Den brysomme mannen

Andreas arrives in a strange, inhuman place, where everything seems perfect. He's given a good work, everyone is kind to him and to everyone, and he really doesn't trouble too much even in finding a beautiful girlfriend. But in this no-named city Andreas finds soon that a perfect commercials-type world is really not a paradise. Really one of the better movies i've seen this year. The attractive plot is perfectly supported by a smart direction where every single component (cool desaturated photography; cold symmetrical design; unemotional acting; slow, highly controlled camera movements) helps in building an unique weird atmosphere that will keep the audience suspended until the end. A sarcastic, ironic, bitter comedy that made me laugh ant think, as only best films are able to do. Nothing new, probably, in the analysis of the modern de-humanizer civilization, but really a smart work with great surprising ideas that will hardly be forgotten from whom had the luck to see it. Simply beautiful the amazing scene in the metro underground.

A man is taken by bus to a stop in the middle of nowhere from whence he is collected and taken to the city and his job as an accountant in an office of other white collar workers, happily eating together at lunchtime and sitting in front of computers during the day. Soon he gets himself a girlfriend and they move in together, decorating their home and having dinner parties and small-talk. All is wonderfully happy and modern but yet something just doesn't seem right.

I was recommended this by another IMDb user who I have come to know as quite an intelligent young man and so I decided to go on his advice and give this film a shot. He also advised I come to it with as little knowledge as possible, so beyond his recommendation and basic comments on content, I knew very little about it. I was glad of both this advice and also the recommendation because this film is a great idea that is really well expanded and delivered. On the face of it the film comes over like it is a short film, so simple and concise is its idea and so oddly does it deliver a simple concept, but it is a feature and the 90 minutes goes by quickly and satisfyingly.

The film is built on the feeling that there must be more to life than the safe warmth that the majority of us in the Western world are used to and it really nails it in this regard. For the majority of the film we are of course allowed to feel our main character's sense of unease and pain at the lack of passion and spark in life, but this comes in the small moments – the alternative view is not over played to make this more obvious. Instead the "emotionless norm" is presented in a way that is entirely recognisable; interior design and wall colours are the subjects of discussion, bland office work pays for it all – and trust me that as a man in his mid-30's, this is something I know about! It isn't overplayed though – it is normal and familiar and as a result all the more chilling as part of the film.

By making the "horror" so very normal and so familiar in its polite banality, the film survives the later twists when things get more extreme and weird – because we are already with it as an idea. It does always feel like a short film though because the idea never really comes to a satisfactory conclusion and those looking for a big reveal or ending will be disappointed – however those fans of short films where the "idea" is the thing rather than the answer will be pleased (as I was). To me the conclusion was fittingly simple because it works well with the idea as this world of the others being a happy place as long as you all go by the rules and don't be an outsider – it also kept me on board that the film made "rebelling" so very reasonable – Andreas was only looking for something a bit deeper, more meaningful than the colour of tiles – and again this is a "rebellion" that many people will be able to relate to as well.

The whole film reminded me very much of short films in terms of tone and content but also of some of the rather odd films that the Cohen brothers have made in the last 10 years where the tone is a lot of the story. I really liked the direction and composition here – the film always looks "normal" but by having everything so very clean and lacking in chaos or untidiness, it does contribute to the overall feeling of this world of being passionless and only "happy" on a very superficial level. It is all very well done and I enjoyed its relatable oddness very much – and it is this sense of the familiar that really makes it work very well and at the same time produces the cold horror of it. A really great little film in the mould of a short, very simple but also very cleverly done. Thanks Danny!

The whole movie made me think of the first circle of Dante's Inferno, Where the souls who 'fool' themselves in believing that they are happy go to. They never realize they are actually in an inferno, but nothing is enjoyable, they just move on without any emotion. In that sense Dante thought that they the were in the worse part, as they would never actively try to change their situation. Nobody can die in that place, but trying to certainly does hurt. I am not sure if the writer based his story on this medieval manuscript or not, but the resemblance is absolutely striking.

I didn't enjoy the movie when I was watching it, as I was expecting a climax which never came. Nevertheless, it made me think afterwards and now I actually think it's a good film - it surely does stick.

The Bothersome Man (2006)

Of course this is weird. It's a surreal version of dying and heaven (or hell) is a little shack in the middle of nowhere that is a way to get a second chance. At something. Life, maybe.

This is a little like the crop of comic serious surreal movies in the last twenty years where you part laugh and part are gasping in appreciation for the reality invented. I'm thinking "Eternal Sunshine of the Spotless Mind" or "Being John Malkovich" or even "Inception." And at first it's just a terrific experience, going with the flow, which is understated in broad expanses of deadpan landscape and people alike. Eventually you adjust to the newness and want a thread of meaning or something to carry it along.

And this mostly succeeds most of the time. Which is not quite like a brilliant knock you over film. Jump in and wallow with the main character, who seems to have some kind of free will but within an invisible restraint. I mean, taking a ride back to life for some kind of reappraisal, even if you know it's all a mirage, means maybe being radical and not a bit submissive.

Not for this Norwegian. The humor comes and goes, the logic certainly goes more than comes, but the mood, the charm and ease of all the characters is enjoyable, almost heavenly, in a weird not quite coincidental way. I would check this out. I know a lot of people will get bored in the first few minutes because the wry dry humor, the lack of dialog, and even the lack of anything quite happening will drive them batty. But you know if you're not like that, and can get into a "Paris Texas" or "Dead Man" or lightweight Ingmar Bergman sensibility. Try it. I liked it a lot, even if I got a bit restless by the last third.

I heard an interview with the main actor who said that the film was not intended to be a horror movie but he himself would describe it as mental horror. I strongly subscribe to that.

It is not clear why he travels to this place, but everything there is monotonous, no bright colors, no honest smiles, nothing personal. Everything is ordered and everyone seems to be satisfied living this kind of life. Our "hero" though from the beginning seems to be misplaced and feels it himself.

What makes this film so important and good is the remarkable similarity to life in many large cities or even countries nowadays. You have to function, you are not supposed to let your colleague know your weaknesses, you show off on your wealth, your car, etc., and most of all you lack the true love of life that children have. Naturally, in this film you see neither children nor old people - they simply do not fit in a society of strong workers.

I would recommend this film to everyone - and make sure that this utopia does not come true!