Basado en el clásico libro de 1983 de Roald Dahl, "Las brujas", la historia cuenta la historia aterradora, divertida e imaginativa de un niño de siete años que se encuentra con algunas bruja... Leer todoBasado en el clásico libro de 1983 de Roald Dahl, "Las brujas", la historia cuenta la historia aterradora, divertida e imaginativa de un niño de siete años que se encuentra con algunas brujas de la vida real.Basado en el clásico libro de 1983 de Roald Dahl, "Las brujas", la historia cuenta la historia aterradora, divertida e imaginativa de un niño de siete años que se encuentra con algunas brujas de la vida real.
- Dirección
- Guionistas
- Elenco
- Premios
- 10 nominaciones en total
Opiniones destacadas
In 1968, a young Hero Boy is forced to go live with his grandma (Octavia Spencer) after losing his parents in a car accident. She tells him that witches are real and they hate children. As a child, she lost her friend when a witch turned her into a chicken. She gives him a white mouse. She takes him to a seaside hotel for an escape hoping that witches would not search there since black children are rarely at the luxury hotel. Unfortunately, the Grand High Witch (Anne Hathaway) has gathered her followers to present a potion to turn all children into mice.
This is the second film adaptation of the Roald Dahl children's book. The 1990 adaptation stars Anjelica Huston and is a fan favorite. It's probably a fool's errand to try to do another. The only reason is to upgrade the mice with CGI and that's often a bad idea. The charm of the old animatronics is actually more timeless than CGI which ages over time. It does inject some American racial divide into the story but the movie drops that interesting take rather quickly. The one awful thing it does is to replace the greatness of Huston with a terribly weird Joker-smiling Hathaway. It is bad. There is no good reason for this movie and watching it proves that.
This is the second film adaptation of the Roald Dahl children's book. The 1990 adaptation stars Anjelica Huston and is a fan favorite. It's probably a fool's errand to try to do another. The only reason is to upgrade the mice with CGI and that's often a bad idea. The charm of the old animatronics is actually more timeless than CGI which ages over time. It does inject some American racial divide into the story but the movie drops that interesting take rather quickly. The one awful thing it does is to replace the greatness of Huston with a terribly weird Joker-smiling Hathaway. It is bad. There is no good reason for this movie and watching it proves that.
The remake was okay but much lighter in tone than its predecessor and the cheesy humor was kinda cringeworthy. I would've preferred a much darker spin and more sinister vibe over this comical TV movie offering but oh well. Octavia was really good as always but the cheap CGI did let the movie down. It's also been very clear for a number of years now that Anne's forte are not accents. I mean she sounded comical and even Scottish in certain parts...like girl come on now. It goes without saying that Anjelica Huston's performance was much stronger and scarier in the 1990 version, but overall the cast, sets and writing were okay.
I was surprised to the reaction to this film... It's completely inoffensive and does everything it needs to with the charm of grandma, the malice of the Grand High Witch, etc. I'm getting the feeling that these are reactionary responses to yet another 'bland and unoriginal Hollywood' trend even though this is an adaptation of Roald Dahl's book, just like the 1990 version is.
It's alright if people don't like this movie I suppose but acting like it's the worst thing to come to screens is an exaggeration to say the least. Kids are most definitely going to enjoy it, it is for them after all, not the adults comparing it to the 1990 adaptation, so I'd say this film was a success in what if wanted to do.
It's alright if people don't like this movie I suppose but acting like it's the worst thing to come to screens is an exaggeration to say the least. Kids are most definitely going to enjoy it, it is for them after all, not the adults comparing it to the 1990 adaptation, so I'd say this film was a success in what if wanted to do.
Roald Dahl was my favorite author throughout my childhood and adolescence, and even now I still tremendously enjoy re-reading his novels, or - even better - reading them to my 8-year-old daughter. Of all the writers in the world and in history, Dahl created the most insanely imaginative fantasy worlds and the most colorfully eccentric characters. In every decade since the 1960s there has been at least one famous film adaptation of Dahl's work, and often they were helmed by some of the world's most acclaimed directors (like Nicholas Roeg, Steven Spielberg, Tim Burton, and now Robert Zemeckis)
"The Witches", Dahl's awesomely grim and eerie novel from 1983, already received a film version once in 1990, and - in my humble opinion - that version stood the test of time very well. Still, the skeptical author got to see it shortly before his death and didn't like it, so producer Guillermo Del Toro and director Robert Zemeckis considered it was time for a re-interpretation. The result is an overall enjoyable movie (or at least more enjoyable than what the harsh reviews around here claim), but nevertheless one with many shortcomings and tiny disappointments.
The narration of Chris Rock feels awkward and misfit from the very first minute. Although he never appears in the film, Rock's voice is supposedly the young and orphaned boy whom, together with his loving grandma, courageously confronts a whole coven of witches, and the diabolical Grand High Witch in particular, in a picturesque seaside hotel. While Octavia Spencer and the young Jahzir Bruno gave away likable performances, the frequent interruptions by Rock's irritating voice formed a nuisance to me. Furthermore, I read a lot of negative comments regarding Anna Hathaway's depiction of the Grand High Witch, but I honestly can say she's quite alright. Sure, she can't hold a candle to Anjelica Huston, who was born for the role, but I dug Hathaway's exaggeratedly nasty accent and her overacting.
The biggest default of the 2020 version, according to me, is how Dahl's vivid imaginary setting and lead characters were turned into uninspired and soulless CGI effects. Anjelica Huston's transformation into the Grand High Witch gave 9-year-old me nightmares for weeks, while there's nothing even remotely scary about her digital transformation here. Same goes for the kids turning into mice, and the legendary moment when all witches take their wigs off. These sequences are a lot less impactful and astonishing as in the 1990s version. I read somewhere that producer Guillermo Del Toro initially wanted the effects to be stop-motion. Why didn't he persist? He's the producer after all, and a classic Dahl story needs old-fashioned handicraft effects!
"The Witches", Dahl's awesomely grim and eerie novel from 1983, already received a film version once in 1990, and - in my humble opinion - that version stood the test of time very well. Still, the skeptical author got to see it shortly before his death and didn't like it, so producer Guillermo Del Toro and director Robert Zemeckis considered it was time for a re-interpretation. The result is an overall enjoyable movie (or at least more enjoyable than what the harsh reviews around here claim), but nevertheless one with many shortcomings and tiny disappointments.
The narration of Chris Rock feels awkward and misfit from the very first minute. Although he never appears in the film, Rock's voice is supposedly the young and orphaned boy whom, together with his loving grandma, courageously confronts a whole coven of witches, and the diabolical Grand High Witch in particular, in a picturesque seaside hotel. While Octavia Spencer and the young Jahzir Bruno gave away likable performances, the frequent interruptions by Rock's irritating voice formed a nuisance to me. Furthermore, I read a lot of negative comments regarding Anna Hathaway's depiction of the Grand High Witch, but I honestly can say she's quite alright. Sure, she can't hold a candle to Anjelica Huston, who was born for the role, but I dug Hathaway's exaggeratedly nasty accent and her overacting.
The biggest default of the 2020 version, according to me, is how Dahl's vivid imaginary setting and lead characters were turned into uninspired and soulless CGI effects. Anjelica Huston's transformation into the Grand High Witch gave 9-year-old me nightmares for weeks, while there's nothing even remotely scary about her digital transformation here. Same goes for the kids turning into mice, and the legendary moment when all witches take their wigs off. These sequences are a lot less impactful and astonishing as in the 1990s version. I read somewhere that producer Guillermo Del Toro initially wanted the effects to be stop-motion. Why didn't he persist? He's the producer after all, and a classic Dahl story needs old-fashioned handicraft effects!
If I hadn't seen the original film, then I may have scored this higher. There's nothing overtly wrong with it but to me it feels just a little flat vs the original, and only improves once the cgi kicks-in. People new to the book may even prefer this version but for me the original is far better.
¿Sabías que…?
- TriviaThe original 1983 novel was largely set in the United Kingdom (with a few scenes in Norway). This movie adaptation is set in the US state of Alabama, but, ironically, was mostly filmed in the United Kingdom (though some exteriors were shot in Alabama and Georgia). Octavia Spencer is originally from Alabama.
- ErroresNear the end at 1 hour 34 min Hero mouse references to Mary as Daisy although he learned earlier in the movie her real name and commented on it that it's pretty.
- Citas
[being cornered by her own cat]
Grand High Witch: Remember who it was who feeds you... No, don't think about food!
- Créditos curiososRoald Dahl's credit is composed of items/people from his stories:
- R is a jar of dreams from "The BFG"
- O is a swollen Violet Beauregarde from "Charlie and the Chocolate Factory"
- A is a stack of levitating books from "Matilda"
- L is a fox tail from "Fantastic Mr Fox"
- D is a giant peach hoisted by seagulls, from "James and the Giant Peach"
- Dahl is a Wonka chocolate candy bar containing a golden ticket from "Charlie and the Chocolate Factory"
- ConexionesFeatured in The Nostalgia Critic: The Witches (2020)
- Bandas sonorasLittle Drummer Boy
Written by Katherine K. Davis, Henry Onorati, Harry Simeone
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Detalles
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- The Witches
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- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 203,571
- Total a nivel mundial
- USD 29,303,571
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