Engaño

The writing and direction here are solid, but unspectacular, and if that were all there was, the movie, too, would be unspectacular. But what drives the entire endeavor is the acting. Hugh Jackman and Ewan McGregor are among that small group of actors who never give a bad performance, and that's certainly the case here. Michelle Williams, though, is another matter altogether: she is SO good, and SO deep, and SO nuanced, that she rises above what she had been in the past and simply makes this movie her own. Hers is one of those performances (there are two scenes where she delivers voluminous messages simply by a look, without a single word) that make you wholly reevaluate the actor's skill and intelligence; at least, it did that for me: I changed my opinion of her and her abilities, and I won't be able to look at her again in the way I had before. And I like experiencing that, so I like the movie much more for that fact. If you're a Michelle Williams fan, you really HAVE to see this film.

The thing is that the plot takes too many turns, so many that the movie ties itself in knots and must resort to a lot of silliness to develop a finale and get out of the whole mess. The early moments are quite involving, showing the nerd-player friendship taking to something scary. Nevertheless, in spite of the good beginning, I figure the two leads have never the chemistry that would explain why they got drawn to one - another, so moments where the viewer would say "OK, everything seems to work" are very rare. The story gets then ridiculous in the end due to many plot twist that poop a film otherwise decent. There's also a cameo of Charlotte Rampling.

"The essence of lying is in deception, not in words." John Ruskin

The only deception in the film Deception is that you might expect a cool, modern thriller. WRONG. This piece of cinematic disappointment defines the dramatic descriptor "telegraph." In other words, if you didn't have an idea of what is to come from what is happening now, then you've not been to junk movies enough not to be surprised. Of course, you can feel right at home with the pervasive use of cell phones, but then you may watch enough TV to be used to them as dramatic device.

Jonathan McQuarry (Ewan McGregor) is a dorky high-level auditor with the requisite glasses and outdated haircut who stumbles into a sex ring, aided by the urbane Wyatt Bose (High Jackman). As Jonathan enjoys himself picking the ever so sweet fruit from this vine, he falls in love with one of the anonymous partners, not a good thing to do.

The ensuing plot complications are as clichéd as clouds in Seattle—they don't always make sense, but, hey, this is the movies! The problem is that without a sharp script, the inconsistencies are more obvious and plot points just not credible, e.g., how does she magically appear at the right spot in a big city? or how can you commit a murder in a public park in Madrid without anyone around in broad daylight? or how can you get a phony passport on short notice? or how can you withdraw millions with that document especially since the photo ID online doesn't look close to your impersonation? or, oh, well, I'm not going to deceive you—this movie lacks credibility.

Jonathan McQuarry, is an accountant who strikes up a friendship with a lawyer called Wyatt Bose. After accidentally swapping phones, McQuarry starts getting calls from women who are part of a group of people who meet purely for casual sexual encounters. During one of these, McQuarry meets a blonde woman whom he becomes close to. When he's attacked and she disappears, he discovers more going on than he realized....

From the above plot description some people can figure out where the story is heading. I for one did. It's a sad fact that the script written by Mark Bomback holds no surprises at all. It also doesn't help that there are plot holes that aren't explained or dealt with. The direction by Marcel Langenegger is okay, but he doesn't add any tension into the movie.

What does save the movie are the three main performances. Michelle Williams is suitably enigmatic as the girl involved, Hugh Jackman as Wyatt Bose brings charm and charisma to the part, and Ewan McGregor as Jonathan McQuarry convinces as the straight, lonely accountant seduced into the events played out.

However the performances alone can't save the movie from being a disappointing, predictable thriller.

The thriller genre has been well explored and perfected over decades of cinema. While some familiar elements and conventions are to be expected in a new release, you would expect, at the very least, that a new entry tops the previous ones.

And sadly, Deception does not. The movie almost feels like a remake of Curtis Hanson's Bad Influence. A movie that was made almost twenty years ago and features two main characters that are carbon copies of those of McGregor and Jackman, only they were played respectively by James Spader and Rob Lowe.

Whatever "twists" are found in Deception, you see them coming from a mile and they fall flat. The acting? Everybody seems to be cashing his check. One-dimensional characters and an aimless plot make for a boring two hours. Even the "list" subplot feels tacked on and doesn't even provide any enjoyment, nor does it add anything to the film.

The photography is amazing but this is truly a poor Hollywood movie and one that you will be better off passing on, unless you are a die-hard fan of the genre or one of the main actors featured. All in all, a tremendous waste of talent and resources due to a crappy script.