The Tracey Fragments

... so I will say it some more. The Tracey Fragments is well acted in that there is very little acting and a lot of re-acting. Ellen Page is her remarkable self... I am so hopeful about her continuing career. Fragment is however everything everyone has said about it. It is hard to follow, but it can be followed, it is a simple story but it holds the attention, it is art, it is pretty, it is crap and it poorly done but I watched it from start to finish... knowing where it was going the whole time... why... well because it is chocked full of humans and human interactions. Beautiful humans and harsh humans. People exchanging hardships and moments of simple pleasure. I can... and often do go on and on... So I would recommend this Film to my friends who like to watch movies for more than a story.

overall, i found the movie quite entertaining and emotional. while a bit confusing at times, i feel that it added to the overall effect of the movie. the closing scene with Tracey (ellen page) walking through the park was much more powerful because there was only the single shot and the screen was no longer fragmented. i feel the fragmentation throughout created the feeling of confusion and panic common to adolescence. by far my favorite part of the movie was broken social scene's original score. it blended seamlessly throughout the movie and effectively directed the audience emotionally and visually.

i would recommend this movie to anyone. it is worth the confusing, scattered scenes and story line. it really takes you on a journey with the main character.

If it's true, as Marshall McLuhan has suggested, that the medium is indeed the message, then "The Tracey Fragments" proves that theory in spades. This highly idiosyncratic work has as its focal point "Tracey Berkowitz - 15 - just another girl who hates herself" - a description that comes straight from the mouth of Ms. Berkowitz herself. Tracey is a deeply unhappy youngster who hates her (admittedly horrible) parents, is terrorized by all the "cool" kids in school for insufficient mammary-gland development, spends most of her nights riding the subway, hooks up with a psychotic lowlife who turns out to be a drug dealer, and searches for her little brother whom she's hypnotized into thinking he's a dog and who goes missing by a frozen river when she's supposed to be watching out for him. To help mitigate her misery, Tracey also dreams of having a relationship with a brooding "emo" bad boy at school and fantasizes that she is a famous, universally worshipped rock star.

But it is not Tracey's story that is of primary interest here; rather it's the cut-and-paste film-making style director Bruce McDonald has employed to create a sense of fragmentation and dislocation in the viewer - intended, obviously, to mirror the highly chaotic and disordered nature of Tracey's world and life. With rare exceptions, the screen is occupied by as few as two and as many as a dozen shots at a time, often portraying the same sequence from slightly different angles or at slightly different moments in time, or portraying thematically related scenes simultaneously. The question inevitably arises, is the approach effective in what it's trying to accomplish or does it serve as a distancing device for those of us who are trying to enter into Tracey's mind and world. I imagine that different viewers will come to varying verdicts on that point.

Personally, I appreciate what McDonald is trying to do here more than I admire it. "The Tracey Fragments," which Maureen Medved has adapted from her own novel, offers many probing insights into the subject of teenage angst, particularly as regards the tremendous pressure modern young people are put under to "measure up" and conform to some arbitrarily agreed-upon social standard. And "Juno"'s Ellen Page gives a stunning performance as the young woman caught in an ever-tightening web of self-hatred (this is, in many ways, the darker side of "Juno," and Page is much less mannered in this role).

But, frankly, the movie probably would have been more moving and involving without all the migraine-inducing imagery which succeeds mainly in throwing us out of the story. In fact, there is only one scene in which the split screen technique actually serves a narrative purpose - and that is when Tracey is hiding behind a curtain while her drug-dealer friend is being savagely beaten by the irate boss to whom he owes money. Most of the rest of the time, the approach feels more like a gimmick designed to separate this film from the rest of the "distressed-teen indie" pack than an artistically viable choice in its own right.

Still, if you can get past all the artiness and visual distraction, you might just find in "The Tracey Fragments" a thoughtful, sensitive and ineffably sad glimpse into a young woman's heart.

Tracey Fragments is a very experimental film. 95% of the film is shot with two or more screens. Sometimes it's even split up as much as 100 screens! Not often do you see a film where there is more art in the editing than anything else in the film. In fact, some of the split screens act as shattered glass which seemed to be the symbolic meaning of the film where a girl's life is pretty much shattered throughout the film.

Tracey Berkowitz (played by Ellen page) is a fifteen year old girl who thought it would be funny to hypnotize her brother into being a dog. She hates her parents and her school mates. She dreams of starting a rock band with the boy of her dreams, Billy Zero. Very independent, she decides to run away from home to look for her brother. there she has her day from hell.

The first thing I'd like to comment about the film is I thought the script lacked. Ellen Page made this movie watchable but I disliked some of the scenes. In fact, some parts were so ridiculous it almost made me laugh nervously as if they were trying to make the movie corny at times. With that said, I'd have to say that Bruce McDonald did a very good job capturing Tracey with the budget that he had. It's obvious that the film was shot with a hand-held camera but it fit very well with the dark behavior and life that Tracey endured throughout the movie. I also loved the score. I read on one of the message boards for this movie that some replied that they loved and hated this movie. I agree. Some parts were so beautifully captured while some seems completely lacked and didn't fit (once again, the lacking script). The movie is exhausting at times but the last thirty minutes began to pick up again and make the movie interesting.

Ellen Page is a versatile actress and I like her a lot more when she plays darker roles such as this movie and her best performance to date, Hard Candy. I did love Juno but I like these type of roles more. The most memorial seen in the movie is when she stares her mom down and points her finger in her face while screaming at her. It's almost freaky but so well done.

If you love Ellen Page, this movie and Mouth to Mouth need to be seen with an open mind. 77 minutes of this film could feel like two hours.

My verdict 6.25/10

This is an odd film. I like it, and still I can't think of it as a masterpiece.

At first glance, the picture may seem annoyingly pretentious due to its very original picture composition.

And in some ways it IS annoying. But the amazing thing is: it works pretty well. It really does compose the delicate, mysterious tune, which is the nerve of this fine movie.

Some people might think that The Tracey Fragments would benefit from a more explicit epic narrative. But the artistic mist is also the movie's strength, and I certainly did enjoy this mystery. So, give it a chance even if you're a bit amazed by all the flashing frames. It's actually possible to follow the storyline, even if the intentional non-clarity of this flick is not mastered completely.

Having said all that: Ellen Page as Tracey is a very very good choice!