Hasta que la plata nos separe

Most of the on screen performances are impeccable, and all of the minor characters get real development, which brings nostalgia to the veteran viewers. Evolving from Gaitan's masterpiece (Yo soy Betty, la fea), it takes advantage of the protagonists' aides (or accomplices) to make them feel human, as well as semi-rough issues like infidelity, death threats, financial rollercoasters, huge misunderstandings and the reputation side of work activities.

The editing is decent, and the soundtrack is quite extense. The picture improves as the drama delivers, but some great shots are not good enough to cover the filming mistakes like boom operator mishaps, which are not rare.