El club de los desahuciados

Greetings again from the darkness. It's not unusual for an actor or actress to alter their physical appearance for a movie role. Sometimes those changes become the story: Robert DeNiro in Raging Bull and Christian Bale in The Machinist are two that come to mind. Regardless of the transformation or make-up, what really matters is the performance and the character. Just ask Eddie Murphy (Norbit) or Gwyneth Paltrow (Shallow Hal). In The Dallas Buyers Club, we actually get two incredible transformations that lead to two stunning performances.

Matthew McConaughey and Jared Leto each lost approximately 40 pounds for their respective roles as Ron Woodroof, the redneck, three-way loving, alcoholic, drug-addicted electrician/rodeo cowboy; and Rayon, the sensitive, street-savvy, would-be transsexual so desperate for a kind word. Their physical appearance will startle you more than once, but is quite effective in getting across the struggles of those infected with HIV virus in the 1980's. The numbers impacted exploded and the medical profession was ill-equipped to properly treat the patients.

This is based on a true story and a real life guy (Woodroof) who became a most unlikely beacon of hope for AIDS patients. Woodroof fought the medical industry, Pharmaceutical companies and the government (FDA, DEA, IRS). It's impossible to miss the message and accusations that most of these had a single goal of increasing profits, rather than curing the disease. And that's where the story lags a bit. Michael O'Neill and Dennis O'Hare are the faces of greed and bureaucracy, while Jennifer Garner, Leto, and Griffin Dunne represent the side with a heart. Woodroof seems to be a guy who just doesn't want to die, sees a business opportunity, and even learns a little bit about humanity along the way.

There have been numerous other projects that deal with AIDS, including: Philadelphia with Tom Hanks and the recent documentary How to Survive a Plague. This may be the first with a protagonist who is simply unlikeable, despite his passion and strong survival instincts. McConaughey doesn't shy away from the homophobic personality and cruel manner of speech that Woodroof possesses. We never doubt his frustration at those controlling the big picture, but we never really see him connect with those his brash tactics help.

McConaughey is on a dream run as an actor right now, and it certainly wouldn't be surprising to see him garner an Oscar nomination. But it would be a mistake to chalk that up to his losing so much weight - he really delivers a character that we won't soon forget. And let's not overlook Mr. Leto, who has been away from acting for 4 years touring with his band. He is a remarkable talent and a true screen presence. Compare this role to his Mark David Chapman in Chapter 27. It's not just the range of weight, but moreso the range in acting that so impresses.

Also worth noting here is the outstanding cinematography of Yves Belanger. This movie is shot in a way that brings out the intimacy of the moments, while not losing the big picture. Director Jean-Marc Vallee (The Young Victoria) and co-writers Craig Borten and Melisa Wallack work together for a solid foundation, but it's McConaughey and Leto that we will most remember ... and of course, the pics of the great Marc Bolan on the wall. www.MovieReviewsFromTheDark.wordpress.com

Other reviewers have ably reviewed this film, so I'll just say that this small gem is the best film I've seen so far this year. Both lead actors give sparkling performances, and in scenes where they share the screen, you might need sunglasses to handle the sun-bright intensity.

Of note is that this entire film was shot in only 23 days and Leto, in particular, said in an interview on the Daily Show, that he didn't have much time to rehearse, making the performance even more impressive. The only detraction was Jennifer Garner. She barely projects the authority of a nurse, let alone a doctor, even though female doctors in the 70's (and maybe today) were second-class citizens.

Much has already been written about Matthew McConaughey and Jared Leto's astonishing transformations, and brilliant performances. Solid and true, yes. They both deserve enormous accolades, Golden Globe and AMPAS-worthy, for these transformations and the effort of their craft. But I think the true heroes of this project are the Producers who took a chance on such dicey subject matter. Some reviews hail the project as "A Crowd Pleaser," and yet, you realise, these are TRULY marginal characters, and not entirely likable, as some have already said, in an Era (1970s-1980s early AIDS crisis) that is nearly forgotten in this age of HIV exposure-as-a-managed-care-condition, rather than a death sentence, as it was between 1979-1995. As much as this could be a feel-good film for the discovery and pioneer of protease inhibitor cocktails, it is a compelling character study of a time of crisis that has not been well-captured or documented adequately in quite some time. BRAVO to the Producers of this movie for giving this project the Greenlight, because the sexually-active youth of today would never know the Plague and tragedy that preceded their coming-of-age without a reminder like this.

It is one of great films who you do not know why you admire . Sure, acting, story, mix of rodeo and AIDS, the romance, the real facts ,the fight against bad system. But each represents only detail. Its message can be the best answer for see it more as revelation than as a good movie. The basic, small truths. And the force and art of Matthew McConaughey to propose something almost unexpected from him. Or a great Jared Leto . Short - just more than a film.

At the beginning of the AIDS epidemic in the early 1980s, patients were advised to wait. In the six years following the first recording of the AIDS outbreak in 1981, more than 40,000 people in the U.S. died while waiting. In response to the clamor for action on the AIDS crisis, then Vice President George H.W. Bush has been quoted as saying "If you want change, change your behavior." Roger Ebert recalls, "Politicians did not want to be associated with the disease. Hospitals resisted admitting victims, and when an AIDS victim died, some health-care workers would place the body in a black garbage bag. Funeral homes refused to accept the corpses."

As described in David France's documentary How to Survive a Plague, activists such as the New York-based organization ACT UP began to protest against the government's callous indifference, challenging the FDA to change their drug approval procedure and the pharmaceutical companies to lower their prices and speed up their research process. In addition to the organized group protests, individuals also did their part and the determination of one unlikely crusader, electrician Ron Woodroof (Matthew McConaughey), a homophobic "good ol' Texas party boy," is the centerpiece of Jean Marc-Vallée's gritty and hard-hitting Dallas Buyers Club.

Written by Craig Borten and Melisa Wallack and based on real events, it is the story of Woodroof's personal struggles after being diagnosed with AIDS and his efforts to spread public awareness of the disease and help reduce the suffering and extend the lives of AIDS patients. As the film opens, the heterosexual, drug-using and unabashedly promiscuous Woodroof receives the bad news from his doctors that he only has thirty days to live. Reacting with vitriol, he storms out of the hospital, cursing and making homophobic slurs while accusing the staff of making the wrong diagnosis.

After thoroughly researching the disease, however, and accepting the idea of his serious illness, Woodroof hears of a clinical trial for the new drug AZT, the only legal drug that was available at the time in the United States. His attempt, however, to become one of the participants is denied and he has to purchase the drug surreptitiously from an orderly. Unfortunately, he soon finds out that the dosage of AZT he is taking is toxic and his condition worsens. Refusing to give up, he visits an unlicensed American doctor (Griffin Dunne) in Mexico who has had some success with alternative treatments such as vitamins and protein-based anti-viral drugs.

Smuggling non-FDA approved experimental and alternative medicines into the U.S., he creates a business that allows him to distribute the drugs free of charge to AIDS patients who pay a monthly membership fee to join his Dallas Buyers Club, one of many such clubs that sprang up around the country. Woodroof is assisted in his venture by the drug-addicted transsexual Rayon (Jared Leto), a fellow patient that he met during his hospitalization. Though the film's depiction of Rayon does little to break the gay stereotype, their mutual engagement in helping AIDS victims helps Ron see his business partner in a different light than on their first meeting.

With the help of a sympathetic doctor, Eve Saks (Jennifer Garner), Rayon and Woodroof work together while dodging Food and Drug Administration enforcers and the wrath of the pharmaceutical companies. In one of his best efforts, Matthew McConaughey, who lost 40 pounds for the movie, delivers a brilliant performance as the emotionally volatile but basically decent Woodroof. Though ultimately, not all alternative drugs proved to be useful, Woodroof and Rayon's determination in the face of powerful interests helped paved the way for development of new treatments, even though it took until the late 90s to come up with one that was fully effective. As a result of their efforts and that of countless others, HIV is no longer the death sentence it once was.