La madre del mal

I'm sorry, Dario but this doesn't belong next to your other "Mother" films. It's really funny that some people dare compare it to his older films and especially to Suspiria.

On the good side, Dario proves that he is still inventive in his killing scenes. Actually, this may be his most gory film. Violence and gore are really over the top, sometimes to such a degree that it can be comic. But in the direction/atmosphere department things don't look that good. The film never manages to build the really tense atmosphere we've seen at other Argento films and old masterful camera moves are mostly absent. The special effects don't help much, either. Blood and gore is done pretty good, but the Spirits and other CGI moments (God, I hate CGI in horror films) are at least cringe-worthy.

Of course Dario's decline hasn't started now, I consider his last decent film to be Sleepless (2001) and before that, Opera (1987). It's just that the story and the acting don't help either. What's new ? you'd say. Admittedly, especially in the acting department Dario's films were never that good, but here most of the acting is really bad. Especially his daughter (which he so much likes to torture in his movies) delivers some of the worst acting I've seen. She was never that good an actress, but especially in this film she's very bad. The fact that she has lost that exotic youth she portrayed in his older films lessens even more her overall appearance.

I'll give it a 5/10 because there *are* some strong moments in the movie (albeit a few), but all and all I would only recommend this film to die-hard Argento fans, or people that badly want see some over-the-top gore. There can be no comparison whatsoever between this film and the previous "Mother" movies, or his other golden-era films. If you really want to get to know one of the best horror filmmakers ever, watch Suspiria, Tenebre, Phenomena, Inferno and Profondo Rosso.

OK, Mother of Tears is not Suspiria. A lot of people is disappointed because this movie is not as good as Suspiria...bad news for you: Suspiria is a masterpiece and is very tough to found movies as great as that. The good news is that Mother of Tears is a very good horror movie. The third part of the trilogy is IMHO better than Tenebrae and is one of the best Argento movies in a long, long time. Good scares, a lot of gore (this must be the goriest Argento movie) and very entertaining overall. There are a lot of bloody and great scenes, amputations, decapitations, impaling. If you like ultra gore you will like this, If you like Argento you will like it (if you don't expect a new Suspiria) and if you are just a horror fan, I'm sure you will like this too.

There is much to like here and I found myself more impressed with the film on 2nd viewing. I particularly liked the monkeys. But what kills the film for me is the lack of gravitas around the Mother figure here. she is too soft porn and thus difficult to take seriously. Her henchmen are fine, but she lacks genuine magic, and i. a film that takes magic as its subject, this pulls it down. In an Argento movie, we Can swallow the odd bit of scenery chewing (Udo) and even lack luster CGI and a lessening of the visual poetry of suspiria.... but only if that underlying sense of magic works. It half does work until the Mater turns up looking like a playboy centefold in a cape

I know this is going to be hard for you to hear, but I have to get this off of my chest: I'm leaving you.

We had a good run for years, but now its time to move on. I'm not going to patronize you by using the tired "its not you - its me" cliché. In fact, it IS you. You've changed, and I'm not in love with your movies anymore.

In the early days, we had a blast. Your films were artistic, original, vibrant, gory and scary. They were lush with complex themes woven into horror films that broadened my mind...

In the Eighties, we had a rocky period. Your films became sloppy and convoluted. Yes, the honeymoon was over - but we still stuck it out. I had faith that we (you) could work through this and get back in the game.

Towards the end of the millennium, you did have your flashes of brilliance - glimpses of our blissful beginnings... Sadly, as I now see, those were merely the final stages of your decline. Your brief and violent death throes before truly going off the rails.

I am writing to you now after seeing "Mother of Tears." I had such high hopes for us again!! All the planets were aligned: Late night screening - full house - open mind - belly full of tequila and lime... and the NEW DARIO ARGENTO FILM!!! What could possibly go wrong! Then it starts... Gore right off the bat! Then witches!! THEN a very wicked little monkey!! This is going to be great!

Then... oh god, then.... I'm not sure when it started exactly, but at some point pretty early on the plot twisted off into nowhere - followed shortly thereafter by any pretense of acting. I mean - I love a b-flick, but this was just pathetic. Especially when you know everyone can do better. (Oh, Udo, my secret Lover... Why? WHY???)

What bothers me the most was that it seemed that you, Dario - the once great horror maestro- didn't care about this one. Where was the signature color palate? Why would you let the one of the brilliant Goblin boys write one great Argento-esquire piece, followed by half an hour of hackery?

I hate to say it, but after your last three flops - I'm done. Thanks for the great years, Dario, but you and I are through.

We'll always have the 70's, my Love. And I will remember them, and you, fondly. Good bye, Dario.

It took me several viewings of Argento's final film in his Three Mothers trilogy before I finally arrived at a sure, albeit ambivalent, conclusion.

The "plot", as they call it, involves an ancient urn which causes the city of Rome to erupt into violence. Robbery and murder run amok and it's all the result of Mater Lachrymarum (the Mother of Tears.) It's ultimately up to a young art student by the name of Sarah Mandy to stop the chaos.

Asia Argento plays the role of Sarah. I don't think Asia is without talent (I enjoyed her performances in Trauma and the Stendhal Syndrome – two earlier Argento efforts.) But while she shouldn't entirely be held at fault here, her performance isn't exactly great. She frequently comes across as wooden, although I believe much of this is a result of the poor dialogue. And perhaps more importantly, her wooden delivery and still fairly thick Italian accent give the proceedings quite a bit of charm. I wouldn't say her performance enhances the film, but I suppose her looks are enough to keep the film going. Adam James' character is boring and not at all engaging; this is true even when we're given the chance to poke fun at him. He does nothing for me, and, at best, is forgettable. And then there's Udo Kier. Doing what he does best, he's over the top enough to be memorable, but he somehow never crosses into "too ridiculous" territory. His screen time is short but worthwhile.

One of Mother of Tear's saving graces is its gore. Gone is Germano Natali's (Deep Red, Suspiria) garish, paint-like blood (excellent in its own right); instead, Argento opts for a more Fulci-esque display of bloody mayhem. The camera lingers on every moment of gory detail. Argento has rarely been this brutal; there are plenty of memorable moments for gore hounds and the film's first big sequence is a perfect example.

Mother of Tears' soundtrack frequently pays homage to Argento's past supernatural related works. The music during the aforementioned first murder sequence is a clear nod to Suspiria's over-the-top, yet haunting operatic music. And later scenes do more than enough to hint at Inferno's piano-based instrumentals. Overall, the film does a good job score-wise.

From a visual standpoint, Mother of Tears is hardly lacking. It may not have the Technicolor look of Suspiria or the nuanced production design of Inferno, but it's hardly dull. It takes some of the artsy indoor/outdoor scenes of The Stendhal Syndrome and combines it with the more elaborate set-pieces found in previous "mother" films.

Overall, Mother of Tears is a mixed bag. It has its boring moments, but it's also a good example of Italian Horror's love for grandeur and charming carelessness toward what is considered logical or politically correct. Those comparing it to films of Argento's golden era need to stop living in the past. Mother of Tears has its great moments and not so great moments and it is neither a failure nor a rousing success. If you're a fan of 80s "godfather of gore" era Fulci and take into account the 21st century's distinct lack of anything Giallo/Italian Horror-related, Mother of Tears is worth a watch.