Look

I saw this movie at Cinevegas at Las Vegas and I enjoyed it. Im going to give some of the plot but not all of it.This is one of those types of movies that I have to give the basics without ruining it if I can. First off there is a town in California that has a video surveillance 24/7. The story involves a lawyer and his family, a gas station attendant(Guiseppe Andrews) and his slacker friend hanging around, two teen school girls, a department store manager and his female co- workers, a nerd at work being picked on, a mysterious dark skinned foreigner in aback pack, two carjackers,a school teacher whose working on a screenplay and his pregnant wife, and a sinister man in a cap following a mom and her child. There lives captured on tapes and which ones cross pass for better or worse. Plus you can tell each ones quirk without even guessing were they heading. Adam manages to make the film fresh without being soap operas. But the gimmick is the sex and violence. At least the violence is realistic but the nudity is two much. But they say sex sales! Hey, you cant ignore it people. I found some segments a little preposterous. But I do like the music montage with Andrews playing the keyboard in the store while his friend dances around the aisle. Its kind of a Pop Rock 80's feel to it. I enjoyed this movie very much. Check it out if it comes to theathres.

"Look", more like watch, takes the movie experience to a new high in voyeurism. Using the medium of film in a new way, Director Adam Rifkin employs the idea and view of surveillance cameras to construct a very thought provoking masterpiece. As the movie opens before any flesh is exposed we are greeted by "facts" about the world of surveillance. It is explained that on any given day an average American can be captured on camera about 200 times. If that's not interesting enough what follows is even more engaging.

The real heroism in coming up with this idea for a picture is the competency for telling it. "Look" could have easily become some pet project that explored the fascinating world of eyes in the sky and manifested in to some stimulating avant-garde piece. Yet, Mr. Rifkin explores, in a very Altmanesque arrangement, the intertwining of seemingly ordinary lives, if only outwardly, and exposes them intimately. Not only is "Look" visually engaging but the story holds up as well.

"Look" is a breakthrough in cinema for creativity and style, reminiscent of other achievers, "Shortbus" by John Cameron Mitchell, "Waking Life" by Richard Liklater and Darren Aronofsky's "Requiem for a Dream". It doesn't just break barriers in film-making it embraces structure, story, tone and pace to create the ultimate engaging movie experience.

i guess the purpose of this movie is too show that no matter where you are,there's a surveillance camera recording your every movement.that might make some paranoid,but others might be indifferent to it.i mean,if you have nothing to hide,who cares,right.but this isn'rt really a movie Per Se.it's more a cluster of vignettes some of which are connected,others which are not.it regardless,it isn't very realistic.and there are a lot of scenes,that could kindly be referred to as filler.you'll have to view it to find out more.there are no big name actors here,which is a plus.form a purely entertainment point of view,it's not bad.from an information standpoint,i don't think it's as good,though.but if you want something to pass the time,this works.for me,Look is a 6/10

In New York City there is a TV channel that plays nothing but traffic camera footage all day. I enjoy watching this channel and keeping tabs on the humans of New York and their automobiles. However, I have often longed for the elements of sound and story to be added to this channel. Fortunately, Look was made and now after seeing it my longing has been sated.

I have found after exposing humans to this film that shooting an entire movie primarily with surveillance cameras opens up many of the voyeuristic pleasure centers in their brains. This despite the fact that the humans are watching this with the knowledge that this is a work of fiction.

This film leaves you wanting more. I do not know if that is a good thing or if wanting more should leave you feeling dirty. Perhaps it is both and perhaps that is a good thing. I do not know, allow me some time to consult Martha Stewart on this matter and I will get back to you.

See this film humans.

I recently moved to Los Angeles and had the unique opportunity of attending an advanced screening for "Look.". After the film, I had the pleasure of speaking with writer/director Adam Rifkin. He was humble and kind to me, even though I was simply an admirer of his film. We spoke for a good thirty minutes, and I felt it was appropriate and necessary to share my sincere thoughts on the film.

If it has ever bothered you that our daily existence on modern Earth is documented by security cameras at nearly second, then "Look" will offer a alarming glance into the lives of people going about their days without the slightest idea that they are being caught on tape. Shot entirely from the perspective of security cameras, "Look" offers a disturbing and at times hysterical view into the lives of ordinary individuals that are hurled into the path of extraordinary circumstances. It is difficult without hyperbole to give compliment to the innovative film-making that is "Look" by writer/director Adam Rifkin. From the shocking opening sequence, to the eloquent concluding montage, the security camera footage is seamlessly blended together into an engaging film. The dialogue is so natural and candid that you often forget you are watching actors execute the fictional story. The sharp screenplay was complimented by flawless and daring performances from the cast in the film. Every actor was successful at being true to the circumstances they were thrust into, and delivered their lines in a manner which seemed to disregard the presence of cameras in the production. "Look" is a breath of fresh air in the sense that you can go to the theatre and witness something entirely original, and be engaged from start to finish. One gets the sense that there is not an extraneous second in all of the footage; hence boredom is not likely while watching the film. Perhaps the most impressive attribute of the film is the tasteful blend of comedy and nail biting drama. It is refreshing to go to the movies and be able to laugh and cry (within the same film) and leave with the sensation that you have learned something.

After watching the film, one is left with the sensation that the abundant presence of security cameras today is downright disturbing. Aside from that aspect of the picture, the stories of the characters are enough to hold the audience's attention (if not hit close to home) from start to finish. The story centers on a confused husband, a gas station attendant, a high school teacher being relentlessly seduced by one of his students, a hedonistic department store manager, and an office worker who is being tormented by his coworkers. The fates of the characters are interconnected in a mystifying way, and only the audience has knowledge of this mysterious link. It is difficult to give description of the plot because it gives so much away that needs to be experienced and not simply described. I hope that my enthusiasm is enough to convince the reader that the plot and character dynamics are about as close to authentic and original as one can hope for in a movie. I simply don't want to give anything away.

"Look" is one of those rare films where you will leave the theatre having been simultaneously entertained, shocked, appalled, and enlightened. What more could one hope for out of a movie-going experience? There were times during the film that evoked a feeling of an eerie and hollow terror; an awesome compliment to the director who managed to take that type of desolation and marry it so effortlessly with comedy. There is no school that can teach a director to do that. It comes from experience. It comes from brushing up close and personal with the harsh realities of a universe that can make you laugh wild in one moment and the next moment take from you everything that you hold dear. That is the law of the land, and the director unquestionably knows this universal decree. Additionally, the interconnectedness of man is illuminated through the relationships of the characters. They are all related, and none of them know just how. It is this dynamic of the film that sends those shivers up your spine, and is the reason that many of us movie lovers still go to the theatre. Hence, the film exists on many levels as a very sophisticated and existential look into the nature of our day to day lives, and what happens when ordinary people must face intense conflict. At the same time, you can lower your high brow, and expect to laugh and have a good time. I could not be more thrilled about this film. What a treat to see that someone is actually straying from the Hollywood norm and doing something entirely innovative and engaging. It is proof that there is still magic in the movies, and I take my hat off to writer/director Adam Rifkin. Do yourself a favor and see this movie.