- Premios
- 1 premio ganado y 6 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The premise is not a thousand miles away from William Wyler's "Desperate Hours" but the distances here are measured in a different way. Michael Heneke the "author" of this horror thriller of sorts is at the service of his vision of himself. He's not the first "author" to suffer from the same malady but here it's so bloody obvious that becomes kind of funny. From the opening credits you know that "pretension" will permeate the whole movie and it does but, the funny thing is that it's riveting. I watched the whole nonsense with my mouth open. That's an achievement, isn't it? I haven't seen the original German version (a blow by blow account directed by Heneke himself)but, I must confess, I think I will, I think I want to. Don't ask me why. This is as empty as anything I've ever seen. A public act of obscenity and yet you can't, you just can't look away. Naomi Watts is terrific as the smart middle class wife and mother that will notice for first that Michael Pitt is not that good an actor. She sees through him - who wouldn't? - pretty much from the start. Michael Pitt plays the creep as a creep with good manners. So on the nose that doesn't manage to be frightening. He is shocking because of what he does but not for what he appears to be. He has no sexual presence. Tim Roth, as the weakling husband is disturbingly convincing and the young actor playing their son is truly wonderful. So here I am, talking about a film I kind of detested with unexpected respect. Michael Heneke may be one of those artists who are extraordinary self promoters, but he's an artist none the less and like real artist often do, divide, confront and provoke. So, did I like "Funny Games"? No. Will I see it again? Absolutely.
I feel very similar about Funny Games than what I felt after watching The Strangers. Appalled and disturbed. However, Funny Games (as said by the director) seems to be a commentary on violence in media/movies, and not just violence in movies to have violence. Either way, it's certainly difficult to not feel sick to your stomach after witnessing the crimes against the family in Funny Games, but I do appreciate some of the obstacles Michael Haneke takes instead of going through with the many cliches that plague the modern day horror. But I guess we're all left asking the same question...what was the point?
6.8/10
6.8/10
I haven't seen Haneke's 1997 version of this film otherwise I sure would have avoided this one since, as has been said, it's a scene by scene copy. Basically, 'Funny Games U.S.' is pointless trash. I noticed many people liked it because it was different from the usual Hollywood flick. Well I'd advise them to look beyond Hollywood and they'll find plenty of movies that are different and GOOD. Why opt for something crappy just because you want something else? Others seem to find layers in the film that to me were non-existent. 'Funny Games U.S.' is pretentious garbage and the ONLY good things about it are Naomi Watts and child actor Devon Gearhart. Both deliver very natural performances and are the only people you care about on screen. Watts's name was the main thing that convinced me to watch this. Incredibly gifted actress that she is, I liked every single one of her films that I saw until now. What made her choose this film? Anyway, 'Funny Games U.S.' is a pure waste of time.
An unusual film that borders on art house horror. Experience almost 2 hours of an innocent family being tortured by 2 psychopaths. Much of the violence is off camera but the associated drama is still disturbing. Without dropping spoilers, the video rewind scene and the film ending might infuriate some vanilla cinema goers but a certain audience will celebrate this unique German horror drama.
My rating 7/10
This is probably due to the fact that I just watched the original yesterday but it was almost distracting how similar this was. Like the 1997 version, this movie felt very authentic but to me it didn't leave the same impact.
I definitely prefer Arno Frisch as Paul. Not that this version is significantly worse or anything, he just doesn't stick out to me as much as he did in the original.
All in all, my only take away from this is that it's an english remake of Funny Games. If that's all it was trying to do, i'd say it did it well. Might have to rewatch this when the original film isn't as fresh in my head.
I laughed out loud when Fred's mom showed up.
I definitely prefer Arno Frisch as Paul. Not that this version is significantly worse or anything, he just doesn't stick out to me as much as he did in the original.
All in all, my only take away from this is that it's an english remake of Funny Games. If that's all it was trying to do, i'd say it did it well. Might have to rewatch this when the original film isn't as fresh in my head.
I laughed out loud when Fred's mom showed up.
¿Sabías que…?
- TriviaTim Roth has said making this film traumatized him, and he'll never watch it. He said he was particularly disturbed because Devon Gearhart resembled his own son.
- ErroresWhen Ann is talking to her friend on the phone she mentions that the kitchen clock is broken and it needs fixed. The clock is clearly visible on the shelf to her right. When Peter/Tom comes back into the kitchen for eggs, the clock is missing.
- Bandas sonorasCare Selve, Ombre Beate
from 'Atalanta'
Written by George Frideric Handel (as G. F. Händel)
Performed by Beniamino Gigli
(P) 1950 EMI Records, Ltd.
Digital Remastering: (P) 1999 EMI Records
Courtesy of EMI Music (France)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Funny Games
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 1,294,919
- Fin de semana de estreno en EE. UU. y Canadá
- USD 544,833
- 16 mar 2008
- Total a nivel mundial
- USD 7,948,284
- Tiempo de ejecución
- 1h 51min(111 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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