El nudo del diablo

"Devil's Knot" has gotten a lukewarm reception from audiences and this is ill-deserved. The film is a perfect-pitch plainsong retelling of the case of the West Memphis Three. Atom Egoyan is a master of understated film-making, but perfectly depicts the aura, atmosphere, cultural inclinations and Bible-belt provincial biases of the participants without being garish. Marvelous performances from Reese Witherspoon, Bruce Greenwood,Colin Firth and several others are on view here. Mireille Enos's lightning-catching turn as Vicki Hutcheson, in which she brilliantly channels uneducated de classe white-trash coarseness, is worth sitting through the entire film. The esteem in which this competent film is held will grow with time.

For decades now, Hollywood has been mining the headlines for inspiration. It was only a matter of time before studio executives turned their attention to the West Memphis Three: a trio of teenagers who were convicted - most likely wrongfully - of murdering three young boys and sentenced to life in prison. You might imagine that the resulting movie would be every bit as disturbing, tragic and thought- provoking as the actual case itself. But Devil's Knot is more respectful than effective as a film, covering the facts without really getting to the heart of the matter.

On a summer day like any other, Pam Hobbs (Reese Witherspoon) waves goodbye to her little boy Steve as he heads off on his bike with his two friends. It would be the last time she sees him alive. When three bodies turn up in a rain-washed river, the local authorities conclude that the murders bear shades of a Satanic ritual. As a result, other leads - a bloodied man stumbling into a diner near the scene of the crime, a young man (Dane DeHaan) with an odd interest in the boys - fall by the wayside. Instead, three teenagers with an interest in the occult - Damien Echols (James Hamrick), Jason Baldwin (Seth Meriwether) and Jessie Misskelley Jr. (Kristopher Higgins) - become the targets of a community and legal system eager to find answers, even if it means looking in all the wrong places.

It's easy to see why these murders, which took place in 1993, have remained so compelling and fascinating, even twenty years later. Mixed up in the heartbreakingly tragic loss of three young lives are weighty themes of prejudice, religious bias and the miscarriage of justice. With new leads consistently popping up that continue to throw the original judicial decision into doubt, it's small wonder that private investigators like Ron Lax (played by a rather miscast Colin Firth in the film) find themselves turning over and over the facts of the case, trying to figure out how the police narrowed their search in a way that seemed to lead to obvious - and likely erroneous - conclusions.

But Atom Egoyan's film never really delves into the horror and humanity of the story it wants to tell. At some point along the way, the film shifts into documentary mode, hitting the story beats but never really finding its heart. There are a couple of emotional moments that come courtesy of Witherspoon's shell-shocked Pam, but very little insight is otherwise provided into the psyches of the characters. We spend hardly any time with the parents of the other two victims, and we're never really given the opportunity to come to grips with the seemingly stone-cold Damien or his two alleged accomplices - a befuddled Jason and a haplessly confused Jessie.

For anyone unfamiliar with the West Memphis Three, Devil's Knot will serve as a good enough primer: it's a dutiful version of the story, with the bare facts alone capable of chilling most people to the bone. But anyone who's more interested in the twists, turns, implications and consequences of the case might be better served by looking elsewhere. There are a few actual documentaries out there - the Paradise Lost series and West Of Memphis (produced by Peter Jackson) - that are considerably more incisive in their approach to these murders.

Atom Egoyan can't seem to decide whether he wants to make a para documentary or a "Twin Peaks" rip off, which distracts the viewers like me (unfamiliar with the West Memphis Three case) and clearly confuses his cast. The best of the bunch were the child actors and Dane DeHaan. Although I must point out that only the little boy playing Aaron was able to master the para docu "Twin Peaks" style his director was desperate to create on screen... Incredibly memorable performance. But the movie itself is just OK if not just meh. And considering the fascinating story based on true events and the talents involved this should have been a great movie.

I have seen a lot of people trash this film, and if you are looking for something on the level of Angelina Jolie's "Changeling", you will be disappointed. If though, you are tolerant of a low budget but effective dramatization of a very tangled, disturbing, and tragic story about 3 young boys losing their lives to murder and 3 young men losing their lives to a group of detectives and justice system blinded by emotion, you will appreciate this film. Reece is fantastic as the mom of one of the victims. She is the big name in the film, though you will recognize several actors who are not quite up to her level of star power. I am a bit of a junkie on this case, and I was not disappointed. I think it does a fair job of presenting the defense's perspective. Granted, if you think they are guilty, and there are many who do, then you will be angered by its presentation. Nonetheless, I was very pleased with it.

Based on the book by the same title, DEVIL's KNOT is a docu-drama about the 1993 ritual murders of three eight-year-old boys in West Memphis, Arkansas. This film does not contain any basic information that is not already covered in the documentaries PARADISE LOST and WEST of MEMPHIS. It does, however, provide some fairly interesting reenacted personal perspectives of the various parties: victims' families, the accused "Memphis 3" and certain of their friends, the police and prosecution, the defense teams, etc. DEVIL's KNOT makes for a compelling enough show and is expertly filmed with decent but not great acting. Though I'm sure that there are some misrepresentations of certain details, it is faithful to the basic events of this case. The biggest limitation is that those who have read the various books and seen earlier films will not find anything terribly new here while casual viewers who are unfamiliar with the case will find all the various characters and shifting perspectives confusing.

Colin Firth gives a nice performance as private investigator for the defense Ron Lax; ditto for Reese Witherspoon as Pam Hobbs. DEVIL's KNOT might have worked better with a stricter focus on one or maybe both of these characters, even if that meant ignoring certain other people and factors in the case.

Regardless, this film is very revealing of how incompetent police work, selective use of evidence by the prosecution, and public hysteria in this rather superstitious Bible Belt community led to the denial of reasonable doubt for the accused "Memphis 3." Without telling you what to think or pointing the finger unduly, it also cursorily examines other potential suspects. There are some brief bits of courtroom drama, but again, the focus changes just as things get really interesting.

In short, DEVIL's KNOT is quite watchable, but the attempt to tell the entire story in a narrative of less than two hours is inadequate and dissatisfying.

WARNING: Though there's not a lot of gore, there are some brief and graphic post mortem shots of the young victims.