Kurt Cobain: sobre un hijo

This is the official story. I don't think many people realise that that a lot of the stuff written about Kurt and Nirvana was either sensationalised, or just completely made up. This story though is one of the very few true stories. It is based on Michael Azerrad's book, "Come As You Are", which was official and was made with the help of the band, and their friend's and families.

This movie is made WITH the actual discussions of Kurt with Michael. So the entire movie is basically just Kurt talking, and the movie makers then just added pictures to what Kurt was talking about.

Sometimes it's a photograph or a painting, but a lot of the time it is actual footage of the people and places in this story, and it makes it so much easier to visualise what Kurt is talking about, when it presented so well for you like that.

If you have read the book, this is like a watered down version of that, but it is still worth a watch because you are hearing it from Kurt himself, and you are hearing the quotes in their original form. For the book, some of the quotes were taken apart and put in different stages in the story to make it fit together properly. So here it is in it's raw form which is interesting. And there are a few things that didn't make the book.

I really liked the visual aspect though. Some said it should have just been an audio CD, well I completely disagree, (as do other people). The pictures visualise everything for you, so you get the full emotional experience. Your mind doesn't have to wander around, trying to think about what Kurt is saying. The pictures are already here for you, so it gives you time to think about what Kurt is actually saying. It also shows you a lot of things that are in the story. The actual places Kurt lived and hung out etc. Hearing him talking and seeing the footage of this stuff just seemed to fit together perfectly, and it surprises me that some people didn't appreciate that.

Seeing Olympia, Aberdeen, and Montesano etc.. it helps show the story that is being told.

Basically this gets two thumbs up from me. It's a must watch for a Nirvana / Kurt fan, and probably an interesting watch for people who aren't even fans.

My only notes to you would be that it is pretty sad, and also it a VERY thinned out version of what you get from the book, so if you want more, you really should get the book too.

Utilizing Michael Azerrad's 1992-1993 audio interviews with now-deceased grunge rocker Kurt Cobain as a springboard, director AJ Schnack has fashioned an impressionistic and absorbing, if thinly-derived, account of a reluctant celebrity, one who enjoyed the hungry years much more so than the sudden fame. Born in Abderdeen, Washington, Cobain recounts a carefree childhood up until his parents were divorced around the age of seven (something he found unacceptable); diagnosed with scoliosis in the eighth grade, and quickly turning to marijuana to ease both his spinal and stomach pain, Cobain freely admits he began to exhibit schizophrenic behavior and compulsive disorders. He acknowledges he was offered grants after high school to attend art school (for artwork that we never see) but instead wanted to focus on his music, which got him kicked out of the house. The streets (and friends' couches) seem a bizarre existence for an exceptionally gifted teenager, but Cobain found the independence freeing and fun ("I was being a bachelor!" he says). While Cobain is talking, Schnack's camera roams the streets of Aberdeen, nearby Montesano (where Cobain also briefly lived), Olympia, and finally Seattle, where true success found the icon at last. What appears to be the typical hard-luck road to stardom is shrugged off by Cobain, who always enjoyed the struggle more than the success. The film is a gamble--at times interesting, funny, irritating, and boring--but Kurt Cobain's words speak for themselves, and even non-fans might be intrigued by his unimaginable climb up from nowhere. **1/2 from ****

I attended a screening of -Kurt Cobain, About A Son at the Seattle International Film Festival. As you can expect with a hometown audience, the audience was ready to fall in love with this film going in. For the most part, the film did not disappoint. The most powerful aspect of the film is the fact that we hear Kurt Cobain's voice speaking his own words, a far better idea than the standard documentary format that features "experts" and fans talking about what made a person great. In the interviews, Cobain is happy, depressed, funny, bitter, excited, exhausted, gracious, resentful, kind, sarcastic ... but always engaging and interesting. It was also powerful to see the images of the towns in which Cobain lived -- Aberdeen, Olympia, and Seattle -- as he talked about different phases of his life. I agree with an earlier poster's comment that saving actual images of Cobain and Nirvana until the end really worked. After all, it is Cobain's voice that is his greatest legacy, and by filling our eyes with images of industrial workers, train trestles, run-down houses, liquor stores, street corners, and so on, the film reminds the viewer that Cobain was a man, first and foremost, and an icon later. And the soundtrack is AWESOME! Kurt talks a great deal about bands that influenced him as he grew up and started writing songs, and many of these artists were kind enough to grant permission to the film-makers to use their music for free. I hope that a soundtrack album is released at some point. My only complaint was the film-makers' choice to include images of places, buildings, and scenes (especially in Seattle) that were not around when Cobain was alive. How much did the Mariners' baseball stadium (which opened in 1999) "shape" the person who became Kurt Cobain, and I somehow doubt that Cobain spent any time at Starbucks. Nevertheless, I highly recommend the film to anyone who loves Nirvana or is fascinated by the man.

It's so delightfully refreshing watching these types of "documentary" films. The film is not like many others I have seen as it is highly original and experimental. There is nothing to spoil in this piece really. It's just a really relaxing experience throughout.

It sounds a long time of just simply listening to audiotapes of Kurt Cobain - and it actually is. I disagree when I hear that only people who like Nirvana/Kurt Cobain would enjoy and appreciate the film. For people who really appreciate film language, it is a film to watch too. I have seen it twice now and it does amaze me that I don't get bored. The mild soundtrack in the background along with pictures and video clips makes it a journey while you listen. Basically all of the clips you see are merged together with what he is saying to give a sense of atmosphere and relevance. ( There is no clips of Kurt Cobain or Nirvana. Nor is there any songs. The only small clips of Kurt are at the very end) Without spoiling (even if that's not really possible), there is one particular clip where there is a man walking in the background which is supposed to be Kurt. Therefore it's also a documentary you need to pay attention to, just like any other film.

But if you actually are interested to see this piece because you are a Kurt Cobain fan, you really should have a look. It's probably the film which made me really assured that Kurt Cobain was a true role model. You can read as much about him as you want, but the interviews which this film provides is truly excellent.

It will definitely not suit everyone, but for me it is one of the best crafted documentaries I have ever seen.

I just saw this at the Toronto Film Festival and I wasn't impressed.

While I appreciate the audio interviews captured within this film, I question why a movie was made. I would have enjoyed the film as much if listened to on the way home while I was in traffic. It should have been a CD release, not a film.

The film revolves around some audio recordings that were compiled from a series of late night interviews. There were very intimate details described by Cobain, including how he did care about what people thought about him (as opposed to what most of his friends suggested), and that he wanted to write some pop songs for their albums, but Sub Pop forced them into keeping the albums underground. Some may already be aware of these facts, but I enjoyed learning of them for the first time. The tone in which Cobain spoke felt genuine, and the pacing of the interviews was perfect. These interviews deserve to be heard by any fan of Cobain's, or Nirvana. They were a great listen.

The problem with this film is there isn't a single video clip or photo of Cobain, his family, or Nirvana until the last 30 seconds of the movie. The entire film involves a series of related images that play based on the interviews. An example would be when speaking on his father's job, they show footage of men working at a lumber yard. When Cobain spoke on Seattle, they'd show images of Seattle Record stores, streets and highways. They even had real time images being drawn in the form of artsy cartoons (tree's and grass swaying) during some of the vocals. It was like watching on LONG Fruitopia commercial combined with a film strip about Washington. Unfortunately it also seemed like they had problems clearing for use in this movie.

I understand what the director attempted with the images, but it failed in my eyes. It's almost like they brainstormed how they could generate the most revenue from the interviews, as opposed to having a vision upon hearing them. It feels forced, and I don't need to see this again. Literally. If I ever end up with a copy of the DVD I'll either record the audio to CD, or listen to it with the TV off.