it is not.

The true story of Operation Bernhard and the printing of millions of pounds is a fascinating story. The direction, acting, and script are excellent. But my problem was one that for me was a real shock: I was not as moved by the film as I had hoped or wanted to be.

Dealing with the most singular piece of evil devised by man - genocide, especially in the concentration camps is never an easy subject, and perhaps the fact that it is not overplayed is a bonus - however, I came away admiring the film and its performances but left curiously unmoved by the overall tone of the piece.

Perhaps that's the point of the moral dichotomy (Make money, help the Nazis, don't make money, lose your lives but shorten the war) that is does not scream but rather affects us quietly.

Overall, definitely watchable. But misses greatness.