Kabluey

My favorite kind of films have often been small, independent gems like this one, films that are the unique visions of under financed directors and not the bloated studios.

First, Lisa Kudrow. I liked Friends, but I wasn't crazy about it. That's why she was such a surprise to me here. Her character is initially unlikeable, but once you see why she does the what she does, she becomes sympathetic. Her scene when she walks away from the motel room fight is fantastic. She's hurt, her life is crumbling, and you feel for her. She's hateful and funny, a really good performance.

And newcomer Scott Prendergast, co-star, writer and director does a unique turn here as the black-sheep weirdo who becomes a kind of superhero that saves the family. I can't wait to see what he does next.

If you're expecting some stupid comedy, skip this and rent Mall Cop. If you want something unexpected, unusual and funny, give Kabluey a shot.

Saw Kabluey at the Austin Film Festival last eve, and walked out loving the film. Logically, I know it shouldn't be surprising to see a low-budget film capture characters that are so real, and yet do parody and comedy so well. Kids sitting behind me laughed at all the same spots I did. It manages to stay in the realm of indy-odd, but deliver a well-crafted plot line, and characters that you love. A sprinkling of well recognized actors who give great performances...loved Conchata Ferrell. Scott Pendergrass holds it together through the entire film.

Scott Pendergrass afterward said there might be an announcement coming next week at the Hamptons festival, so hopefully it will sign a distribution deal. This film deserves to be widely seen.

Quirky and unexpected are probably the best ways to describe this film. Lisa Kudrow is actually pretty convincing as the burned-out army wife and gives a pretty solid performance throughout. Mainly I was impressed at the subtlety of her acting, which was refreshing after seeing some of her other characters (the smelly-cat-singing Phoebe will always be a lingering specter for Kudrow). Scott Prendergast captured the socially-inept, guy-that-never-got-his-act-together-after-high-school character pretty well and manages to drive the story with very little actual dialogue, emotion or expression, which is kind of the point of his character. His performance was actually pretty refreshing. I think the writer/director did a good job of portraying the embellished strangeness of small town middle America without ripping off Napoleon Dynamite. The ending was well done and the soundtrack is really good and kind of makes the movie come together.

This is a very amusing fish out of water story with the director playing the lead role. In a nutshell, the story concerns a woman(Lisa Kudrow)desperate for some help taking care of her kids while her husband is off fighting in Irak. She has to go back to work but cannot afford daycare for her two "monsters".Cue the husband's loser brother who has nowhere to go,no money and no idea how to take care of himself, let alone two pre-school kids. He eventually gets a job wearing a ridiculous blue suit and handing out fliers in the middle of a highway to promote an Internet company( check out the poster to see this thing). Pendergast, making his first feature, reminds me very much of Woody Allen, in his early days. He is excellent at finding the humor in an ordinary situation and does not resort to cheap laughs. In many cases we see just the result of a situation and can pretty much tell what has happened just from surveying the damage. A perfect example is his first day of babysitting. All we see is the mother leaving for work and then arriving later to find him and the two kids fast asleep on the living room floor with fruit loops everywhere(and I mean everywhere), the TV blasting and generally everything in disorder. He could have shown us moments from his day but this is so much better because as we survey the disaster zone, we can just imagine what kind of a day he has had. Lisa Kudrow gets top billing and is OK in her limited role as the harried mother who is desperate for her husband to return and just does not know what to do. Christine Taylor and Terri Garr both put in what are essentially cameos but to good effect. The two kids are never cute or coy and this helps make them much more human. They do not like this uncle who has appeared out of nowhere but a bond does eventually form with him. A lot of the humor comes from the blue suit and the character's difficulty in doing such simple things as handing out fliers or drinking while wearing it. Pendergast is excellent as the out-of-his-element Salman, whose name everyone mispronounces. The rest of the cast is very good with a special mention to Conchata Ferrell as the HR person who hires Penedergast. I saw this film at the Montreal Film Festival with the director present and the audience really responded well. I hope this film gets a major distribution deal. Penedergast is a director with a lot of potential. I give this film 8 blue suits out of 10.

I had really thought great slapstick comedy was a lost art, one that I'd have to go to DVD's of Chaplin, Keaton and Lloyd to experience. Then I saw "Kabluey." For the first half of the film I was laughing my head off, not only at the sheer outrageousness of it all but also at Scott Prendergast's brilliance at building gag on top of gag, making you laugh harder at each one until by the end of his "stack" you're literally screaming with joy. The second half slowed down a little but also proved that Prendergast could do pathos, and the ending is as heartbreaking as anything by Chaplin. There've been a few comedians in the modern era who showed they COULD have ranked with the stars of the past (Robin Williams, Jim Carrey), but Williams got stuck into too many overstuffed vehicles and Carrey seems to have been penalized by his audience every time he tried to reach beyond fart humor. Let's hope Scott Prendergast keeps making simple, unpretentious and utterly hilarious movies like this.