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9.5. I'd love to give it a 10, but having read the book, I know there were a couple of things they could have done to make it even better. The film was stunning nonetheless.

I had very high expectations going in and honestly, from the trailer, I was prepared for a let down. Nothing of the sort. The scenery was breathtaking and captivating, and I felt transported, insulated from the realities of a terrible war in a terrible time by the endearingly human performances of the actors and the depth they lent to their characters.

The only complaints I have would be slight spoilers for both the movie and the book and since I highly recommend both, I'll save them.

A powerfully emotional treat you won't regret. Go see it!

Those familiar with the 2005 award winning and best-selling novel by Australian author Markus Zusak will not be disappointed with the theatrical version which differs from the book in only minor details. Both tell the story of a preadolescent girl who is adopted into a German family living in a small village in 1938, and then by following her life we get to view war on the home front for Germany. Nazi rallies, anti-Jewish pogroms, Hitler Youth groups, conscription, book burning, daylight bombing, propaganda films and posters, and the whole gamut of events are seen from her perspective.

This isn't the first film to adopt this perspective. "The Diary of Anne Frank" is the classic example, but more recently, "No Place on Earth" (2013) covered some of the same ground as did "The Boy in the Striped Pajamas" (2008) and especially "Lore" (2012).

"The Book Thief" has wonderful photography by Florian Ballhaus, an excellent musical score by Golden Globe and Oscar winning John Williams ("Schindler's List", "ET", "Star Wars"), and best of all, marvelous acting from Sophie Nelisse as the young girl, Geoffrey Rush and Emily Watson as her adoptive parents, and Ben Schnetzer as the Jewish boy they hide. Many of the core scenes with Nelisse, Watson, and Rush should be required viewing at any acting school.

Hats off too to young Nico Liersch who plays a boyhood friend of Nelisse.

If the film has any fault at all, it is the decision by the film makers to try to walk a fine line between drama and fable. Having "Death" as the narrator right from the start seems to suggest fable, but the story itself veers sharply to drama for most of the 2+ hours, and then, noticeably at the end, reverts to fable. Some viewers may find this disconcerting. But the power of the story and the acting generally compensate for this short coming.

Orange Wednesday's are a weekly escape from the monotony of the working world (New Teacher - Little money - Stressed - Used to do absolutely nothing at Uni). Therefore over the last couple of years, as you can imagine, the cinema has been overused and a plethora of films have been watched, reviewed and loved. Being a sap myself and an ability to completely immerse myself within a movie; the usual comment coming out of the cinema is: "That was the best film I've ever seen!"...

Obviously that is never actually true, and probably isn't for this film, however I again came out the cinema saying the same thing. Within the first two months of this year: Wolf of Wall Street, 12 Years a Slave, American Hustle and Dallas Buyers Club...Now The Book Thief!

Now I had no idea what the film was about before stepping in the cinema, except a girl who steals books in the war. Even half way through I thought this film was a heart warming film about the war through a child's eyes. I was WRONG! If you know nothing about the story, the film is beautifully written, acted, portrayed (Life of Pi creators, done it again) and has bags of shocks, emotion and heartache. The other lad who viewed the film with me(In the same boat work wise) I have never seen cry. That man was broken!

The young actress, is going to be a superstar. Geoffrey Rush, although portrayed a "Disney Dad" as some reviewers suggested; was inspirational and perfectly cast, when compared to the book, which I have now read.

Another reviewer trashed the use of "bits of German" - You sir, are a fool. This is not Hollywood tact, the book does exactly the same thing and therefore the film took that same role.

Another reviewer gave the film "1 star" (Mainly due to the film not being realistic in 3 parts, which all played no real role in the film and therefore a poor point to make) It's a story based on some real life events, not a true story.

Rant over though, this film truly moved me (23 year old male) I know, I hid it well in the cinema! The film is just a Must see and although I probably wouldn't rate it 10 star (I never rate that highly) I felt I needed to raise the profile, due to people who have too much time on their hands to pick holes in minor parts of films and have to have their films more like a documentary, then a masterpiece for all warps of life and ages.

I will be using this in school as soon as it is out and will be a fantastic tool for developing writing!

Cracking film!

I do not know the book. But the film, for its beautiful simplicity is useful in high measure. A film about war and survive, well acted, touching and delicate, great for small details and for the atmosphere, reminding the art of admirable actors, proposing a magnificent trip inside yourself. Short, just delightful , with bitter taste and wise definition of the life meanings.

This is without a doubt one of the most riveting, thought-provoking, and utterly powerful movies for young people (or any people, for that matter). Unlike most movies for young people, which usually encourage selfishness, lust, and who knows what else, this is a film that promotes such qualities as self-sacrifice, courage in the face of unspeakable difficulties, and using your life to make a difference for others.

Based on Markus Zusak's novel, The Book Thief expertly tells the story of a young German girl named Liesel, who is thrust into the horrors of World War II Germany and its many complications. The scope of the story is seen through the eyes of Liesel, making it quite an intimate tale that is less about war and more about the importance of remaining human in inhuman surroundings, and affecting those around you in a positive and profound way.

The film is hauntingly beautiful, and moves at an effortless pace- not too fast, not too slow- allowing the viewers to become immersed in the realities of Liesel's situation. Lovely Sophie Nelisse is stunningly perfect in the role of Liesel, capturing both the bright-eyed innocence and the eventual world-weary quality needed for the role. Liesel's good-natured friend Rudy is also expertly and realistically portrayed by young Nico Liersch. It is a delight to watch such wonderful young actors at work. Geoffrey Rush and Emily Watson, of course, are their usual extraordinary selves as Liesel's adoptive parents.

This is truly a movie that is not just for young people. It operates on many levels, as a commentary on the disastrous effects of World War II or a poignant tale of one small soul fighting for her own sense of humanity. While it might be a bit intense for small children, a film such as this should be mandatory viewing for older children and teenagers- a thoughtful and heart-tugging reminder of the fragility of life, and the importance of looking beyond yourself. It is the sort of film that will leave viewers young and old just a bit speechless.