CALIFICACIÓN DE IMDb
7.6/10
74 k
TU CALIFICACIÓN
Una chica de secundaria llamada Makoto adquiere el poder de viajar en el tiempo y decide usarla para sus propios beneficios personales. Pero a la vez afectando las vidas de los demás.Una chica de secundaria llamada Makoto adquiere el poder de viajar en el tiempo y decide usarla para sus propios beneficios personales. Pero a la vez afectando las vidas de los demás.Una chica de secundaria llamada Makoto adquiere el poder de viajar en el tiempo y decide usarla para sus propios beneficios personales. Pero a la vez afectando las vidas de los demás.
- Dirección
- Guionistas
- Elenco
- Premios
- 12 premios ganados y 2 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
"I wonder how someone was able to create such a beautiful painting, when it must have seemed that the world was coming to an end."
When high school student Makoto inadvertently discovers that she's gained the ability to leap (literally) backward through time, she immediately begins using it to her advantage - with little concern for how and why she's gained this mysterious power. No problem is too trivial to be solved by a little time travel, from pop quizzes to uncomfortable conversations. But, nothing in the past can be changed without consequence, and Makoto's frivolous use of her ability may result in one or more of her friends being lost forever.
The Girl Who Leapt Through Time is about as mainstream and accessible as anime gets. The characters are all pretty normal, likable, and relatable. There's a lot of humor in the first half of the story, while the last half is quite serious, heartfelt, and poignant. The animation and character designs are clean and smooth, and have a very modern appeal. The score has a lot of piano pieces that occasionally caught my ear in a very pleasant way.
I recommend this both to anime fans, and to those who aren't particularly familiar with eastern animation. The story is an entertaining mix of moments both somber and lighthearted, the characters are great, and the visuals were top-notch. The Girl Who Leapt Through Time isn't just a good animated movie, it's good by any standards.
When high school student Makoto inadvertently discovers that she's gained the ability to leap (literally) backward through time, she immediately begins using it to her advantage - with little concern for how and why she's gained this mysterious power. No problem is too trivial to be solved by a little time travel, from pop quizzes to uncomfortable conversations. But, nothing in the past can be changed without consequence, and Makoto's frivolous use of her ability may result in one or more of her friends being lost forever.
The Girl Who Leapt Through Time is about as mainstream and accessible as anime gets. The characters are all pretty normal, likable, and relatable. There's a lot of humor in the first half of the story, while the last half is quite serious, heartfelt, and poignant. The animation and character designs are clean and smooth, and have a very modern appeal. The score has a lot of piano pieces that occasionally caught my ear in a very pleasant way.
I recommend this both to anime fans, and to those who aren't particularly familiar with eastern animation. The story is an entertaining mix of moments both somber and lighthearted, the characters are great, and the visuals were top-notch. The Girl Who Leapt Through Time isn't just a good animated movie, it's good by any standards.
The poster of this animated movie looks a little suggestive, but nope, it's actually a wholesome time travel movie which explores a little on the vestment of such powers to a klutzy individual, as well as relationships, and the perennial question of what would anyone do if you have the ability to go back into time, and make changes presumably for the better.
The Girl Who Leapt Through Time tells a wonderful story centered on 3 friends, the tomboyish and clumsy Makoto Konono (voiced by Riisa Naka), and two hunks Chiaki Mamiya (Takuya Ishida) and Kousuke Tsuda (Mitsutaka Itakura). Theirs is a friendship formed after school at the baseball court where they spend quality time talking about typical teenage stuff. Things start to change however, when Makoto by accident gets the power to time travel, and in her own ditzy way, uses her new found abilities for "good" - directly for herself, or in some Emma like moments, to influence the outcome of relationships for her friends and play matchmaker.
And that's just scratching the tip of the iceberg. While it's animation style is kept simple and fairly straightforward, it doesn't compromise on the complexity of its storyline. Not that it serves to confuse, rather you'll be amazed by the amount of pathos the story contains, with its various subplots especially when the time travelling stuff kicks in. It has adult sensibilities in the treatment of the plot, and knows exactly when to hit the right emotional chords when warranted.
Although based on a book, the story here serves as a quasi-sequel of sorts which takes place some 20 years later, what I can say is that the love stories intertwined has its major one being able to touch like that in Be With You. I loved that movie, and watching how this bore some similarities, you can't help but feel the same emotions coming across in the same way, nevermind that the characters here are animated, as you can feel the pain, the love, and their despair. And that is something that I should say is difficult for the genre - they're not real persons on screen - but yet being able to evoke emotions and for one to react and empathize, definitely makes it powerful, and a cut above others. Something that our local animated films had failed to do in giving us cold characters and bastardized stories from folklore.
But it's not always all the time serious in tone or mood. The movie has light hearted moments, sometimes bordering on the slapstick, no thanks to the bumbling Makoto character. In a sequence, it was reminiscent of Chinese Odyssey starring Stephen Chow, where each time travel moment gets played ad nausem with different comedic effect. Undoing blunders as we see is not exactly Makoto's forte, and while she may be using her powers in a carefree way, with great powers come great responsibilities (sorry, can't resist that one!)
As usual, anyone can find fault with the time travel paradox which rears its ugly head in any time travel movie, but I would suggest that you park those thoughts aside, and enjoy the story that the Girl Who Leapt Through Time is telling. There are slight attempts at addressing it with its creation of totally new and different realities with each jump, but even then a major paradoxical flaw still exists. At its lowest denominator, the film reminds to seize the day like it's your last, do what's right, and don't be shy in telling someone how you feel about them.
The Best Animated Film of the recent Awards of the Japanese Academy, this film gets my vote of support too with its superbly emotional and touching tale, and with its similarities to that aspect of the film which I like to Be With You, it will be no surprise if this movie finds its way to my Top Ten of the year. Highly recommended!
The Girl Who Leapt Through Time tells a wonderful story centered on 3 friends, the tomboyish and clumsy Makoto Konono (voiced by Riisa Naka), and two hunks Chiaki Mamiya (Takuya Ishida) and Kousuke Tsuda (Mitsutaka Itakura). Theirs is a friendship formed after school at the baseball court where they spend quality time talking about typical teenage stuff. Things start to change however, when Makoto by accident gets the power to time travel, and in her own ditzy way, uses her new found abilities for "good" - directly for herself, or in some Emma like moments, to influence the outcome of relationships for her friends and play matchmaker.
And that's just scratching the tip of the iceberg. While it's animation style is kept simple and fairly straightforward, it doesn't compromise on the complexity of its storyline. Not that it serves to confuse, rather you'll be amazed by the amount of pathos the story contains, with its various subplots especially when the time travelling stuff kicks in. It has adult sensibilities in the treatment of the plot, and knows exactly when to hit the right emotional chords when warranted.
Although based on a book, the story here serves as a quasi-sequel of sorts which takes place some 20 years later, what I can say is that the love stories intertwined has its major one being able to touch like that in Be With You. I loved that movie, and watching how this bore some similarities, you can't help but feel the same emotions coming across in the same way, nevermind that the characters here are animated, as you can feel the pain, the love, and their despair. And that is something that I should say is difficult for the genre - they're not real persons on screen - but yet being able to evoke emotions and for one to react and empathize, definitely makes it powerful, and a cut above others. Something that our local animated films had failed to do in giving us cold characters and bastardized stories from folklore.
But it's not always all the time serious in tone or mood. The movie has light hearted moments, sometimes bordering on the slapstick, no thanks to the bumbling Makoto character. In a sequence, it was reminiscent of Chinese Odyssey starring Stephen Chow, where each time travel moment gets played ad nausem with different comedic effect. Undoing blunders as we see is not exactly Makoto's forte, and while she may be using her powers in a carefree way, with great powers come great responsibilities (sorry, can't resist that one!)
As usual, anyone can find fault with the time travel paradox which rears its ugly head in any time travel movie, but I would suggest that you park those thoughts aside, and enjoy the story that the Girl Who Leapt Through Time is telling. There are slight attempts at addressing it with its creation of totally new and different realities with each jump, but even then a major paradoxical flaw still exists. At its lowest denominator, the film reminds to seize the day like it's your last, do what's right, and don't be shy in telling someone how you feel about them.
The Best Animated Film of the recent Awards of the Japanese Academy, this film gets my vote of support too with its superbly emotional and touching tale, and with its similarities to that aspect of the film which I like to Be With You, it will be no surprise if this movie finds its way to my Top Ten of the year. Highly recommended!
This terrific fantasy focuses on a girl who discovers she can jump back in time, and much of the movie is a light-hearted exploration of what a teenage girl would do with that power, which is essentially relive life better, avoid uncomfortable conversations, and eat pudding. The lead character is likably average.
There are a few oddities in this movie. Some of them are because it turns out, as I learned at wikipedia, that this isn't actually the same story as the novel upon which it is based but a sequel containing a character from the original movie, which explains a lot. Apparently the original story has been made into several movies and TV series in Japan, so the assumption was probably that everyone would understand a lot of references I didn't get.
Also, towards the end, we are given little pieces of information that suggest there is a whole other story to learn, although whether that story is in the original book or whether that would be the subject of yet another narrative I don't know.
Then there's the ending, which is logically unsatisfying and yet which I ultimately found emotionally resonant. It's one of these puzzling endings that has you reading wikipedia and going through the IMDb forum posts (which offer a lot of fascinating theories).
Well worth watching.
There are a few oddities in this movie. Some of them are because it turns out, as I learned at wikipedia, that this isn't actually the same story as the novel upon which it is based but a sequel containing a character from the original movie, which explains a lot. Apparently the original story has been made into several movies and TV series in Japan, so the assumption was probably that everyone would understand a lot of references I didn't get.
Also, towards the end, we are given little pieces of information that suggest there is a whole other story to learn, although whether that story is in the original book or whether that would be the subject of yet another narrative I don't know.
Then there's the ending, which is logically unsatisfying and yet which I ultimately found emotionally resonant. It's one of these puzzling endings that has you reading wikipedia and going through the IMDb forum posts (which offer a lot of fascinating theories).
Well worth watching.
Alert: This movie has the most fantastic background graphics, equal in quality to the very best--like cowboy bebop or something from studio ghibli (spirited away). just wonderful color of the sunsets, schools houses etc.
As a teen slice of life/tentative romance/drama the story seems like it could be cliché, but they do interesting things with it, make it more dramatic in the middle, and at the end i was satisfied. the emotional depth sort of sneaks up on you.
Sounds were well-integrated into the film and the voice actors were spot-on in their portrayals.
just a fine experience watching this on here in Asia.
Highly recommended for all, but a must for anyone who's into anime.
wow I'm gonna look out for anything by this studio and director in the future.
As a teen slice of life/tentative romance/drama the story seems like it could be cliché, but they do interesting things with it, make it more dramatic in the middle, and at the end i was satisfied. the emotional depth sort of sneaks up on you.
Sounds were well-integrated into the film and the voice actors were spot-on in their portrayals.
just a fine experience watching this on here in Asia.
Highly recommended for all, but a must for anyone who's into anime.
wow I'm gonna look out for anything by this studio and director in the future.
10oncex
This film is one of those films that comes once in every generation. The voice actors give the characters a sense of realness that makes you suffer or feel joy. The detail of the work is phenomenal and the story doesn't drag or end in a familiar way. I specially like the detail they put to little things as the sliding doors bouncing back open when Makoto tries to close them. This is one of those films that in the end it leaves you a good feeling and not guilty for spending two hours enjoying yourself. When you see this film you might have to find time to think when was the last time you saw something so good.I just wish there's a sequel for it, because I just couldn't get enough of it. But maybe is one of those stories that you wish it never ended but you know that it has to end.
P.S. Now I have to buy the DVD.
P.S. Now I have to buy the DVD.
¿Sabías que…?
- TriviaThis movie is an indirect adaptation of Yasutaka Tsutsui's novel "The Girl Who Leapt Through Time" - the main character's aunt is Yoshiyama Kazuko, the protagonist of the novel.
- ErroresSpoiler: During the time-stop sequence Chiaki laments that he will not be able to see the painting he has come to the past for because it is in restoration and he will not be around the next day when it is put on the wall. But Makoto knows that the picture is worked on by her aunt and so they could just go upstairs and take a look at it (they may find the door locked but the possibility is not even mentioned). Chiaki's last jump could not have erased that memory because Makoto's knowledge predates the event.
- Citas
Yuri Hayakawa: [Makoto Leaves the room, then Yuri watches the Blackboard] Makoto: Time waits for no one
- ConexionesFeatured in Glass Reflection: The Girl Who Leapt Through Time (2010)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
Taquilla
- Total a nivel mundial
- USD 1,534,131
- Tiempo de ejecución
- 1h 38min(98 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta